Serpentine Gallery, London
8 March 2013 - 6 March 2014
At the same time, Fischli also makes clear: “We wanted to make something that forces you to stop your car and get out to take a photograph.”
At about five and a half metres tall, this towering balancing act, just near the entrance to the Serpentine Gallery in Kensington Gardens, is certainly bound to make people stop and look.
Whether you admire it for skill, concept, or purely sheer audacity, these boulders are bound to be a talking point for the duration of their year-long commission.
New Order at Saatchi Gallery; Pae White at SLG; Rock on… at Serpentine Gallery
New Order: British Art Today at the Saatchi Gallery; Pae White at SLG; Rock on Top of Another Rock at the Serpentine Gallery. April/May 2013
Yoko Ono: To the Light
The Serpentine Gallery’s Yoko Ono: To the Light is the artist’s first London-based retrospective in over a decade. A hugely influential early conceptual artist and Fluxus group member, Ono was among the pioneers of the 1960s’ artistic commitment to participation, ephemerality, and the everyday.
China Power Station: Part 1
At Frieze Art Fair, Saskia Sassen spoke compellingly about how artists can find potential in underused urban spaces, working to give such places a value that goes beyond the concrete terms of real estate. 'China Power Station: Part 1' echoed the strategy of exhibiting in vacant industrial spaces by taking over Battersea Power Station in October 2006, making this abandoned yet spectacular site accessible to curious visitors for the first time in decades.
Michelangelo Pistoletto: The Mirror of Judgment
Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the important and influential Arte Povera movement. From early childhood however he grew up in Turin. Remarkably, this Serpentine Gallery exhibition is the first public exhibition of his work in Britain since 1999, although he had in the period from l966 over 20 international exhibitions in Europe, Asia, and the USA.
Lygia Pape - Magnetized Space
Lygia Pape once said that her primary interest, when she embarked upon a career in the arts in the early 1950s, was to create a relationship between space and structure using the minimum of visual elements possible