Archive - Results from #540

Published 30/11/-0001

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Brown & Son: Art That Makes Itself

Father and son Paul and Daniel Brown work together as Brown & Son, ‘Purveyors of digital images si...

Canada. Canadassimo. BGL art collective: Jasmin Bilodeau, Sébastien Giguère, Nicolas Laverdière. 56th International Art Exhibition - la Biennale di Venezia, All the World’s Futures. Photograph: Alessandra Chemollo. Courtesy by la Biennale di Venezia.

All the World’s Futures: the 56th Venice Biennale

Under the African curator Okwui Enwezor, the 56th Venice Biennale attempts to bring together our dis...

Christopher Williams. K-Line, Matt Dulling Spray, CFC Free … Studio Rhein Verlag, Düsseldorf, August 24, 2014. Private Collection, Germany. Image courtesy Galerie Gisela Capitain, Cologne and David Zwirner, New York/London.

Christopher Williams: The Production Line of Happiness

American photographer Christopher Williams uses his first UK retrospective to illustrate how comfort...

Ahmet Ögüt, Fahrenheit 451: Reprinted, 2013. Mobile instant printing a selection of banned books in collaboration with Espoo Fire Department. Crew of the firetruck: Jaakko Väätäinen, Jaakko Liesivuori, Kimmo Kosonen, Tero Turunen and Markus Laitinen. In partnership with book publisher Leevi Lehto (NTAMO). Courtesy the artist.

Ahmet Ogut: Happy Together: Collaborators Collaborating

Directing a chatshow featuring a host of friends and former collaborators, Kurdish artist Ahmet Öğ...

C4RD, the Centre for Recent Drawing

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Andrew Hewish: ‘To introduce drawing as a category automatically produces interesting ways of thinking’

Andrew Hewish: ‘I’m interested in a process of drift, where things are...

Artist and C4RD director Andrew Hewish discusses how he makes objects and paintings using a broad va...

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, in a studio in Bethnal Green in east London in 2004.

Andrew Hewish: ‘To introduce drawing as a category automatically produce...

Artist Andrew Hewish founded C4RD, the Centre for Recent Drawing, ‘on the smell of an oil rag’ i...

Bryan Kneale at Pangolin London, 10 April 2015. Photograph: Martin Kennedy.

Bryan Kneale – interview: ‘I always liked the idea of being totally in...

From shrapnel from a second world war German bomb to early editions of Studio International, Royal A...

André Beaudin (1895-1979). Le Glaïeul Mauve, 1948. Oil on canvas, 81 x 54 cm (32 x 21 1/4 in), signed and dated lower left.

CUBISM 2.0: Post-Cubism in Europe

This rare and beautiful exhibition presents 18 works by artists from France, Hungary, Russia and the...

Anita Witek. How to work live better. Gallery view (1), l’étrangère Gallery, London. Photograph: Andy Keate.

Anita Witek: ‘I am opening up a gap between image and reality’

As she was installing her first UK solo exhibition, How to work live better, Austrian artist Anita W...

Allora & Calzadilla. Portrait of the artists. Background: Intervals, 2014. Re-configured acrylic
lecterns and dinosaur bones. Dimensions variable. Courtesy of the artists. In collaboration with
The Fabric Workshop and Museum, Philadelphia. Photograph: Constance Mensch.

Allora & Calzadilla: Intervals

In this exhibition of new and recent projects, Jennifer Allora and Guillermo Calzadilla explore the ...

Portrait of Alexander McQueen, 1997. Photograph: Marc Hom. © Marc Hom/Trunk Archive.

Alexander McQueen: Savage Beauty

Fashion it may be, in that every item in this Alexander McQueen retrospective is for wearing, but ar...

Gilles Barbier. A Very Old Thing, 2015. Mixed media, 70 7/8 x 70 7/8 x 45 1/4 in. 1/3 (Edition of 3 + 1 AP). Courtesy galerie Georges-Philippe & Nathalie Vallois, Paris. Photograph: JC Lett.

Armory Week 2015

The thousands who braved the snow for this year’s Armory found no big surprises. Rather, there wer...

Xu Bing. Phoenix Project, 2008-2010. Installation view of Phoenix: Xu Bing at the Cathedral, The Cathedral Church of Saint John the Divine, New York, 2013. 28 metres in length, 8 metres in width, 5 metres in height. Courtesy Xu Bing Studio and The Cathedral Church of Saint John the Divine.

