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It has happened! It is here! The Whitney Museum has opened its doors to the Temple of Koons. The bui...
Kenneth Clark: Looking for Civilisation
If connoisseurship was already thought to have an “antique ring” as early as 1950, this tendency...
Joyce W Cairns RSA was born and brought up in Edinburgh. She studied painting at Gray’s School of ...
In conjunction with Jeanine Oleson’s exhibition Hear, Here, guest music curator Cori Ellison (dram...
Entering Kate MacGarry’s exhibition of paintings by Luke Gottelier and furniture by Max Lamb is li...
Lower East Side: The Real Estate Show Redux
Real Estate was the name of the show. It opened on New Year’s Eve 1980 at an abandoned city-owned ...
To mark its 20th anniversary this year, Bard Graduate Center Gallery (BGC) has opened an exhibition ...
The painter Kaoruko is a slight, softly spoken Japanese woman who walks with inaudible steps and has...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Landscape architecture: Bernard Lassus
Landscape design has advanced dramatically in the past generation and Europe’s doyen, Professor Be...
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Kazuyo Sejima + Ryue Nishizawa, SANAA
Buildings for museums and cultural institutions, including the recently completed Louvre Lens museum...
When Liliane Lijn (b1939) invites us to her studio in north London, on one of the wettest and windie...
This art exhibition in the Niigata prefecture, with installations by five Japanese artists, aims to ...
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Pace has represented James Turrell since 1967 and this relationship has now been cemented with his f...
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Artist Liu Wei explores the themes of architecture and urbanism in Density, his new exhibition at Wh...
Kurt Jackson, one of Britain's most celebrated landscape painters, talks to Studio International abo...
Looking for Legends, Gambling on Faith
Now at the pinnacle of his 30-year career, Chinese artist Wang Guangyi, a resident of Beijing, has a...
Julio Le Parc: Light and Movement
When talking about the Argentinean Julio Le Parc, it is impossible not to mention the remarkable epi...
Jake and Dinos Chapman: Come and See
Since the early 1990s, the brothers Chapman have used their art to unearth our deepest fears and pre...
Leonora Carrington: The Celtic Surrealist
This superb exhibition by the Irish Museum of Modern Art demonstrates how Carrington, with reference...
Laure Prouvost wins Turner Prize 2013
The French-born film and installation artist Laure Prouvost (born Croix-Lille, 1978) has won the 29t...
Jules de Balincourt: Itinerant Ones
Balincourt’s exhibition is titled - after one of the paintings in this show - Itinerant Ones....
Klara Lidén: The Myth of Progress
Within the myriad forms of political art, it is possible to discern two primary strands. The first i...
Kentridge: Where Are We and How Did We Get Here?
William Kentridge’s new installation, The Refusal of Time, bewilders this unprepared viewer: I fin...
Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...
Léger: Modern Art and the Metropolis
Two grey figures walk down a set of stairs surrounded by a mass of buildings, fragments of advertise...
At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...
Li Songsong: We Have Betrayed the Revolution
Li Songsong’s paintings are imposing, strong and abstract, yet they are also images of group portr...
Jill Spalding talks to American sculptor Alice Aycock
Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...
Janet Cardiff’s Sound Sculpture
The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...
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