search

Wael Shawky: ‘When you invert language, you make it even stronger’

With two exhibitions of his work opening in Italy this month, Wael Shawky talks about his film-makin...

Wendy Stavrianos: ‘I have always aimed for my work to be more akin to vi...

The artist talks about her concern with environmental degradation and mass migration, and her aim to...

Visual Wit and Social Critique. Satire from Goya to Grosz

With three centuries’ worth of satire, this exhibition offers an overview of things that have chan...

William Kentridge: Thick Time

This remarkable show offers six of the South African artist’s most potent installations – and si...

Xu Yong – interview: ‘Negatives act as witness’

Twenty-five years after Tiananmen Square, the Beijing-based photographer Xu Yong took the brave deci...

Winifred Knights (1899-1947)

Knights was a prodigious talent, yet she has been virtually ignored for the past half a century. Now...

Venice Architecture Biennale 2016: Reporting from the Front

From the poster image for this six-month-long event to the immersive installations of exquisitely re...

William Eggleston: Portraits

The first exhibition devoted to the American photographer’s portraiture undersells the works’ be...

Watteau’s Soldiers: Scenes of Military Life in Eighteenth-Century France

Offering the quiet thrill of a cool oasis in the park, the Frick Collection has mounted a connoisseu...

Wolfgang Tillmans

What is lost is lost forever, says Tillmans in this politically charged exhibition, which includes p...

William Heath Robinson’s Life of Line

With a wit all of his own Heath Robinson captured everything from the sublime to the ridiculous, and...

Verónica Losantos: Screen Memories

To recreate memories of a father she hasn’t seen since she was a 12-year-old child, the artist tur...

Virgile Ittah: ‘I think it’s in an artist’s genes – they never fol...

The artist talks about her unique wax modelling technique, her current collaboration, and explains w...

When silence falls

This is a group exhibition of work by contemporary artists exploring humanitarian crimes. It present...

Who’s Afraid of Women Photographers? 1839-1945

The first of its kind in France, this exhibition shines a light on the great accomplishments of earl...

Vagrich Bakhchanyan: Accidental Absurdity

Vagrich Bakhchanyan was a follower of the Russian avant garde and a precursor of Moscow conceptualis...

Vanessa Baird wins Norway’s prestigious Lorck Schive Art Prize 2015

The Norwegian artist, an uncompromising but vital talent, was the deserving winner of one of Europe...

Vibha Galhotra: ‘I am a traveller, an observer of situations’

The New Delhi-based conceptual artist discusses the role of the environment in her practice, as well...

Valera & Natasha Cherkashin: ‘There is no future without understanding o...

The Russian artist couple talk about the importance of history in their work and the beginnings and ...

Xavier Cha: ‘I’m attracted to manipulating the viewer’s sense of log...

The multimedia artist talks about exploring the physical and psychological relationships between the...

What Do I Need to do to Make It OK?

Curator Liz Cooper discusses this exhibition at London’s Pumphouse Gallery, which investigates rep...

Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...

The artist explains some of his performances, his interest in intervening in monuments in public spa...

Vincent Meessen: ‘In the western world, we still think that we created e...

Eleven artists come together to reflect on colonialism and its aftermath in a complex, multimedia, c...

Watch This! Revelations in Media Art

Interactive and sound art installations, sculptures and animations, experimental film and video art ...

Valerie Hird – interview: ‘Drawings are documents of honest and wonder...

US artist Valerie Hird studied archaeological illustration and then painting before becoming a compu...

William S Burroughs: Can you all hear me?

The October Gallery’s exhibition explores the legacy of novelist and artist William S Burroughs, a...

Wojciech Fangor: Colour-Light-Space

In the 1950s and 60s, Polish-born Wojciech Fangor (b1928) was an artistic force to be reckoned with....

What Marcel Duchamp Taught Me

One hundred years after Marcel Duchamp produced his first readymade, more than 50 artists, including...

VS Gaitonde: Painting as Process, Painting as Life

The works of the modernist Indian painter VS Gaitonde bring us to the world of abstraction, demonstr...

Xavier Mascaró interview: ‘I’m a sculptor, because I want to leave so...

Latin American sculptor Xavier Mascaró talks about his obsession with presence and absence in his w...

studio international logo

Copyright © 1893–2025 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA