Archive - Results from #630

Published 30/11/-0001

Paint Like the Swallow Sings Calypso

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Gagosian. Jeff Koons, Baroque Egg with Bow (Turquoise/Magenta), 1994 – 2006. High-chromium stainless steel with transparent colour coating, 212.1 x 196.9 x 152.4 cm. One of four versions each uniquely coloured.

Art Basel Miami Beach – 2013: the lowdown

For those of you who couldn’t make it, Jill Spalding has the inside information. Who was there –...

Christopher Wool

At first glance, Christopher Wool’s paintings are objects, complete and unequivocal. They stand in...

Bill Woodrow at the RA

Bill Woodrow talks to Studio International about his exhibition at The Royal Academy of Arts, London...

Marlene Steyn. The Handsome Pool Party, 2013. Oil and mixed media on canvas, Plasticine finger sculpture on top of the painting, 111 x 170 cm.

Bloomberg New Contemporaries 2013

Bloomberg New Contemporaries 2013 opened at the Institute of Contemporary Arts with the customary fa...

Dorothy Cross.  Relic,  2010.  Shark (Porbeagle), 21 carat gold leaf , 60 x 70 x 182 cm . Private Collection, London.  Courtesy of the artist and Kerlin Gallery, Dublin.

Aquatopia: The Imaginary of the Ocean Deep

Aquatopia: The Imaginary of the Ocean Deep occupies all of the spectacular spaces at Tate St Ives, a...

Chantal Joffe.  Walking Woman,  2004 . Oil on board , 305 x 124 cm. © Chantal Joffe, 2004. Image courtesy of the Saatchi Gallery, London.

Body Language

There are some loud voices vying for attention in this colourful celebration of the human figure. Br...

Sana Musasama in her studio. Photograph courtesy of Sana Musasama.

Crisis and Catharsis in Clay: an interview with Sana Musasama

Those who encounter Sana Musasama’s lovingly crafted wall sculptures in Body & Soul: New Internati...

Guerrilla Girls.  [no title], 1985–90.  Screenprint on paper ,  430 x 560 mm.  © courtesy www.guerrillagirls.com

Art Turning Left: How Values Changed Making, 1789 - 2013

On a single floor of Tate Liverpool, 200 years of art influenced by the Left is exhibited: a big ide...

James Abbott McNeill Whistler. Whistler with a hat, 1859. Etching, 283 x 200 mm. The British Museum, London.

An American in London: Whistler and the Thames

“Oh Fantin, I know so little – things do not go quickly!”, wrote James Abbott McNeill Whistler...

Bird pectoral, Popayan, gold alloy, AD100-1600. Copyright the Trustees of the British Museum.

Beyond El Dorado: Power and Gold in Ancient Colombia

Beyond El Dorado seeks to cut through the myth of the golden city, but the reality is no less captiv...

A Traveller in Time, from Standing Stones to the Distant Stars: an intervi...

In the 1990s, Japanese multimedia artist Mariko Mori became known for her performance-based photogra...

Arthur M. Sackler Museum of Art and Archaeology, Peking University, Beijing, China.

Anita Glesta: interview

After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...

Oliver Cromwell (hung upside down). Highland Council.

Art Under Attack: Histories of British Iconoclasm

These days we take for granted the irony of using destruction as part of art, employed by movements ...

Andy Warhol. Vote McGovern, 1972. Founding Collection, The Andy Warhol Museum, Pittsburgh © 2008 Andy Warhol Foundation for the Visual Arts / ARS, New York.

Andy Warhol: Pop, Power and Politics

Warhol was one of the first artists to recognise the truly spectacular side of politics in the democ...

Chris Burden. Dos Equis, 1972. Laguna Beach, California: October 16, 1972. Photograph: Barbara Burden.

Chris Burden: Extreme Measures

Chris Burden, we learn from the flood of promotional material accompanying this fine show, his first...