Birds of Metal in Flight: An Evening of Poetry with 5 + 5

In celebration of the year-long exhibition Phoenix: Xu Bing at the Cathedral, a night of poetry by s...

Andrea Mason in her studio in Camberwell, London, 2015. © Studio International.

Andrea Mason: ‘If I had to be categorised really simply ... I am an arti...

Artist and writer Andrea Mason talked to us from her studio in Camberwell, south London about Litera...

Cornelia Parker, The Whitworth, Manchester, 11 February 2015. © Studio International.

Cornelia Parker: interview

Known for her explosive works, crossing the line between science and art, Cornelia Parker spoke to u...

Dóra Maurer. Seven Rotations 1-6, 1979. Six silver gelatin prints, 20 x 20 cm each. Collection of Zsolt Somlói and Katalin Spengler.

Adventures of the Black Square: Abstract Art and Society 1915 – 2015

To measure the imprint that a century of abstract art has left on society, culture and politics, Adv...

Basim Magdy at Cecilia Brunson Projects, London, 17 January 2015. Photograph: William Kennedy.

Basim Magdy: interview

Basim Magdy reveals a world of colour in his films and photographs. The critically acclaimed Egyptia...

Image top left: Wojciech Fangor, E17, 1965. Oil on canvas, 50 x 100 in. Grabowski Gallery. Image top right: Peter Sedgley, Tilt, 1965. Emulsion on canvas, hexagon, each side 30.5 in. McRoberts & Tunnard Gallery. Image © Studio International, Vol 171 No 878, June 1966.

Concentric circles: Wojciech Fangor and Peter Sedgely

London commentary by David Thompson

First published in Studio International, Vol 171 No 878...

Oil & Water Do Not Mix. Anthony Burrill, 2010, Great Britain. Screenprint. © Anthony Burrill/Victoria and Albert Museum, London.

A World to Win: Posters of Protest and Revolution

From the “votes for women” campaigns of the early 20th century to anti-apartheid protests in the...

Caragh Thuring

In her largest exhibition to date, British artist Caragh Thuring presents a diverse series of abstra...

Brian Bress. Angles on a Basket, 2014. High definition single-channel video (colour), high definition monitor and player, wall mount, framed. 37.75 x 22.5 x 4 in (95.89 x 57.15 x 10.16 cm), 9 min 52 sec loop. Courtesy Cherry and Martin, Los Angeles, C

Brian Bress: ‘I come to video with the agenda of a painter’

Brian Bress is an innovative multimedia artist who creates works that combine painting, drawing, ani...

Adam Magyar. Stainless, Xidan, 2014 (Beijing). High speed video, 9 min 25 sec, edition 1/3.

Art Basel Miami Beach: 14th Edition

This year’s fair was all about art as entertainment – and it didn’t disappoint. With more than...

Bloomberg New Contemporaries, Institute of Contemporary Arts, London, 26 November 2014 – 25 January 2015.

Bloomberg New Contemporaries 2014

Studio International attended the opening night of Bloomberg New Contemporaries at the Institute of ...

Charles Richardson, Bloomberg New Contemporaries, ICA, London, 2014. Photograph: Martin Kennedy.

Charles Richardson: interview

Recent Slade graduate Charles Richardson has hit the ground running. This year, in addition to his i...

Alberto Biasi at the Mayor Gallery, London, 29 October 2014. Photograph: Martin Kennedy.

Alberto Biasi: interview

In conversation with Studio International, Biasi reveals the singular motivations behind his work an...

Chris Martin. Tree, 2014. Acrylic on canvas, 88 x 77 in (223.5 x 195.6 cm). Courtesy of Anton Kern Gallery, New York.

Chris Martin: ‘When you’re outside, you can have a truly gigantic stud...

New York City-based artist Chris Martin, whose works were recently on show at the Anton Kern Gallery...

John Constable. Self-portrait, c1799-1804. Pencil and black chalk heightened with white and red chalk. © National Portrait Gallery, London

Constable: The Making of a Master

John Constable is renowned for his idyllic images of the English countryside. But as a new exhibitio...

Allen Jones

Risking the wrath of many, London’s Royal Academy of Arts is playing host to a long-overdue themat...

Adeline de Monseignat talking to Studio International at her London studio, October 2014. Photograph: Martin Kennedy.

Adeline de Monseignat: interview

Dutch-Monagesque artist Adeline de Monseignat’s work is greatly influenced by Sigmund Freud’s co...

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