John Hoyland: Power Stations: Paintings 1964-1982
Damien Hirst’s impressive new gallery opens with a sensitively curated show of one of Britain’s ...
American artist Jennifer Rubell explores motherhood through a series of participatory works. Looking...
Julie Sass: Be-Bop Your Visual Acts (Shared Space)
Danish artist Julie Sass presents a cohesive body of new work as part of Copenhagen Arts Week that s...
This small gem of an exhibition comprising 17 pictures – oils on canvas and board; watercolour; fe...
Jerusalem Season of Culture 2015
This is a festival that involves talks, tours, performance and events rather than simply art objects...
This exhibition of contemporary artworks by more than 20 women artists reflects the changes in art p...
Jackson Pollock’s Mural: Energy Made Visible
Mural, Pollock’s largest-ever largest painting, has been credited with breaking the ice for abstra...
Judy Chicago: ‘I’ll leave it to others to change the world’
The artists talks about her career trajectory, the continuing need for feminist art, and the way in ...
Jonas Mekas: ‘I have a need to film small, almost invisible daily moment...
The legendary independent film-maker talks about avant garde, utopia, his latest projects, the impor...
Jennifer Campbell and Chloë Manasseh: ‘We’re both interested in the t...
The artists talk about how they explore the conflicting psychological and physical states of being ...
Larry Bell: ‘You have to trust what you’re doing, to trust the work’
The artist discusses his latest solo exhibition, at the White Cube gallery, the spontaneity that occ...
This solo exhibition is made up of two bodies of work first conceived near the start of Lee’s care...
The close and long-lasting friendship between American photographer Lee Miller and Pablo Picasso is ...
Jackson Pollock’s black paintings have been unjustifiably dismissed by many. Tate Liverpool’s ex...
Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...
The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...
Wanderlust explores the art of a man who crossed oceans in his imagination and explored fairytale ca...
Julian Opie: ‘I’ve always used movement as much as colour or imagery’
The artist talks about his current exhibition at the Alan Cristea Gallery, playing with the way we i...
Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...
The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...
Jake Chapman: ‘Show me a Hitler and I’ll draw on it’
Having unveiled the sinister Sturm und Drang at Ekebergparken Sculpture Park, Oslo, one half of arti...
Through the work of eight groups of international artist and architects who explore the versatile bu...
A leading practitioner of concrete-constructivist art for some 50 years, Klaus Staudt was also part ...
Kate Downie and Susan Winton: Drawing on the landscape
Both these painters are engaged in defining their place within the landscape. From the Forth Bridge ...
Louise Cattrell: ‘I think you can use your memory to create that 360-deg...
Landscape artist Louise Cattrell shares her secrets for bringing the viewer into the landscape and e...
Life of Cats: Selections from the Hiraki Ukiyo-e Collection
Cats came to Japan from China in the sixth century, aboard ships carrying Buddhist texts. An enchant...
Channelling the principles of Japan’s Mono-ha Group, Lee Ufan’s latest collection of reductive p...
Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...
Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...
Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...
The British artist says her work is a continually generating material mass that is more about trying...
From smoke machines to salmon roe, Jason Rhoades’s art of the bizarre and the ‘gleefully vulgar...
In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...
Kehinde Wiley: ‘I think ideas are just as important as the material prac...
African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...
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