Adventures of the Black Square: Abstract Art and Society 1915 – 2015
To measure the imprint that a century of abstract art has left on society, culture and politics, Adv...
Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...
Concentric circles: Wojciech Fangor and Peter Sedgely
London commentary by David Thompson
First published in Studio International, Vol 171 No 878...
A World to Win: Posters of Protest and Revolution
From the “votes for women” campaigns of the early 20th century to anti-apartheid protests in the...
In her largest exhibition to date, British artist Caragh Thuring presents a diverse series of abstra...
Brian Bress: ‘I come to video with the agenda of a painter’
Brian Bress is an innovative multimedia artist who creates works that combine painting, drawing, ani...
Art Basel Miami Beach: 14th Edition
This year’s fair was all about art as entertainment – and it didn’t disappoint. With more than...
Bloomberg New Contemporaries 2014
Studio International attended the opening night of Bloomberg New Contemporaries at the Institute of ...
Recent Slade graduate Charles Richardson has hit the ground running. This year, in addition to his i...
In conversation with Studio International, Biasi reveals the singular motivations behind his work an...
Chris Martin: ‘When you’re outside, you can have a truly gigantic stud...
New York City-based artist Chris Martin, whose works were recently on show at the Anton Kern Gallery...
Constable: The Making of a Master
John Constable is renowned for his idyllic images of the English countryside. But as a new exhibitio...
Risking the wrath of many, London’s Royal Academy of Arts is playing host to a long-overdue themat...
Adeline de Monseignat: interview
Dutch-Monagesque artist Adeline de Monseignat’s work is greatly influenced by Sigmund Freud’s co...
Agathe Sorel talks to Studio International about the work in her retrospective exhibition at the Stu...
Christian Thompson interview: ‘My work does not need to be read through ...
Christian Andrew William Bumbarra Thompson (born 1978) belongs to the Bidjara Indigenous people of c...
One of the highlights of this year’s Dutch Design Week was Age of Wonderland, in which young artis...
Anselm Kiefer, who was born in Germany in 1945, studied law before beginning his art education in Ka...
With works from the 1980s to the present that appropriate, and sometimes manipulate, images and soun...
Carsten Höller’s show Leben allows visitors to do more than just view the exhibits. From staying ...
Cubism: The Leonard A Lauder Collection
This superbly sensitive installation of the four greats of Cubism – Pablo Picasso, Georges Braque,...
American artist Aleah Chapin has had huge success early in her career. On graduating from the New Yo...
Crossing the Line 2: Drawing in the Middle East
Crossing the Line was a conference that brought together specialists to examine the role of drawing ...
Céleste Boursier-Mougenot: persistances
Céleste Boursier-Mougenot’s immersive installations merge movement and sound and extract the musi...
Anne Graham interview: ‘The ability to see things as if for the first ti...
Anne Graham currently has two exhibitions of sculpture in Sydney, which indicate the many layers of ...
In a thrilling career-spanning retrospective, Arnulf Rainer proves that art can be revelatory throug...
Agathe Sorel interview: ‘I never have an idea in advance, even now. Expe...
Agathe Sorel talks about her battle to get printmaking recognised in art colleges, her unconventiona...
Christopher Le Brun interview: ‘From the drama of the image in my earlie...
Royal Academy president Christopher Le Brun has produced 33 new canvases for his solo show at Friedm...
Fresh from his incredible journey with Nowhereisland, Alex Hartley speaks to us from his lookout ato...
Alastair Upton is chief executive of The Creative Foundation, an independent visionary arts charity ...
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