Interview with John Mellencamp
The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...
Home Truths: Photography, Motherhood and Identity
In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...
Interview with Dorothea Rockburne
How easy is it to imagine drawing that makes itself, and why should drawing make itself to begin wit...
Ian Hamilton Finlay: Poet, Artist, Revolutionary
The retrospective of Ian Hamilton Finlay (1925-2006) at the Glasgow Gallery of Modern Art is housed ...
Happy to scuff your floors for you, Murillo
In Murillo’s “resourceful” SLG exhibition, just one single patched black canvas hangs ragged o...
How to be Contemporary? An interview with curator Charles Esche
The Scotsman Charles Esche, director of the Van Abbemuseum, a modern and contemporary museum in Eind...
The Pakistani artist Imran Qureshi, who was voted Artist of the Year in 2013 by the Deutsche Bank Gl...
George Gittoes has worked in many war zones over the past 40 years, including Rwanda, Bosnia, Somali...
Contemporary British painter Gary Hume’s current retrospective at Tate Britain is a both a dark an...
Ibrahim El-Salahi: A Visionary Modernist
Miguel Benavides talks to Ibrahim El-Salahi about his Sudanese heritage, his time in prison on unfou...
Global Clarion Call: Fiona Hall – Big Game Hunting
Fiona Hall: Big Game Hunting at Heide Museum of Modern Art is one of the most impressive exhibitions...
George Bellows (1882-1925): Modern American Life
Such is the historical window and nature of George Bellows’ rather short career that it seems unav...
Inside the Ordinary-Fantastic World of a Pop Artist
A new book published by the Museum of Modern Art (MoMA) in New York, Claes Oldenburg: Writing on the...
Pentimenti, Godwin Bradbeer’s new show in Melbourne presents work in a figurative mode, for which ...
Irene Barberis: Apocalypse/Revelation: Re Looking (Feminale: the edge of l...
Irene Barberis has been inspired and explored imagery for her art and research into the Book of the ...
Go Figure! Contemporary Chinese Portraiture
Go Figure! is a two location exhibition of Contemporary Chinese Portraiture, drawn from the Uli Sigg...
Innovating with the old – Frieze Masters 2012
Frieze Art Fair is now more than just one of the top international events of its kind. Creative busi...
I Spy: Photography and the Theater of the Street, 1938-2010
I Spy: Photography and the Theater of the Street, 1938-2010 is a wonderful new exhibition at the Nat...
Invisible: Art about the Unseen, 1957-2012
From the amusing to the philosophical, there are works you can observe and others you can take part ...
Grayson Perry. The Vanity of Small Differences
Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...
Giuseppe Cavalli: Master of Light
Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...
Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...
Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012
Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...
Giorgio Vasari: Dessins du Louvre
This winter, in celebration of the five hundredth centenary of Giorgio Vasari's birth, the Louvre op...
The enigma of Gerhard Richter is not here resolved by Tate Modern’s new exhibition. Yet the exhibi...
Homage to Michael Spens. The Royal Academy Summer Exhibition, 2011
The Royal Academy Summer Exhibition is, and always has been, a major event, a showcase of recent wor...
Georg Baselitz: Between Eagles and Pioneers
In 1963, the conservative German newspaper, Die Welt, was one amongst several to vehemently object t...
Polish born artist Gosia Wlodarczak completed a 12-day performative drawing in March this year for t...
I Know Something About Love, curated by Ziba Ardalan for Parasol Unit, comprises works by four inter...