Leckhampton Prairie Garden: a Garden for Today
Leckhampton House is once again the scene of a pioneering venture. Fifty years after it became home ...
Ken Done - Attack: Japanese Midget Submarines In Sydney Harbour
Seventy years ago, on the night of 31 May 1942, three Japanese midget submarines entered Sydney Harb...
Fair is language: São Paulo Art Fair
I received an email from Miguel Benavides, a friend who runs Studio Trust. At the request of Studio ...
Luca Signorelli: ingenuity and pilgrim spirit
Mind your lessons, little Kinsman’, that is the advice the eight-year-old Giorgio Vasari received ...
This summer, Anri Sala is the focus of the Pompidou’s efforts to celebrate the work of current Fre...
Jenny Holzer: Sophisticated Devices
“When you’ve been someplace for awhile you acquire the ability to be practically invisible. This...
Édouard Vuillard: A Painter and his Muses, 1890–1940
Édouard Vuillard: A Painter and his Muses, 1890–1940. The Jewish Museum, New York 4 May–23 Se...
Grayson Perry. The Vanity of Small Differences
Grayson Perry’s current exhibition at Victoria Miro features his new series of six tapestries, The...
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Reading the Head. Celia Scott Head to Head Sculptures
The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...
Walking into the Lisson Gallery on one of the hottest days of the year, I already feel as if I am me...
Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...
Giuseppe Cavalli: Master of Light
Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...
Dissent Popes and Swandown: a taste of Cafe Gallery Projects
Recent accolades likening South London to New York may be slightly exaggerated yet complimentary com...
Morgan O’Hara: Live Transmissions from the English National Ballet
Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...
Migrations: Journeys into British Art. Interview with Sonia Boyce
Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...
Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...
Between Embodiment and Identity
Beginning with a large glass display case, diagrams and drawings of body parts alongside plastic rep...
Fashion’s Archeologist Excavates Her Past
A woman who shares her living space with a Mexican Huastec figure dated to 900 CE, Russian icons, In...
Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012
Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...
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Michael Dean: Government and Phyllida Barlow: Bad Copies
Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...
Shezad Dawood. Piercing Brightness
In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...
Elemental Extravagance: The Jewelry and Metalwork of Marie Zimmermann
Widely admired and acquired during her lifetime, Marie Zimmermann...
New Studio Collaboration In Perth, Scotland
Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...
A Fitting Coda to a Culture-Bridging Career. An interview with Joe Earle o...
In September 2007, Joe Earle joined Japan Society in New York as vice-president and director of the ...
Extra Muros: Masterpieces at MAS, Five Centuries of Images from Antwerp
The first temporary exhibition set up in this industrial edifice, adorned by 3,000 legendary little ...
Jazz-Age Style with an Asian Twist. Deco Japan: Shaping Art and Culture, 1...
Japanese art deco is the subject of a new travelling exhibition...
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When a black mark is placed on a white paper, both paper and pigment immediately become transformed....
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