Belgian painter Paul Delvaux was profoundly influenced by the Surrealists – by Giorgio de Chirico...
Patrick Caulfield and Gary Hume
Two masters of British art, two mini retrospective exhibitions, but held together in Tate Britain’...
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Re-Found: Sara Beazley, Charlotte Hodes, Maria Noel
Re-Found: Sara Beazley, Charlotte Hodes, María Noël presents work that uses a wide range of source...
Hughes' new exhibition at Flowers, Cork Street, includes nine new paintings employing his unique tec...
Pae White: Too Much Night, Again
Inspired by a recent bout of insomnia, using the colours of Black Sabbath’s album cover from Maste...
Placing one rock on top of another is a seemingly simple gesture, and, as the Swiss artistic duo, Pe...
Roy Lichtenstein Retrospective
Lichtenstein: A Retrospective, Tate Modern. If there is one thing that can be said about the work of...
Portraiture In Focus: Irene Barberis, Anita Taylor and Helen Sturgess
To focus on the portrayal of the human form in the 21st century; specifically the portrait requires ...
Richard Long: Heaven and Water
There is a seeming antithesis between the realities of an invasive ‘Time Team’ archaeological in...
Inverleith House in the grounds of the Botanical Gardens in Edinburgh is showing the late works of P...
Seduced by Art: Photography Past and Present, National Gallery, London and Shoot! Existential Photog...
Richard Hamilton: The Late Works
Just what is it that makes Richard Hamilton’s works so different, so appealing? Sadly, the current...
Retelling history through art – an interview with Kimathi Donkor
Kimathi Donkor is an artist with an appetite for historical research. Born in Bournemouth in 1965, D...
Pre-Raphaelites – Victorian Avant-Garde
Tate Britain, London, 12 September 2012–13 January 2013. The Pre-Raphaelite Brotherhood, formed in...
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Reading the Head. Celia Scott Head to Head Sculptures
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950-1...
With its iconic architectural silhouette atop the hills of Los Angeles and its status as one of the ...
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Pipilotti Rist – Eyeball Massage
Once upon a time there was a girl called Elisabeth Charlotte Rist who was born in the Alps of Switze...
Painting Canada: Tom Thomson and the Group of Seven
This winter, The Dulwich Picture Gallery takes us on a tour of the seductive world of Canada...
Iconic images of war and martyrdom present very different sides of the same coin...
Rachel Howard is not an artist to shy away from heavy subject matter; sin, suicide, madness, the fra...
A life-size crocheted brown bear (crochetdermy = due to it resembling taxidermy), a cross-stitched w...
Post Office or Postmodern? Postmodernism: Style and Subversion, 1970-1990
'The design for the extension to the National Gallery, London, when finally won in competition by Ro...
In this exhibition Rothko’s work is experienced counter-intuitively. The instructions Rothko gave ...
Rudolf Steiner and Contemporary Art and Thinking without limits: Inspired ...
Think about a 20th century without Rudolf Steiner...
Radical Bloomsbury: The Art Of Duncan Grant and Vanessa Bell, 1905
Radical Bloomsbury at the Brighton Museum and Art gallery seeks to re-evaluate the work of Duncan Gr...
When is a Pavilion not a Pavilion? Can it not be a seasonal construction? What does it contain? Pete...
Royal Academy of Arts Summer Exhibition 2011: Architecture Room
The Architecture Room is a longstanding and traditional part of the Summer Show and is open for exhi...
Rooms With A View: The Open Window in the 19th Century
The Metropolitan Museum of Art, New York, 5 April...
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