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In her works on paper, photographs and bronzes, the young British Ghanaian artist conjures up memori...
The Queens’ Jubilee! and Let Me Hold You
Marking the 50th anniversary of the UK’s first Gay Pride March, two exhibitions come together in a...
Stalin’s Architect: Power and Survival in Moscow – book review
This fascinating book is as much about the history of Stalinist Russia as it is about Boris Iofan, t...
Sigurður Guðjónsson: Perpetual Motion – Venice Biennale 2022
In the darkness of the Icelandic Pavilion, Sigurður Guðjónsson talks about his monumental video w...
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From her small woven minimes to installations that stretch from floor to ceiling, Sheila Hicks’s c...
Sophie Calle and her guest Jean-Paul Demoule: The Ghosts of Orsay
Through photographs, text and objects, Sophie Calle weaves a tale about the time she spent staying i...
Things Will Continue to Change …
Two years after the first Covid-19 lockdown in the UK, eight artists show how they have adapted to t...
Tomás Saraceno: Particular Matter(s)
This show is a marvel of art and science in which Tomás Saraceno literally draws you into his web t...
What would a monument to Britain in 2022 look like? A motley crew of artists provide some surprising...
Shahzia Sikander – interview: ‘I usually create a painting as a poem’
Shahzia Sikander talks about the problems surrounding the telling of any history, and how collaborat...
The World According to Colour: A Cultural History – book review
Oddly, a squashed fly triggered art historian James Fox’s fascination with colour and, in this amb...
![Sarah Morris. Patrol [Spiderweb], 2021. Household gloss paint on canvas, 84 1/4 x 106 11/16 in (214 x 271 cm). © Sarah Morris. Photo © White Cube (Tom Powel Imaging).](/images/articles/m/025-morris-sarah-2021/smallpix/Sarah-Morris-Patrol-Spiderweb-2021-1-300.jpg)
Through paintings, film and drawings, Sarah Morris explores time and space, and her fascination with...
Tunji Adeniyi-Jones – interview: ‘I want to show composure and a confi...
Tunji Adeniyi-Jones talks about his new paintings in That Which Binds Us, his first solo show at Whi...
The Courtauld Institute refurbishment – review: ‘A bit of an epiphany...
After a three-year, £57m restoration and refurbishment by the Stirling-Prize winning architects Wit...
If you still think of tapestry as a traditional craft, the range of subjects and techniques in the w...
Suzanne Valadon: Model, Painter, Rebel
Born into poverty, this extraordinary and spirited woman rose to become a critically acclaimed paint...
The boundaries between painting and sculpture are blurred in Sze’s works, where pictures within pi...
For three months in New York, and then at the Tate Modern, visitors will be treated to that increasi...
Turi Simeti (1929-2021): A Homage
A tribute to Turi Simeti presents an encapsulated overview of a major figure of Italy’s postwar av...
This is a staggering show, dominated by five unsettling figures, whose abstraction echoes the artist...
The Story of the Country House: A History of Places and People – book re...
From a medieval manor house to a modern-day folly, Clive Aslet whisks us through time and place on a...
Yinka Shonibare has transformed this annual event into a paean to diversity, bringing work from the ...
Tal R by Martin Herbert – book review
This book is essential reading for all lovers of painting and contemporary art and culture, shedding...
Defying the pandemic and housed in a radiant new show space, New York’s preeminent art fair belied...
The Lost Leonardo – film review
Directed by Andreas Koefoed, this riveting documentary about the controversial Salvator Mundi, the m...
The Renaissance Cities: Art in Florence, Rome and Venice by Norbert Wolf ...
Well-researched, accessible and bringing new insights to the works of the period, this is not a book...
A dizzying array of 400 years of artworks from the capital is testimony to the ability of the Japane...
Tess Jaray: Thinking on Paper by Tess Jaray – book review
With work from 1960 to 2000 reproduced as found, with rubbings and calculations, Jaray’s book offe...
Thomas Joshua Cooper: The World’s Edge
Thirty-five vast black-and white photographs transport us to unbearably beautiful and heartbreakingl...
The impact of the Covid-19 pandemic on artists: ‘It was necessary for ar...
With the Covid-19 pandemic still causing major disruption in many parts of the world, three artists,...
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