A personal message: Anita Glesta
Brooklyn-based artist Anita Glesta sends a video message from her temporary studio in upstate New Yo...
Oluwole Omofemi – interview: ‘In my paintings, I try to tell the black...
The Nigerian artist talks about how he uses hair – specifically the afro – as a metaphor for fre...
Ziba Ardalan – interview: ‘Parasol has been 16 years of go-go … Mayb...
Ardalan talks about her decision to close Parasol unit, and its achievements in London over the last...
Jake Wood-Evans – interview: ‘I don’t think you can make a successfu...
Taking great baroque altarpieces as his starting point, Jake Wood-Evans marks out his composition, a...
Denzil Forrester – interview: ‘I needed that dark space to bring out t...
Studio International spoke with Forrester at the opening of Itchin & Scratchin, his first major solo...
Christine Rebet– interview: ‘Animation is perfect for critique: it is ...
Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...
Darren Waterston – interview: ‘My normal studio practice is quite mona...
Studio International spoke to Waterston ahead of the opening of his installation Filthy Lucre: Whist...
Paul Mpagi Sepuya - interview: ‘I’m not making tricky pictures. There...
While a quest to understand the myriad undefined potentials of queer social spaces is one factor beh...
Leo Villarreal – interview: ‘It was interesting to connect to the univ...
American artist Leo Villareal talks about his first solo show at Pace, London, and his latest public...
Hansjörg Mayer – interview: ‘To handle and open and read the books .....
Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...
David Roberts Art Foundation’s Evening of Performances
Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...
David Nash – interview: ‘The world of nature, the environment, weather...
David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...
AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...
Burns guides us around the cave where his latest installation is taking place and explains that, his...
David Lewis, Billy Gerard Frank: Epic Memory – Venice Biennale 2019
Two quite different artists who have distinct and diverse relationships with the islands of Grenada ...
Kevork Mourad: the making of Seeing Through Babel
We visited Mourad at the Ismaili Centre in London to witness the creation of his latest work, a six-...
Shirley Tse: Stakeholders – Venice Biennale 2019
The artist talks about accommodation and negotiation as expressed in her Venice installation, Stakeh...
Remy Jungerman and Iris Kensmil: The Measurement of Presence – Venice Bi...
Jungerman and Kensmil’s installations for the Dutch Pavilion explore issues of race, identity, cul...
Shu Lea Cheang: 3x3x6 – Venice Biennale 2019
Shu Lea Cheang’s multi-media installation for Venice uses its ancient prison setting well to explo...
Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...
Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...
Renate Bertlmann: Discordo Ergo Sum – Venice Biennale 2019
Renate Bertlmann’s work is rooted in 1970s feminism, yet her message is entirely contemporary. She...
Eva Rothschild: The Shrinking Universe – Venice Biennale 2019
Eva Rothschild’s installation in Venice’s Arsenale summons the spirit of infrastructure, rubble ...
Sean Edwards: Undo Things Done – Venice Biennale 2019
Sean Edwards discusses growing up in a community with low expectations and expressing the most hones...
Hew Locke – interview: ‘A lot of my work has to do with the burden of ...
Hew Locke discusses monarchy, nationhood, bigotry, boats, Brexit and the seductive silliness of TV...
Protest and Remembrance: Miriam de Búrca | Joy Gerrard | Mary Griffiths |...
Drawings by four contemporary female artists explore notions of protest and remembrance, from anti-B...
Mary Griffiths – interview: ‘I extrapolate a drawing that has some res...
In Protest and Remembrance at Alan Cristea, with her large abstract works of plywood, acrylic gesso ...
Barbara Walker – interview: ‘From the moment I make the first mark, I...
Walker scours archives for images on which to base her drawings of black soldiers. She talks here as...
Joy Gerrard – interview: ‘I’m interested in how we witness and inter...
In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...
Miriam de Búrca – interview: ‘The sites themselves are very charged: ...
With her detailed drawings of plants growing on the graves of Ireland’s excommunicates and other u...
Phoebe Boswell – interview: ‘Grief is not a personal thing. It’s a h...
Boswell’s latest exhibition, The Space Between Things, which includes a video of her undergoing an...
Imre Bak – interview: ‘In today’s language, we need to achieve some ...
The neo-avant-gardist recalls cold war isolation, his enduring commitment to geometric abstraction, ...