The Liverpool Biennial 2012 – the UK Biennial of Contemporary Art
The Liverpool Biennial 2012 brings together dozens of different exhibitions comprising artworks by m...
Freud Museum, London, until 20 November 2012. Saying It is an exhibition that presents a mise-en-sc...
Love it or hate it, the Turner Prize is upon us once again, and, after a year’s sojourn at the BAL...
Taking a transnational picture: an interview with Maryam Najd
Contemporary online art journal with reviews, analysis and comment...
Ships and Sirens at Festival time
Susan Philipsz Timeline 2012, The Edinburgh Arts Festival 2012. The artist Susan Philipsz launched h...
The Afghan Seminars – dOCUMENTA 13
This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...
Shezad Dawood. Piercing Brightness
In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...
The lucrative relationship between celebrity and commerce is assumed in an age of branding and image...
The Armory Show: A Personal View
Art fairs are not places conducive to the contemplation of works of art, nor do they necessarily cla...
The Steins Collect. Matisse, Picasso and the Parisian Avant-Garde
When Leo Stein settled in Paris in late 1902 it was with the same romantic intention, as so many bef...
The Mystery of Appearance: Conversations Between Ten British Post-War Pain...
Contemporary online art journal with reviews, analysis and comment...
The Pot of Gold at the Other Side of the Atlantic. Cecil Beaton: The New Y...
Museum of the City of New York, 25 October 2011...
The Spirit of Tariki Visits New York
Fibre is any material that helps to form a connection. It has wide applications in science and indus...
Rugby Art Gallery and Museum’s The 43 Uses of Drawing, curated by the practitioners’ researchers...
The Omnipotent Magician: Lancelot
The cultural significance of Lancelot Brown, the Northumberland-born 18th-century landscape designer...
Studies in Form. Roberto Capucci: Art into Fashion
For those who did not have an opportunity to view the spring/summer 2011 retrospective of Italian fa...
The Dark Side of Love. Alexander McQueen: Savage Beauty
For English fashion designer Alexander McQueen (1969...
The Shape of Things to Come: New Sculpture
Saatchi Gallery’s current exhibition, The Shape of Things to Come: New Sculpture. Showcasing works...
Tom de Freston: Deposition, Christ’s College Chapel
Christ’s College, Cambridge celebrated the 500th anniversary (2010) of its consecration this Easte...
The Deconstructive Impulse: Women Artists Reconfigure the Signs of Power 1...
This excellent catalogue, a survey of leading women artists from the late 20th century that examines...
The Thinking Hand: Essential and Embodied Wisdom in Architecture
One of the distinguished Finnish protagonists involved in the restoration project is the author of t...
Show, curated by Sarah Williams, is the fourth in this series of Jerwood Encounters exhibitions,...
Shiro Kuramata and Ettore Sottsass
For the first time works by the visionary Japanese interior designer Shiro Kuramata and his life-lon...
The Life of the Mind: Love, Sorrow and Obsession
As the culmination of a 16 month residency at the New Art Gallery, Walsall, Bob and Roberta Smith, t...
Starred restaurant. Royal Academy of Arts, London
And now, from 19th January 2011, the redesigned 150 cover restaurant, the sixth in Oliver Peyton...
Time travel through human mindset. Hiroshi Sugimoto | ORIGINS OF ART
Running over one year at Marugame Genichiro-Inokuma Museum of Contemporary Art in Japan, Hiroshi Sug...
After 17 years of statehood Israel at last boasts a national museum. When one compares nearby countr...
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