EARTH AND SPACE. Winner and Overall Winner: Mark Gee (Australia), Guiding Light to the Stars. The skies of the Southern Hemisphere offer a rich variety of astronomical highlights. The central regions of the Milky Way Galaxy, 26,000 light years away, appear as a tangle of dust and stars in the central part of the image. Two even more distant objects are visible as smudges of light in the upper left of the picture. These are the Magellanic Clouds, two small satellite galaxies in orbit around the Milky Way. © Mark Gee.

Astronomy Photographer of the Year 2013

This is the fifth Astronomy Photographer of the Year exhibition. When Unesco held its International ...

Ana Mendieta. Imagen de Yágul (Image from Yagul), 1973. Colour photograph, 48.3 x 31.8 cm. Courtesy Glenstone Museum.

Ana Mendieta: Traces

Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...

Australia

Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...

ArtRio 2013. Entrance. Photograph: Sergio Greif.

A picture of ArtRio 2013: An invitation to think about Art Fairs

The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...

David Hammons. Spade (Power to the Spade), 1969. Body print, pigment, and mixed media on paper, 53 1/4 x 35 1/4 in.
Collection of Jack and Connie Tilton, New York. [On view at Grey Art Gallery, NYU].

Black Performance as Visual Art

Black performance needs no introduction. However, this is usually true with theatre, music and dance...

Marc Chagall. The Bride and Groom on Cock, 1939-47. Oil on canvas, 45 5/8 x 35 7/8 in. Collection of Dr. Hubert Burda, Munich. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris.

A Painter of Sorrows

The pictures of Russian painter Marc Chagall (1887-1985) have the simple charm of folk and fairy tal...

Ayad Alkadhi. If Words Could Kill III, 2013. Mixed media on heavy paper, 30 x 37 in (76.2 x 94 cm).

Calligraffiti: 1984/2013 – the art happening that launched the New York ...

A vibrant collaboration between Jeffrey Deitch, who curated the show, and Leila Heller, the longtime...

Julia Margaret Cameron. Sappho, 1865. Albumen silver print from glass negative. The Rubel Collection, Purchase, Jennifer and Joseph Duke and Anonymous Gifts, 1997. The Metropolitan Museum of Art.

Cameron Abridged

The exhibition of Julia Margaret Cameron’s portraits and allegorical scenes currently on view at t...

Gao Zhen and Gao Qiang (The Gao Brothers). A New World of Nuclear Cloud Shape, 2008. Photograph, 180 x 247 cm. Image courtesy of Hua Gallery, London.

Between Spiritual and Material Spaces: the Photographic World of the Gao B...

Sense of Space – Wake...

Charles Sheeler. Self-Portrait, 1923. Conté crayon, gouache, and pencil on paper, 50.1 x 65.2 cm. Gift of Abby Aldrich Rockefeller, 1935.

American Modern – A Canon Revived

The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...

Jockum Nordström. Installation view. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate.

All I Have Learned and Forgotten Again

This major exhibition of works by Jockum Nordström [b.1963] explores the breadth of his work in col...

Bill Traylor

Since he was brought to public attention at the Corcoran Gallery in Washington DC with the 1982 exhi...

Bedwyr Williams at Ceri Hand Gallery, London, July 2013. © Studio International

Bedwyr Williams: interview

Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...

Front cover from The Face, September 1986, no 77 (Hell’s Angels Cover). Lloyd Johnson gold jacket. Photograph © Eamonn McCabe.

Club to Catwalk: London Fashion in the 1980s

With the explosive emergence of the London club scene in the 1980s came a new generation of fashion ...

Marc Chagall.  I and the Village, 1911.  Oil on canvas,  192.1 x 151.4 cm.  © ADAGP Paris and DACS, London 2013. Photograph: © SCALA, Florence.

Chagall: Modern Master

Two exhibitions of Chagall’s paintings overlap this summer, though surprisingly they have quite li...

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