Simon Patterson: ‘It’s about you filling in the gaps … the viewer co...

Simon Patterson talks about his show Safari: An Exhibition as Expedition, at the De La Warr Pavilion...

Stephen Chambers: The Court of Redonda – Venice Biennale 2017

UK artist Stephen Chambers talks about looking for the extraordinary within the ordinary, about the ...

Soul of a Nation: Art in the Age of Black Power

This is an exhibition of tragedy, celebration and defiance at a time of change and violence in the U...

Tom Burr: Surplus of Myself

Running parallel to Münster’s Skulptur Projekte, notions of private and public are unsettled in t...

Skulptur Projekte Münster 2017

With artificial environments, app-led innovations and a preponderance of site-specific video art, th...

Tadaaki Kuwayama: ‘Here is only the art itself’

Japanese-born artist Tadaaki Kuwayama recounts his refusal to dictate how spectators should view his...

Samson Young: Songs for Disaster Relief – Venice Biennale 2017

Samson Young’s Venice Biennale collateral event for Hong Kong explores the disquieting cocktail of...

Tom Phillips: ‘I’m still reading books. Nothing changes and everything...

Tom Phillips talks about his love of words, the human drive to make marks and the more spiritual sid...

Secundino Hernández: ‘As a painter you have to have the courage to not ...

Secundino Hernández talks about his academic origins, the delicate equilibrium he seeks between acc...

Sam Cornish: ‘We started with this idea that all works would have to con...

The co-curator of Kaleidoscope: Colour and Sequence in 1960s British Art discusses how this relative...

Saad Qureshi: ‘You can’t really pick your medium. Your medium picks yo...

Saad Qureshi talks about his seduction by charcoal, his fear of being exposed, and his creation of m...

The Japanese House: Architecture and Life after 1945

Featuring more than 40 architects, this exhibition traces 70 years of small-scale innovation to cele...

Tuneu: Hexacordo

This solo exhibition, which celebrates Tuneu’s 50 years as an artist, brings together his most rec...

Serge Attukwei Clottey: ‘My body is part of my work’s mystery’

Using his body as an object, Ghanaian artist Serge Attukwei Clottey works with international media ...

The American Dream: Pop to the Present

This exhibition pops and sparks, but ultimately goes out with a disappointing fizzle, leaving us to ...

The photographic works of Kishin Shinoyama: Picture Power

The Japanese photographer, famous for his portraits of celebrities and nudes, has selected about 120...

Tara Donovan: ‘I’m interested in exploring the moment where the condit...

The artist explains that, although her latest work, Compositions (Cards), may seem very different fr...

The Place Is Here

The 1980s were a fertile time for black British artists to interrogate their experience of racial di...

Thomas Hirschhorn: ‘The Gramsci Monument, like all monuments, is made fo...

The artist talks about his commitment to art in public spaces, describes how the Gramsci Monument in...

Sussex Modernism: Retreat and Rebellion

Unravelling some of the interwoven and incestuous tales relating to the 20th-century modernist prota...

Sheida Soleimani: ‘Does someone really want to buy an image of an execut...

Surrounded by her neon memorials to women killed in Iran, Soleimani discusses the state-sanctioned m...

Terrains of the Body: Photography from the National Museum of Women in the...

Building on the legacy of feminist art from the 1970s, this exhibition includes photographic and vid...

The Studio and the Arts and Crafts Movement

This article was first published in High Art and Low Life: The Studio and the fin de siécle, ...

Strange Worlds: Visions of Angela Carter

To mark the 25th anniversary of Carter’s death, this exhibition brings together works that influen...