When Liliane Lijn (b1939) invites us to her studio in north London, on one of the wettest and windie...
This art exhibition in the Niigata prefecture, with installations by five Japanese artists, aims to ...
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Pace has represented James Turrell since 1967 and this relationship has now been cemented with his f...
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Artist Liu Wei explores the themes of architecture and urbanism in Density, his new exhibition at Wh...
Kurt Jackson, one of Britain's most celebrated landscape painters, talks to Studio International abo...
Looking for Legends, Gambling on Faith
Now at the pinnacle of his 30-year career, Chinese artist Wang Guangyi, a resident of Beijing, has a...
Julio Le Parc: Light and Movement
When talking about the Argentinean Julio Le Parc, it is impossible not to mention the remarkable epi...
Jake and Dinos Chapman: Come and See
Since the early 1990s, the brothers Chapman have used their art to unearth our deepest fears and pre...
Leonora Carrington: The Celtic Surrealist
This superb exhibition by the Irish Museum of Modern Art demonstrates how Carrington, with reference...
Laure Prouvost wins Turner Prize 2013
The French-born film and installation artist Laure Prouvost (born Croix-Lille, 1978) has won the 29t...
Jules de Balincourt: Itinerant Ones
Balincourt’s exhibition is titled - after one of the paintings in this show - Itinerant Ones....
Klara Lidén: The Myth of Progress
Within the myriad forms of political art, it is possible to discern two primary strands. The first i...
Kentridge: Where Are We and How Did We Get Here?
William Kentridge’s new installation, The Refusal of Time, bewilders this unprepared viewer: I fin...
Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...
Léger: Modern Art and the Metropolis
Two grey figures walk down a set of stairs surrounded by a mass of buildings, fragments of advertise...
At the opening of Kara Walker's first UK exhibition, we spoke to her about her work, which is a dark...
Li Songsong: We Have Betrayed the Revolution
Li Songsong’s paintings are imposing, strong and abstract, yet they are also images of group portr...
Jill Spalding talks to American sculptor Alice Aycock
Though best known for her elaborate constructions in wood and metal, Alice Aycock is collected as wi...
Janet Cardiff’s Sound Sculpture
The Forty Part Motet, a sound installation by Canadian artist Janet Cardiff, is not so much a sight ...
Le Corbusier: An Atlas Of Modern Landscapes
The current exhibition at the Museum of Modern Art, New York, curated by Cohen and Barry Bergdoll, m...
Most recently the architect Kengo Kuma from Japan has been commissioned by the Victoria & Albert Mus...
It is a fine New York moment for California. For no reason that art-worlders can explain, six of Los...
For many people, viewing “Extremist Art: Expression of the Death Penalty,” a gathering of some 3...
Liane Lang’s works combine a mixture of photography and grotesquely lifelike silicon and rubber sc...
Marlborough Fine Art, London, 6 March–5 April 2013. This new retrospective show of the work of Joe...
The Whitney Museum should set up a food cart and a postcard stand for the people who are streaming i...
Lichtenstein: A Retrospective, Tate Modern, London, 21 February – 27 May 2013. Coming on to the ar...
Lynn Chadwick CBE: Pyramids, Split Forms and Beasts
Two new exhibitions of Lynn Chadwick in London simply confirm the status and importance of one of Br...
Questions of whether one perceives light, or the object generating light, or whether light is just t...
John Bellany: A Passion For Life
A 70th birthday exhibition in the National Gallery of an artist’s homeland holds a special categor...
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