Grief and Grievance: Art and Mourning in America
Full of the pain of black experience, the works here make the galleries thrum and shimmer with energ...
Harold Offeh – interview: ‘I am always asking: who is not part of the ...
Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...
Grief and Grievance: Art and Mourning in America – book review
Preceding an exhibition at New York’s New Museum, this book, based on a vision of the late Okwui E...
Genesis, a floating church, by Denizen Works
Elements of care and craftsmanship link Genesis, a floating faith space on a traditional narrowboat,...
Haegue Yang: Strange Attractors
Connections both cosmic and corporeal are woven throughout Haegue Yang’s sculptures, collages and ...
Huma Bhabha – interview: ‘The more complicated and layered the work is...
The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...
Héctor Zamora: Lattice Detour (2020)
With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative que...
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Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...
With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...
Gauguin and the Impressionists
Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...
Hirose Satoshi: The Earth Is Blue Like a Lemon
The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...
Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...
Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...
Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...
Hetain Patel – interview: ‘What does it do growing up to see that the ...
Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...
Hilarie Mais – interview: ‘I draw what I am working on as a way of und...
The artist talks about her abstract constructions, which lie partway between painting and sculpture,...
Glasgow International 2020: Digital Platform
With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...
Helen Cammock – interview: ‘Creativity requires a space of idleness, o...
Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...
Hans Hofmann – Fury: Painting After the War
A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...
Grayson Perry: The Pre-Therapy Years
If you can move beyond the small size of the venue and the incongruity of hermetically sealed displa...
Long-known as ‘the only female at the birth of abstract expressionism’, Romanian-born Sterne alw...
Gianfranco Zappettini – interview: ‘Painting always survives’
As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...
Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...
A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...
In the Land of the Gods. Marc Chagall and the Greek World
This colourful exhibition explores the influences of the Hellenic world and its Bacchanalian myths o...
Hans Haacke’s “All Connected” at the New Museum is a retrospective featuring his major kinetic...
International Festival of Performance Art (FIAP)
There were some riveting performances at this second iteration of the West Indian island’s festiva...
Hamish Fulton: A Decision to Choose Only Walking
This exhibition of almost 50 years of Fulton’s experience of walking the natural world is a breath...
Hansjörg Mayer – interview: ‘To handle and open and read the books .....
Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...
Hello, Robot: Design Between Human and Machine
From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...
Garry Fabian Miller: Midwinter Blaze
Using early-19th century techniques, Miller works without a camera, experimenting with light to prod...
George Stubbs: All Done from Nature
MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th ce...
The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...
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