Long-known as ‘the only female at the birth of abstract expressionism’, Romanian-born Sterne alw...
Gianfranco Zappettini – interview: ‘Painting always survives’
As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...
Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...
A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...
In the Land of the Gods. Marc Chagall and the Greek World
This colourful exhibition explores the influences of the Hellenic world and its Bacchanalian myths o...
Hans Haacke’s “All Connected” at the New Museum is a retrospective featuring his major kinetic...
International Festival of Performance Art (FIAP)
There were some riveting performances at this second iteration of the West Indian island’s festiva...
Hamish Fulton: A Decision to Choose Only Walking
This exhibition of almost 50 years of Fulton’s experience of walking the natural world is a breath...
Hansjörg Mayer – interview: ‘To handle and open and read the books .....
Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...
Hello, Robot: Design Between Human and Machine
From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...
Garry Fabian Miller: Midwinter Blaze
Using early-19th century techniques, Miller works without a camera, experimenting with light to prod...
George Stubbs: All Done from Nature
MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th ce...
The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...
Holly Hendry – interview: ‘I dabble between formalism and representati...
Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...
Grayson Perry: Super Rich Interior Decoration
From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...
A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...
Garth Evans: But, Hands Have Eyes
You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that A...
Game, Set, Match: Three concepts of the artist’s book
An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...
In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...
Old air-conditioning units, poor-quality ceiling tiles coated with ultrasound gel and gold – the u...
Wood’s tragicomic paintings explore the apathetic alienation symptomatic of a networked, throwaway...
Gustav Metzger – In King’s Lynn
This show of Metzger’s work, as part of the King’s Lynn Norfolk festival, looks at his years liv...
Hans Ulrich Obrist – interview: ‘This is an unusual Calder show becaus...
A major Alexander Calder exhibition at Centro Botín in Santander reveals about 80 of the great Amer...
Ibrahim Mahama: Parliament of Ghosts
Through the use of old train seats and other salvaged materials, the Ghanaian artist tells a story o...
Ivon Hitchens: Space Through Colour
This thought-provoking exhibition, the largest on Hitchens since 1989, deftly explores the enigmas o...
Ibrahim El-Salahi – interview: ‘Drawing for me is a kind of meditation...
Using his art as a form of meditation to alleviate chronic back pain, Sudanese artist Ibrahim El-Sal...
Into the Mountain: Simone Kenyon
Immersive art doesn’t usually involve a 5.30am start and a day hiking in the rain, but Into the Mo...
An exhibition of Richter’s seascapes goes on display at Guggenheim Museum Bilbao, proving that, ev...
The digital artist Michael Takeo Magruder transforms urban maps from the British Library into data-d...
Irina Nakhova – interview: ‘I want my works to provoke curiosity’
The Russian artist talks about her latest exhibition, Museum on the Edge, at the Zimmerli Art Museum...
Henry Moore Drawings: The Art of Seeing
Although Henry Moore is best known as a sculptor, drawing was critical to his artistic practice. Thi...