In a thrilling career-spanning retrospective, Arnulf Rainer proves that art can be revelatory throug...
Agathe Sorel interview: ‘I never have an idea in advance, even now. Expe...
Agathe Sorel talks about her battle to get printmaking recognised in art colleges, her unconventiona...
Christopher Le Brun interview: ‘From the drama of the image in my earlie...
Royal Academy president Christopher Le Brun has produced 33 new canvases for his solo show at Friedm...
Sally Smart, known for her large-scale installations, talks about her recent project, The Pedagogica...
In this conversation with Studio International about her first retrospective, titled Scenarios, at t...
Maryam Najd: Accuracy & Balance – West
In her work, painter Maryam Najd, who was born in Iran but now lives in Belgium, explores whether th...
Rafael Lozano-Hemmer: interview
Famous for his interactive installations for public spaces, Rafael Lozano-Hemmer talks about his unu...
The Digital Revolution and the beginning of New Media Art
From the ICA’s landmark 1968 show Cybernetic Serendipity through Pac-Man and Mario Bros to the lat...
Will Maclean and Marian Leven: interview
An Suileachan is an art project on the Isle of Lewis, by Will Maclean and Marian Leven, that reflect...
Rui Macedo, who was born in the Portuguese city of Évora in 1975, started working as a painter at t...
Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executiv...
The work of rootoftwo also responds to anxiety, but by measuring social media and people’s respons...
Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...
Pablo Bronstein, whose Sketches for Regency Living graced the walls of the ICA in London this summer...
Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...
Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...
Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
Dashiell Manley interview: ‘I approach most projects as if making a film...
Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...
Ready or Not: 2014 New Jersey Arts Annual: Fine Art
In its Arts Annual: Fine Art, Newark Museum was true to its roots. A wide array of theses, media an...
Katie Paterson: Earth-Moon-Earth (Moonlight Sonata Reflected from the Surf...
Katie Paterson’s lunar meditation on music, technology and imperfection reassesses our place in th...
Stephen Farthing, Rootstein Hopkins Chair of Drawing, talks to Janet McKenzie about his obsession wi...
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Rossetti’s Obsession: Images of Jane Morris
This small but enchanting exhibition of paintings, drawings and photographs of the pre-Raphaelite be...
Micro-Events: Tsuneko Taniuchi
Blurring the line between reality and fiction, performance artist Tsuneko Taniuchi tries to change o...
The lives of the women behind the Zero artists
Strong Women For Art: In Conversation with Anna Lenz is a celebration of women who have lived with m...
Primrose: Early Colour Photography in Russia
From austere family portraits of the 1860s to Rodchenko’s Stalinist propaganda posters and the sub...
Mark Soo interview: ‘The object of observation changes by being observed...
Multimedia artist Mark Soo tells A Will Brown about his interest in the interconnection of elements,...
An Idiosyncratic A to Z of the Human Condition
This whimsical interactive exhibition from the Wellcome Collection, with its weird and wonderful obj...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Lisson Gallery continues its minimalist aesthetic with the work of nine artists, five of whom have n...
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