Paul Klee: The Nature of Creation

In vast contrast to Tate Modern’s Warhol exhibition earlier this year, the Picasso Matisse which i...

Peter Doig 100 years ago

'100 Years Ago' is the name of Peter Doig's current show, the first in London since his Whitechapel ...

Return of the Buddha: The Qingzhou Discoveries

In 1996, while levelling the sports field of the Shefan primary school in Qingzhou, ...

Richard Demarco's Edinburgh

Edinburgh belongs to a special kind of city deserving of the UNESCO designation as a...

RIBA in Ecstasy: British Architectural Awards 2001

RIBA Awards 2001 – Ecstasy and fatigue, according to neuro-psychologist Richard Gregory, go togeth...

Patrick Heron: the growing legacy of genius

The work of Patrick Heron is bound up with what is probably the most crucial series of events in Bri...

Paul Klee at the Scottish National Gallery

The Private Klee on show at the Scottish National Gallery of Modern Art in Edinburgh is the third in...

Royal Academy Summer Exhibition, 2000

Given the characteristic hubris of Tate Modern over the river, it is interesting and also reassuring...

Richard Lindner and the human being as a toy

Richard Lindner and the human being as a toy – A Lindner retrospective exhibition, shown at the St...

Phillip King. Studio International, 1965, Volume 170, 254

Phillip King, young British sculptor working mainly in plastic, answers some questions by John Copla...

Philip Guston: The painter as metaphysician

The painter cannot remove himself from the currents of time, nor can he pretend that time, 'that flu...