The paintings of German artist David Ostrowski (b1981) look like works that may or may not be quite ...
The American painter Elizabeth Neel makes paintings and sculptures that converse with each other. Bo...
Light rain, heavy traffic and impossibly long queues to access transport marked the Frieze Art Fair...
Fondation Beyeler presents Daros Latinamerica Collection
The Fondation Beyeler, the most visited art museum in Switzerland, with in excess of 330,000 people ...
Deutsche Börse Photography Prize 2014
The showcase of the four photographers shortlisted for this year’s Deutsche Börse photography pri...
Diverse Maniere: Piranesi, Fantasy and Excess
Sir John Soane’s Museum was conceived as a place of inspiration, learning and provocation for “a...
From Gucci to Gaultier: London hosts two major fashion exhibitions
This month sees the opening in London of two major fashion exhibitions: The Glamour of Italian Fashi...
Esme Toler and Olì Bonzanigo: interview
Esme Toler and Olì Bonzanigo are the creators of 13th Hour (2014), a sculpture on the roof of L’B...
Danie Mellor: Exotic Lies, Sacred Ties
Danie Mellor explores the paradoxes inherent in the shared experience of Indigenous people and white...
Earthy Transitions: India Art Fair 2014
Since its inception, the India Art Fair has become a Mecca for Indian artists, curators, collectors,...
In celebration of Derek Jarman’s life and work, the Cultural Institute at King’s College London ...
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Personal travel and the cult of tourism form the subject of Franz Ackermann’s paintings, inevitabl...
As a filmmaker, David Lynch has embraced the various Surrealist approaches, not least in the incongr...
Darren Almond: To Leave a Light Impression
White Cube Bermondsey, South Galleries, London. Outside, it is grey and cold and, at 4.30pm, the sun...
England’s lost architect: Cecil Ross Pinsent
This publication comes not a moment too soon. Cecil Pinsent, like other 20th- century innovators, su...
Damage Control: Art and Destruction Since 1950
In his novel The World Set Free (1913), the science fiction writer HG Wells described a post-atomic ...
The exhibition of the Italian artist Fausto Melotti (1901-86) at Waddington Custot Galleries in Lond...
Dennis Oppenheim: Thought Collision Factories
The first thing that struck me as I walked into the main gallery area of the Henry Moore Institute i...
Eileen Gray: Architect Designer Painter
One of the great strengths of Gray’s art, design and architecture was also her weakness; she defie...
Daumier (1808-1879): Visions of Paris
In the opinion of the writer Charles Baudelaire, the nineteenth-century French caricaturist and pain...
Frieze Art Fair London 2013: Reaching new audiences
Frieze Art Fair is the UK’s leading commercial art fair and has drawn an international audience of...
It might appear that we are miles away from civilisation. In fact, we are standing in the long derel...
From Power Lunches to Public Sculpture
When former Condé Nast editorial director Alexander Liberman, a fixture at the publishing company f...
Facing the Modern: The Portrait in Vienna 1900
Covering the period during the Austro-Hungarian Empire, 1867 to 1918, Facing the Modern charts the p...
Emma Hart (b. 1974, London) lives and works in London and has presented solo exhibitions and perform...
On Tuesday morning, 20 October 1970, the incipient but short-lived International Coalition for the L...
David Whitaker Retrospective Part II: Waters of the Nile
David Whitaker (1938 – 2007) was one of the first artists to have a solo show at the Serpentine Ga...
Experience the city in four dimensions through the lense of an artist at B...
Staying and sleeping overnight in an artwork by Japanese artist Satoshi Hirose at Beppu in Japan is ...
Before joining the leagues of his subjects, entering into the world of celebrity as a cult director ...
“…When we are moved and have discovered or learned to funnel the mucous of situations that happe...
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