Archive - Results from #300

Published 30/11/-0001

To Italy! With Liebermann in Venice, Florence and Rome

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Henri Matisse. Large Composition with Masks, 1953. National Gallery of Art, Washington. Ailsa Mellon Bruce Fund 1973.17.1. Digital Image: © National Gallery of Art, Washington. Artwork: © Succession Henri Matisse/DACS 2014.

Henri Matisse: The Cut-Outs

There is little denying that Henri Matisse was a great artist, but therein lies the problem. Critica...

Ida Kerkovius. Farbkomposition (Colour Composition), 1966. Watercolour on woodchip wallpaper, 55 x 67 cm. Collection Prof. Dr. Gerhard Kluge. Photograph: Kunstsammlungen Chemnitz/László Tóth. © Kerkovius family archive, Wendelstein 2014.

Ida Kerkovius: “Meine Welt ist die Farbe” (“My world is colour”)

Listed alongside Gabriele Münter (1877-1962), Käthe Kollwitz (1867-1945), Marianne von Werefkin (1...

Gustave Doré. Joyeuseté, dit aussi À saute-mouton, vers 1881. Bronze, 36,5 x 27 x 17 cm. Paris, musée d’Orsay
© Musée d’Orsay, Dist.RMN-Grand Palais / Patrice Schmidt.

Gustave Doré – Master of Imagination

Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...

Ivo Pannaggi. Speeding Train (Treno in corsa), 1922. Oil on canvas, 100 x 120 cm. Fondazione Carima–Museo Palazzo Ricci, Macerata, Italy. Photograph: Courtesy Fondazione Cassa di risparmio della Provincia di Macerata.

Italian Futurism 1909-1944: Reconstructing the Universe

It begins with a car crash. Racing through the night, the vehicle swerves, overturning in a crash of...

Georg Baselitz. Mann am Baum abwärts (Man on a Tree Downwards), 1968/69. Charcoal on paper. Presented to the British Museum by Count Christian Duerckheim. Reproduced by permission of the artist. © Georg Baselitz.

Germany divided: Baselitz and his generation

In what forms part of a series of exhibitions and a public programme examining Germany, the British ...

Henri Cartier-Bresson

Capturing more than 500 of Cartier-Bresson’s “decisive moments”, the exhibition is almost over...

David Hockney. Artist and Model, 1973-74. Etching, 29 1/2 x 22 1/2 in, Edition: 100. © David Hockney.

Hockney, Printmaker

“I am 23 years old and wear glasses,” one of the inscriptions on Hockney’s 1961 print Myself a...

Zhang Huan. Family Tree, 2001. Nine chromogenic prints, each image 21 in. × 16 1/2 in. (53.3 × 41.9 cm). Lent by The Walther Collection. Artwork © Zhang Huan. Photograph: © Yale University Art Gallery.

Ink Art: Past as Present in Contemporary China

In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...

Hannah Höch

Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...

Mark Fox. In A Fool's House, 2013. Watercolour, ink acrylic, gouache, oil, colour pencil, graphite, marker, pen, crayon on paper, found broom, gallery dirt, 144 inch diameter. Courtesy of the artist.

Interview with Mark Fox

The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...

Isa Genzken in her studio, 1982. Image courtesy the artist and Galerie Buchholz, Cologne/Berlin.

Isa Genzken’s Objects: Life into Art

As we enter a large hall on the sixth floor of the Museum of Modern Art leading to Isa Genzken’s f...

Table Support with the Good Shepherd, first half of 4th century. Prokonnesian marble, overall: 73 x 28 x 28.5 cm (28 3/4 x 11 x 11 1/4 in.) Byzantine and Christian Museum, Athens.

Heaven and Earth: Art of Byzantium from Greek Collections

Go to see it and experience what it feels like to be inside a halo: radiance untrammelled. I would n...

John Mellencamp. Why Are U Angry? 2013. Mixed media/canvas, 48 x 48 in. Image courtesy of the artist. © John Mellencamp.

Interview with John Mellencamp

The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...

Elinor Carucci. Feeding Emanuelle From a Plastic Bottle after I Stopped Breast-feeding Her, 2005. Digital C-Type print, 30 x 44 in. © Elinor Carucci/INSTITUTE. Courtesy of the artist.

