One Collector's Delightful Passion
Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...
Materiality and Memory. An interview with Cildo Meireles
Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...
Mark Rothko: The Retrospective
Although 2008 does not mark a centennial birth date or major anniversary in the career of one of the...
Mark Rothko: the 'end of philosophy, the beginning of art'
The current exhibition at the Tate Modern enables Studio International to focus on the critical and ...
Nine Green Bottles: 'Giorgio Morandi, 1890-1964'
The exhibition now opened at the Metropolitan Museum of Art displays over 100 works by Giorgio Moran...
Medium or rare: the art-market grill
It has been a curious coincidence that the extraordinary Damien Hirst sale took place just before gl...
The Louisiana Museum in Denmark offers a quiet, liminal space for contemplation, isolated from every...
New Tent Architecture – book review
Tented architecture has been around since prehistory. But only recently has it been recognised as te...
Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...
'The Mayan civilisation was ruled by a caste of peace-loving astronomer priests' ...
Modern Painters: The Camden Town Group
To most people who live in London the name Camden Town means a busy interchange on the Northern Line...
The NeoCraft Conference held in the Nova Scotia College of Art and Design University in Halifax, Nov...
The autumn grand exhibition at Tate Britain is on the work of John Everett Millais (1829-1896), prom...
Matthew Barney: Drawing Restraint
When we speak of executing something - an article, a work of art, a musical composition - we speak o...
Migrant architects from Britain: the RIBA Stirling Prize 2007
As we digest the results of the annual celebration of the Royal Institute of British Architects (RIB...
Antony Gormley (b.1950) is best known for his massive sculpture Angel of the North (1998) and Field ...
MAD's Chief Curator Makes An Art of Making Connections
David Revere McFadden's career could function as a case study. With more than 35 years of experience...
Non-refusals in Rubbish: Return of the Rubbish Aesthetic
Refuse has become a key artist's material, as if it ever ceased to be. Today, Colombian artist Doris...
Mediators and Messengers: Contemporary Art in the Landscape
The entire agenda for painting about landscape has shifted in the 21st century. Concepts and reading...
In any season, New York City is a magnet for anyone connected with the arts. On the roster for its f...
New German Painting – book review
This book, edited by Christoph Tannert, provides a well-edited selection of contemporary work by you...
Melbourne Art Fair 2006: A Celebration of Indigenous Art and Beyond
In August, more than 26,000 visitors flocked to the biennial Melbourne Art Fair, considered by the A...
Mimmo Paladino: Black and White
In London, Mimmo Paladino’s show, Black and White, at the Waddington Galleries earlier this year, ...
The work of 18 Lebanese artists has been brought together for this exhibition at Modern Art Oxford, ...
On Photography: A Tribute to Susan Sontag
Susan Sontag's passionate engagement with photography is the subject of a small but intriguing bit o...
Modernism: Designing a New World, 1914-1939
The catalogue promotion for this remarkable exhibition of early 20th-century design pioneers suggest...
Morandi's Legacy: Influences on British Art – book review
This publication is essentially also the catalogue to the exhibition of the same name, which was fir...
Kippenberger's restless stylistic movements resist the monumentality that a retrospective can impart...
Moonrise over Europe: JC Dahl and Romantic Landscape
'This compact and appealing exhibition is designed to celebrate The Barber Institute's acquisition o...
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