Marc Chagall: Ceramic Masterpieces
Marc Chagall (1887-1985) was a storyteller with a magical dimension. His popularity ...
To accompany the exhibition Max Beckmann, a collaboration between the Centre Pompidou, Paris, Tate M...
Last year the National Portrait Gallery in London put together an exhibition of over 100 works by ph...
Outsider Art comes Full Circle – 'John the Painter'
'Outsider Artists' are not only untrained, but have also avoided 'social conditioning and cultural i...
The superb exhibition now filling four rooms of the Sackler Wing at the Royal Academy, London, is ap...
Max Beckmann (1884-1950) has long been recognised as one of Germany's leading 20th century artists...
Metamorphing: Transformation in science, art and mythology
For humans, change has always been essential, but difficult nonetheless. For most of...
Millennium Bridge Gateshead – miles better. Chris Wilkinson and Jim Eyre of Wilkinson Eyre have ma...
Matisse Picasso at Tate Modern has just finished, but moves on to Paris and New York later this year...
Next month (September) sees the figure of St Peter suspended face downwards between two Doric pillar...
Masters of Colour: Derain to Kandinsky
Only 30 years ago, Gabrielle and Werner Merzbacher began to form a collection of early 20th century ...
No single model of self-portraiture can stand for the experiences of women generally, or fully expre...
Where there are monuments, there is the urge to destroy them, through history. The twin towers of th...
If there was ever a clearer purpose and definition of the respective rationale behind the division o...
Milton Avery Late Works — Landscapes and Seascapes, 1951–1963
It was an unexpected pleasure to see an exhibition of Milton Avery paintings in London this Autumn (...
In the summer of 1986 there burst upon London, virtually unheralded, a major series of paintings, by...
Marcel Duchamp's Anémic-Cinéma
Translating the nine linguistic configurations of Marcel Duchamp’s film ANÉMIC-CINÉMA is impossi...
On Purpose: An enquiry into the possible roles of the computer in art
This is not another article about ‘computer art’...
One nice thing about technology is that it can neither be called serious nor the opposite. It just i...
New York Commentary, June 1968
'Dada, Surrealism and their heritage’ at the Museum of Modern Art: Isamu Noguchi at the Whitney Mu...
The esoteric books and games we are involved with here are those which one cannot do anything with. ...
Clacking, ticking and now and then breaking down, an exhibition at New York University's Art Gallery...
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