Kader Attia: The Museum of Emotion
Attia offers an impassioned critique of the enduring effects of colonialism. Central to the French-A...
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From a balloon bunny to a vast, glossy pink Venus of Willendorf, there is everything we would expect...
Jean-Jacques Lequeu: Builder of Fantasy
Deer-headed lodges, globe-shaped temples, sunken pleasure pavilions: a long-overdue exhibition at th...
Joseph Hillier – video interview: ‘Figurative sculpture in a public sp...
Sculptor Joseph Hillier talks about his most ambitious project to date, its design, and what it take...
Lorna Macintyre: Pieces of You Are Here
Scottish artist Lorna Macintyre delves into the relationships between people, their objects and thei...
Klimt/Schiele: Drawings from the Albertina Museum, Vienna
Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibi...
Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...
Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and ...
Lorenzo Lotto was a painter of emotions as well as likenesses. With every portrait, he reached beyon...
Janet Biggs: Like Walking on Mars
In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes ...
London 1938: Defending ‘Degenerate’ Art
In 1938, a year after the notorious Nazi exhibition of “degenerate art” in Munich, a counter exh...
Lotte Laserstein: Face to Face
Lotte Laserstein was a rising star of Weimar Berlin, forced to leave her country and abandon her art...
Julie Greve: ‘I don’t like shooting models. They are taught so quickly...
The recent art-school graduate, who was selected to photograph this season's campaign for standout B...
Knock, Knock: Humour in Contemporary Art
From slapstick to sarcasm, parody to political activism, this group show at the South London Gallery...
Loie Hollowell talks about her latest exhibition at Pace Gallery, London, her first solo show in the...
In Munich, the most significant retrospective of the German artist to date, shows her paintings from...
Lily Lanfermeijer: Lost in Depiction
The Dutch sculptor Lily Lanfermeijer discusses tableware, colonial histories and the passing of patt...
The 10th edition of Britain’s largest contemporary art festival explores oppressive structures, en...
Line & Color: The Nature of Ellsworth Kelly, Norton Simon Museum, Pasadena
This exhibition of Kelly’s work seeks to cut to the core of his practice, primarily through two se...
Jacob Hashimoto: ‘The history of art is full of cultural appropriators. ...
The artist talks about The Eclipse, an installation comprising thousands of paper kites, and Never C...
Leonor Antunes: ‘I’m interested in ancient ways of doing things’
The sculptor talks about learning traditional crafts, the Smithsons’ Solar Pavilion, creating an e...
Jene Highstein: Space and Place
Deborah Najar’s carefully considered and sensitive choice of Highstein’s works is accompanied by...
Joana Vasconcelos: I’m Your Mirror
Joana Vasconcelos has filled the Guggenheim Bilbao with work from the past 20 years. She talks about...
John Powers: ‘Abstraction isn’t a technology or technique, it’s more...
Responding to the history of the city of Bruges, John Powers’ 15-metre-tall steel tower was constr...
Katharina Sieverding: ‘I also make fake news’
Part of the collateral programme of this year’s Manifesta Biennial in Palermo is a career-spanning...
Katharina Grosse: Prototypes of imagination
Across 11 portrait canvases and one enormous fabric hanging, Grosse’s complex, multilayered works ...
James Edgar and Sam Walker: ‘We think of Assembly Point as part of our c...
James Edgar and Sam Walker talk about Assembly Point, their co-founded gallery, studio space and pub...
Junya Ishigami: Freeing Architecture
In his attempts to untether architecture from well-worn conventions, the Japanese architect liberate...
Kerstin Brätsch_Ruine / Kaya_Kovo
Brätsch is an artist who works in the afterlife of modern painting, upending its history and mythol...
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Vasconcelos’s solo show offers a riot of colour and texture in this highly personal, curated sculp...
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