German-born artist Gego once claimed that sculpture was never what she did, but the Henry Moore Inst...
The beautiful surroundings of Edinburgh’s Royal Botanic Garden provide the backdrop for German art...
Here and Elsewhere, the latest exhibition at the New Museum in New York, presents the work of 45 con...
For their latest exhibition, film-makers Joana Hadjithomas and Khalil Joreige explored scam emails. ...
Studio International was lucky enough to meet Metzger in his London Fields studio. After a brief cha...
Isabel Nolan’s exhibition at the Irish Museum of Modern Art, The Weakened Eye of Day, marks the la...
There is little denying that Henri Matisse was a great artist, but therein lies the problem. Critica...
Ida Kerkovius: “Meine Welt ist die Farbe” (“My world is colour”)
Listed alongside Gabriele Münter (1877-1962), Käthe Kollwitz (1867-1945), Marianne von Werefkin (1...
Gustave Doré – Master of Imagination
Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...
Italian Futurism 1909-1944: Reconstructing the Universe
It begins with a car crash. Racing through the night, the vehicle swerves, overturning in a crash of...
Germany divided: Baselitz and his generation
In what forms part of a series of exhibitions and a public programme examining Germany, the British ...
Capturing more than 500 of Cartier-Bresson’s “decisive moments”, the exhibition is almost over...
“I am 23 years old and wear glasses,” one of the inscriptions on Hockney’s 1961 print Myself a...
Ink Art: Past as Present in Contemporary China
In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...
Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...
The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...
Isa Genzken’s Objects: Life into Art
As we enter a large hall on the sixth floor of the Museum of Modern Art leading to Isa Genzken’s f...
Heaven and Earth: Art of Byzantium from Greek Collections
Go to see it and experience what it feels like to be inside a halo: radiance untrammelled. I would n...
Interview with John Mellencamp
The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...
Home Truths: Photography, Motherhood and Identity
In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...
Interview with Dorothea Rockburne
How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...
Ian Hamilton Finlay: Poet, Artist, Revolutionary
The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...
Happy to scuff your floors for you, Murillo
In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...
How to be Contemporary? An interview with curator Charles Esche
The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...
The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...
George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...
Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...
Ibrahim El-Salahi: A Visionary Modernist
Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...
Global Clarion Call: Fiona Hall – Big Game Hunting
Fiona Hall: Big Game Hunting at Heide Museum of Modern Art is one of the most impressive exhibitions...
George Bellows (1882-1925): Modern American Life
Such is the historical window and nature of George Bellows’ rather short career that it seems unav...
Copyright © 1893–2026 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|