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Published  30/11/-0001
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Héctor Zamora: Lattice Detour (2020)

With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative que...

Heather Phillipson – interview: ‘I wanted to respond to the loaded pol...

With her sculpture THE END finally installed in Trafalgar Square, after a delay due to Covid-19, and...

Gauguin and the Impressionists

Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...

Hirose Satoshi: The Earth Is Blue Like a Lemon

The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...

Gordon Parks: Part One

Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...

Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...

Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...

Hetain Patel – interview: ‘What does it do growing up to see that the ...

Known for performance art that mixes superheroes such as Spider-Man with the Gujarati traditions of ...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

The artist talks about her abstract constructions, which lie partway between painting and sculpture,...

Glasgow International 2020: Digital Platform

With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...

Hans Hofmann – Fury: Painting After the War

A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...

Grayson Perry: The Pre-Therapy Years

If you can move beyond the small size of the venue and the incongruity of hermetically sealed displa...

Hedda Sterne

Long-known as ‘the only female at the birth of abstract expressionism’, Romanian-born Sterne alw...

Gianfranco Zappettini – interview: ‘Painting always survives’

As his first solo exhibition in London opens at Mazzoleni, Zappettini recounts his ease with unconfo...

Huysmans, Art Critic: From Degas to Grünewald, in the Eye of Francesco Ve...

A diverting exhibition at Musée d’Orsay explores the influential art criticism of the quintessent...

In the Land of the Gods. Marc Chagall and the Greek World

This colourful exhibition explores the influences of the Hellenic world and its Bacchanalian myths o...

Hans Haacke: All Connected

Hans Haacke’s “All Connected” at the New Museum is a retrospective featuring his major kinetic...

International Festival of Performance Art (FIAP)

There were some riveting performances at this second iteration of the West Indian island’s festiva...

Hamish Fulton: A Decision to Choose Only Walking

This exhibition of almost 50 years of Fulton’s experience of walking the natural world is a breath...

Hansjörg Mayer – interview: ‘To handle and open and read the books .....

Poet, typographer and publisher Hansjörg Mayer and the computer art pioneer Frieder Nake talk us th...

Hello, Robot: Design Between Human and Machine

From Star Wars’ R2-D2 to a machine that produces compassionate messages for the dying, this is a c...

Garry Fabian Miller: Midwinter Blaze

Using early-19th century techniques, Miller works without a camera, experimenting with light to prod...

George Stubbs: All Done from Nature

MK Gallery’s generous survey confirms the Liverpudlian Leonardo’s position as one of the 18th ce...

Gauguin Portraits

The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...

Holly Hendry – interview: ‘I dabble between formalism and representati...

Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...

Grayson Perry: Super Rich Interior Decoration

From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...

Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Garth Evans: But, Hands Have Eyes

You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that A...

Game, Set, Match: Three concepts of the artist’s book

An exhibition of artists’ books, including works by Yves Klein, Andy Warhol and Thomas Hirschhorn,...

Heike-Karin Föll: Speed

In her first institutional solo show, the German artist plays on the fast fickleness of commodificat...

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