Home Truths: Photography, Motherhood and Identity

In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...

Dorothea Rockburne. Neighborhood, 1973. Transparentized paper, pencil, and coloured pencil on wall, 160 x 90 in (406.4 x 228.6 cm). The Museum of Modern Art, New York. Gift of J. Frederic Byers III, 1978. © 2013 Dorothea Rockburne/Artists Rights Society (ARS), New York.

Interview with Dorothea Rockburne

How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...

Ian Hamilton Finlay. Homage to Modern Art (collaboration with Jim Nicholson), 1972. Screenprint on paper, 76.2 x 53.8 cm. Collection: Tate. © Estate of Ian Hamilton Finlay.

Ian Hamilton Finlay: Poet, Artist, Revolutionary

The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...

Oscar Murillo. If I was to draw a line, this journey started approximately 400km north of the equator, 2013. Photograph: Martin Kennedy.

Happy to scuff your floors for you, Murillo

In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...

Charles Esche in the São Paulo Biennial Pavilion. Photograph: Sofia Colucci. Courtesy of Fundação Bienal de São Paulo.

How to be Contemporary? An interview with curator Charles Esche

The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...

Imran Qureshi. The Roof Garden Commission, The Metropolitan Museum of Art, New York City. Photograph: Miguel Benavides.

Imran Qureshi at the MET

The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...

George Gittoes

George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...

Gary Hume

Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...

Ibrahim El-Salahi talks about his Sudanese heritage, his time in prison on unfounded suspicion of anti-government activities, politics, his career, having sympathy for the underdog, and what makes good art.

Ibrahim El-Salahi: A Visionary Modernist

Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...

Fiona Hall. Big Game Hunting, 2013. Installation view (1). Heide Museum of Modern Art, Melbourne. Photograph: John Brash.

Global Clarion Call: Fiona Hall – Big Game Hunting

Fiona Hall: Big Game Hunting at Heide Museum of Modern Art is one of the most impressive exhibitions...

George Bellows. Stag at Sharkey's, 1909. Oil on canvas, 92 x 112.6 cm . The Cleveland Museum of Art, Hinman B. Hurlbut Collection
© The Cleveland Museum of Art .

George Bellows (1882-1925): Modern American Life

Such is the historical window and nature of George Bellows’ rather short career that it seems unav...

Claes Oldenburg. Study for a Poster, The Store, 1961. © 2013 Claes Oldenburg collection and courtesy the Oldenburg van Bruggen Studio.

Inside the Ordinary-Fantastic World of a Pop Artist

A new book published by the Museum of Modern Art (MoMA) in New York, Claes Oldenburg: Writing on the...

Godwin Bradbeer. Baptism. Chinagraph, charcoal, pastel dust on paper, 167 x 128 cm.

Godwin Bradbeer: Pentimenti

Pentimenti, Godwin Bradbeer’s new show in Melbourne presents work in a figurative mode, for which ...

Irene Barberis. Cut it Out! Its a Wonderful World, Resurrection in Melbourne 2012 (After Stanley Spencer), 2012. Laser-cut, multi coloured acrylic, 18 x 2.9 m, 2012.

Photograph: Mark Ashkanasy.

Irene Barberis: Apocalypse/Revelation: Re Looking (Feminale: the edge of l...

Irene Barberis has been inspired and explored imagery for her art and research into the Book of the ...

Ai Weiwei. Newspaper reader, 2004. Mixed media. M+ Sigg Collection.

Go Figure! Contemporary Chinese Portraiture

Go Figure! is a two location exhibition of Contemporary Chinese Portraiture, drawn from the Uli Sigg...

Teresa Burga, Galerie Barbara Thumm. Frieze Masters 2012. Spotlight. Photograph: Linda Nylind. Courtesy of Linda Nylind/Frieze.

Innovating with the old – Frieze Masters 2012

Frieze Art Fair is now more than just one of the top international events of its kind. Creative busi...

Walker Evans. <i>Subway Portraits</i>, 1938-1941. Gelatin silver print, 12.4 x 18 cm (4 7/8 x 7 1/16 in). National Gallery of Art, Washington, John Wilmerding Fund.

I Spy: Photography and the Theater of the Street, 1938-2010

I Spy: Photography and the Theater of the Street, 1938-2010 is a wonderful new exhibition at the Nat...

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