Jenny Holzer: Thing Indescribable
This overarching retrospective covers Holzer’s 40 years as an artist activist, from her printed sl...
Jos Tilson – interview: ‘Motherhood is a form of creativity, and one w...
Tilson has combined the ancient craft of hand-weaving with the language of modern art alongside an o...
A career-spanning exhibition of the London artist confirms his status as the quintessential painter ...
John Ruskin: The Power of Seeing
Marking the bicentenary of Ruskin’s birth, this exhibition, the first of many across the UK this y...
John Bellany and Alan Davie: Cradle of Magic
From his collection, Damien Hirst has produced a tribute to the passionate and visionary work of two...
Katie Birkwood – interview: ‘The bodies of society’s disadvantaged, ...
The Royal College of Physicians’ exhibition of anatomical illustrations, from medieval times to th...
Julie Mehretu: Drawings and Monotypes
In these new works, Mehretu plunges the viewer into her phenomenological, immersive methodology and ...
Kip Gresham: The Art of Collaboration
This exhibition shows 40 years of work made by master printmaker Kip Gresham in collaboration with s...
Joy Gerrard – interview: ‘I’m interested in how we witness and inter...
In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...
Jan Tschichold and the New Typography
Drawing on materials Tschichold collected, this exhibition traces his influence on graphic design be...
Julianne Swartz interview – ‘Joy is also talking about sorrow and desp...
Swartz talks about Joy, Still, her site-specific sound installation at Grace Farms, and how the mult...
Kader Attia: The Museum of Emotion
Attia offers an impassioned critique of the enduring effects of colonialism. Central to the French-A...
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From a balloon bunny to a vast, glossy pink Venus of Willendorf, there is everything we would expect...
Jean-Jacques Lequeu: Builder of Fantasy
Deer-headed lodges, globe-shaped temples, sunken pleasure pavilions: a long-overdue exhibition at th...
Joseph Hillier – video interview: ‘Figurative sculpture in a public sp...
Sculptor Joseph Hillier talks about his most ambitious project to date, its design, and what it take...
Lorna Macintyre: Pieces of You Are Here
Scottish artist Lorna Macintyre delves into the relationships between people, their objects and thei...
Klimt/Schiele: Drawings from the Albertina Museum, Vienna
Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibi...
Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...
Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and ...
Lorenzo Lotto was a painter of emotions as well as likenesses. With every portrait, he reached beyon...
Janet Biggs: Like Walking on Mars
In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes ...
London 1938: Defending ‘Degenerate’ Art
In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exh...
Lotte Laserstein: Face to Face
Lotte Laserstein was a rising star of Weimar Berlin, forced to leave her country and abandon her art...
Julie Greve: ‘I don’t like shooting models. They are taught so quickly...
The recent art-school graduate, who was selected to photograph this season's campaign for standout B...
Knock, Knock: Humour in Contemporary Art
From slapstick to sarcasm, parody to political activism, this group show at the South London Gallery...
Loie Hollowell talks about her latest exhibition at Pace Gallery, London, her first solo show in the...
In Munich, the most significant retrospective of the German artist to date, shows her paintings from...
Lily Lanfermeijer: Lost in Depiction
The Dutch sculptor Lily Lanfermeijer discusses tableware, colonial histories and the passing of patt...
The 10th edition of Britain’s largest contemporary art festival explores oppressive structures, en...
Line & Color: The Nature of Ellsworth Kelly, Norton Simon Museum, Pasadena
This exhibition of Kelly’s work seeks to cut to the core of his practice, primarily through two se...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
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