Jeanne Masoero: ‘My work is about trying to find structures, a kind of c...
The artist explains how her interest in the Mayan civilisation led her to use layers in her work. Ty...
With his latest installation at South London Gallery, Thomas Hirschhorn’s portrayal of destruction...
Mirrors to Windows: The Artist as Woman
This documentary follows 10 female artists from three generations to discover how they fare in an ar...
Wanderlust explores the art of a man who crossed oceans in his imagination and explored fairytale ca...
Susan Cianciolo: ‘Everything I make is so sacred and it’s all about th...
The artist talks about the Fluxus boxes in her latest exhibition, opening a textile store in Mississ...
Michaël Borremans’ current exhibition at David Zwirner Gallery in London conjures a nightmarish w...
Lisson Gallery’s head of exhibitions, Emma Gifford-Mead, talks to Studio International about the i...
Unfinished … Works from the Courtauld Gallery
Most artists, at some point, are asked, ‘How do you know when a work is finished?’ It’s a surp...
Mark Fairnington: ‘The work I do with scientists echoes their speculatio...
The artist talks about his work researching natural history collections, how he crosses the divide b...
This exhibition brings together sculptures by US artist Carol Bove and furniture and sculptures by V...
Cy Twombly: Fifty Years of Works on Paper
An exhibition of more than 80 drawings by Cy Twombly is on show at the Hara Museum of Contemporary A...
Herman de Vries: ‘My guru is a squirrel’ – Venice Biennale 2015
Herman de Vries, whose work spreads far beyond the confines of the Rietveld pavilion, explains why h...
Fighting History, an exhibition examining 250 years of history painting, has received a torrent of a...
Sheikha Lateefa bint Maktoum: ‘I am a veiled woman, so it’s a natural ...
The founder of Tashkeel, Dubai’s first public studio space for artists, talks about her hopes for ...
Pulitzer Arts Foundation marks its relaunch
With a new name, a doubling of gallery space, and new director Cara Starke, the revamped museum is k...
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Sophia Narrett: ‘I see the sewing process as akin to drawing’
The artist talks about the process of making her embroideries, why she uses pop culture for source m...
Patricia Cronin: 'A silent protest can be quite powerful' – Venice Bienn...
Patricia Cronin talks about Shrine for Girls, her installation at the Venice Biennale that commemora...
In his latest major exhibition, Carsten Höller’s playful artwork turns the Hayward Gallery into a...
Richard Tuttle’s third solo exhibition with Modern Art shows four new bodies of work that continue...
Geoffrey Eastop: ‘The character of the mark describes the object’
Geoffrey Eastop – his creative legacy. Studio international visited Ecchinswell in Hampshire – t...
Eileen Cooper: ‘Artists are real sponges. We take things and absorb them...
The artist talks about having a retrospective at the Royal Academy at the same time as showing in it...
Julian Opie: ‘I’ve always used movement as much as colour or imagery’
The artist talks about his current exhibition at the Alan Cristea Gallery, playing with the way we i...
Conrad Shawcross: The Dappled Light of the Sun
As well as his epic, sprawling installation that greets visitors to the Royal Academy Summer Exhibit...
This major retrospective spans Martin’s career from the early 50s to the last drawing made before ...
Lynette Yiadom-Boakye: ‘Maybe I’m not as interested in people as I tho...
The artist, whose latest exhibition, Verses After Dusk, is on at the Serpentine Gallery, London, tal...
Alighiero Boetti: Order and Disorder
As well as some of his best-known works of embroidery and ballpoint-pen drawings, this exhibition in...
Three recent series of works from the New York artist, using her trademark method of tessellating tw...
Chloe Dewe Mathews: ‘I wanted to bring the viewer in, so they become par...
Chloe Dewe Mathews’s Tate commission, Congregation, looks at south London’s African churches, ca...
Sarah Lucas: I Scream Daddio – Venice Biennale 2015
Sarah Lucas came to prominence in the 90s with the generation of Young British Artists, but it has t...
Cecily Brown: ‘In a way you can see things more clearly when they’re s...
The artist talks about her latest exhibition, The English Garden, explains why it is a lot harder to...
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