Venice Biennale: choosing the artists

“...in 1948, [at the Venice Biennale] ...Henry Moore walked off with the major Sculpture Prize...t...

Studio International – June 1966

June 1966 Volume 171 Number 878...

Studio International – May 1966

May 1966 Volume 171 Number 877...

Studio International – April 1966

April 1966 Volume 171 Number 876...

Studio International – February 1966

February 1966 Volume 171 Number 874...

Studio International – January 1966

January 1966 Volume 171 Number 873...

Studio International – December 1965

December 1965 Volume 170 Number 872...

Phillip King. Studio International, 1965, Volume 170, 254

Phillip King, young British sculptor working mainly in plastic, answers some questions by John Copla...

Studio International – October 1965

October 1965 Volume 170 Number 870...

Studio International – September 1965

September 1965 Volume 170 Number 869...

Assemblage: The savage eye of Ed Kienholz

The spirit of anti-art manifest in Dada and never since completely absent from contemporary art deri...

Studio International – August 1965

August 1965 Volume 170 Number 868...

Studio International – June 1965

June 1965 Volume 169 Number 866...

Studio International – May 1965

May 1965 Volume 169 Number 865...

Studio International – April 1965

April 1965 Volume 169 Number 864...

Studio International – March 1965

March 1965 Volume 169 Number 863...

Philip Guston: The painter as metaphysician

The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...

Studio International – January 1965

January 1965 Volume 169 Number 861...

No Tension In Machines

Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...