Cécile B Evans: Amos’ World: Episode One
Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...
The spectre of conflict haunts the powerfully enigmatic oeuvre of one of Poland’s pre-eminent post...
Iteration 2018 of MoMA’s biennial sampling of what’s trending in photography rethinks both the m...
Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel ...
Alexandra Kokoli and Basia Śliwińska: ‘As long as ‘home’ remains...
Curators Kokoli and Śliwińska and artists Małgorzata Markiewicz and Su Richardson talk about th...
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Cinthia Marcelle: The Family in Disorder: Truth or Dare
In her first major UK solo exhibition, the Brazilian artist shows the importance of collective actio...
Cary Leibowitz: ‘I hate my aesthetic. I wish I was delicate and elegant ...
For his first major retrospective, the undersung American artist fills the ICA Philadelphia with mor...
All Too Human: Bacon, Freud and a Century of Painting Life
Tate Britain’s All Too Human explores family, sex and death, and offers a fantastic chance to expl...
Alge Julija Kavaliauskaitė: ‘There is something about glass that I am c...
Kavaliauskaitė, originally from Latvia but now living in Finland, talks about art and alchemy, haun...
Anthony McCall: ‘The sculptural aspect of a piece occurs only at the mom...
The pioneer of immersive, sculptural light installations explains his process and procedures, intere...
Cybernetic Serendipity: History and Lasting Legacy
Catherine Mason considers the ICA’s groundbreaking computer art exhibition of 1968 and looks at ho...
Claudia Wieser: ’I know there is the danger of beauty in my work, or a d...
Ahead of the opening of her current show at the Marianne Boesky Gallery in New York, Berlin-based ar...
Events planned around the Creativity and Collaboration: Revisiting Cybernetic Serendipity symposium ...
Andy Holden: ‘A lot of my work is a fidelity to what feels right more th...
Andy Holden talks about his relationship with his father, the ornithologist Peter Holden, nature ver...
Her legacy has often been dwarfed by her biography – as Rodin’s student and lover, who spent 30 ...
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Andrew Lacon: Fragments – Kate V Robertson: This Mess Is Kept Afloat
Two exhibitions at Dundee Contemporary Arts confront and explore the relationships between the viewe...
After White: Michaela Zimmer and Peter Welz
Weaving a path in and out of Peter Welz’s awkward steel architectural intervention, the viewer com...
This first major UK retrospective of German photographer Andreas Gursky, at the newly renovated Hayw...
The Royal Academy of Arts celebrates its 250th year with a collection of riches fit for a king – a...
A New Era: Scottish Modern Art, 1900-1950
At a time when the UK’s relationship with the rest of Europe is at stake, this exhibition of the a...
Art Now: Marguerite Humeau: Echoes
French-born artist Marguerite Humeau resurrects an eerie voice from the ancient past at Tate Britain...
A deep humanity surfaces in this outstanding exhibition of more than 50 of Cézanne’s portraits...
The inaugural exhibition at the Camberwell College of Arts’ new space is a sensitive, nuanced look...
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Anne de Boer & ecksenis.net: System Attempt Contact
System Attempt Contact critiques the way today’s tech multinationals transcend the borders between...
The Royal Collection’s exploration of the Merrie Monarch is a historical exhibition par excellence...
Bi-City Biennale of Urbanism/Architecture (UABB) 2017: Cities, Grow in Dif...
This biennale is determined to take account of residents, focusing on micro-housing and smaller resi...
Bharti Kher: ‘In the way a kitchen has many different things cooking at ...
Kher talks about the difficulty of being identified as an ‘Indian’ artist, being a procrastinato...
Ania Dabrowska: ‘By the retelling of archival stories we have the power ...
Ania Dabrowska (b1973) is a Polish-born artist now living in London. She works with photography, mov...
Cybernetic Serendipity 50th Anniversary
The Studio International special issue Cybernetic Serendipity: The Computer and the Arts was first p...
It was all systems go – quality art, media buzz, more space, more work – but with a lower attend...
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