Archive - Results from #630

Published 30/11/-0001

Anthony Scala and George Renshaw – interview: ‘The piece surprised both of us. I designed it to do a certain thing, but it did something completely different’

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Ana Mendieta. Imagen de Yágul (Image from Yagul), 1973. Colour photograph, 48.3 x 31.8 cm. Courtesy Glenstone Museum.

Ana Mendieta: Traces

Despite leaving behind an archive of over 1,000 slides and 60 films, as well as myriad drawings and ...

Australia

Australia at the Royal Academy is the largest and possibly most important exhibition of Australian a...

ArtRio 2013. Entrance. Photograph: Sergio Greif.

A picture of ArtRio 2013: An invitation to think about Art Fairs

The third ArtRio, which took place earlier this month, spanned five massive warehouses in Rio de Jan...

David Hammons. Spade (Power to the Spade), 1969. Body print, pigment, and mixed media on paper, 53 1/4 x 35 1/4 in.
Collection of Jack and Connie Tilton, New York. [On view at Grey Art Gallery, NYU].

Black Performance as Visual Art

Black performance needs no introduction. However, this is usually true with theatre, music and dance...

Marc Chagall. The Bride and Groom on Cock, 1939-47. Oil on canvas, 45 5/8 x 35 7/8 in. Collection of Dr. Hubert Burda, Munich. © 2013 Artists Rights Society (ARS), New York / ADAGP, Paris.

A Painter of Sorrows

The pictures of Russian painter Marc Chagall (1887-1985) have the simple charm of folk and fairy tal...

Ayad Alkadhi. If Words Could Kill III, 2013. Mixed media on heavy paper, 30 x 37 in (76.2 x 94 cm).

Calligraffiti: 1984/2013 – the art happening that launched the New York ...

A vibrant collaboration between Jeffrey Deitch, who curated the show, and Leila Heller, the longtime...

Julia Margaret Cameron. Sappho, 1865. Albumen silver print from glass negative. The Rubel Collection, Purchase, Jennifer and Joseph Duke and Anonymous Gifts, 1997. The Metropolitan Museum of Art.

Cameron Abridged

The exhibition of Julia Margaret Cameron’s portraits and allegorical scenes currently on view at t...

Gao Zhen and Gao Qiang (The Gao Brothers). A New World of Nuclear Cloud Shape, 2008. Photograph, 180 x 247 cm. Image courtesy of Hua Gallery, London.

Between Spiritual and Material Spaces: the Photographic World of the Gao B...

Sense of Space – Wake...

Charles Sheeler. Self-Portrait, 1923. Conté crayon, gouache, and pencil on paper, 50.1 x 65.2 cm. Gift of Abby Aldrich Rockefeller, 1935.

American Modern – A Canon Revived

The recently opened American Modern: Hopper to O’Keeffe in the Museum of Modern Art is arranged in...

Jockum Nordström. Installation view. © The artist. Courtesy, Camden Arts Centre, London. Photograph: Andy Keate.

All I Have Learned and Forgotten Again

This major exhibition of works by Jockum Nordström [b.1963] explores the breadth of his work in col...

Bill Traylor

Since he was brought to public attention at the Corcoran Gallery in Washington DC with the 1982 exhi...

Bedwyr Williams at Ceri Hand Gallery, London, July 2013. © Studio International

Bedwyr Williams: interview

Bedwyr Williams is currently representing Wales at the Venice Biennale with The Starry Messenger. He...

Front cover from The Face, September 1986, no 77 (Hell’s Angels Cover). Lloyd Johnson gold jacket. Photograph © Eamonn McCabe.

Club to Catwalk: London Fashion in the 1980s

With the explosive emergence of the London club scene in the 1980s came a new generation of fashion ...

Marc Chagall.  I and the Village, 1911.  Oil on canvas,  192.1 x 151.4 cm.  © ADAGP Paris and DACS, London 2013. Photograph: © SCALA, Florence.

Chagall: Modern Master

Two exhibitions of Chagall’s paintings overlap this summer, though surprisingly they have quite li...

Paola Pivi. Have you seen me before?, 2008. Polyuretheane foam, feathers, plastic, wood and steel, 108 x 200 x 100 cm. Courtesy Collezione Sandretto Re Rebaudengo.

Collection Sandretto Re Rebaudengo: Have you seen me before?

Patrizia Sandretto Re Rebaudengo has enjoyed the status of one of Europe’s most prominent collecto...

Bill Viola. Chapel of Frustrated Actions and Futile Gestures, 2013 (detail). Video/sound installation, nine channels of colour, high-definition video on a 3 x 3 grid of plasma displays; nine channels mono sound, 306 x 183 x 9 cm (120.5 x 35 x 3.5 in). © the artist. Image courtesy of the artist and Blain|Southern.

Bill Viola: Frustrated Actions and Futile Gestures

Like most of Viola’s work, each series of videos in this exhibition hovers on an edge of some sort...

Two viewers taking a lunch break in Alain Ducasse restaurant in Qatar’s Islamic Museum.

Coming Soon: Qatar and the Emirates

Linked by a coastline, by ambition, by energy and by sudden wealth, Qatar, Dubai and Abu Dhabi are p...

Portrait of Toyo Ito. Photograph: Yoshiaki Tsutsui.

Architecture for All, Without Limits: Toyo Ito at 72

One of the superstar architects of the century, Toyo Ito, who turns 72 in June, said he now faces a ...

Fernando Arias. Lego Coffin (Homage to the Children of the Drug War), 2000. Lego and plywood, 28.5 x 190.5 x 70 cm. Daros Latinamerica Collection, Zürich. Photo: Foto Sergio Araujo. © collecting agency!

A Choice Collection of Latin American Art Comes Home

Working in the shadow of majestic Royal Palm trees, a team of architects, curators and artists engag...

Barbara Hepworth. Prelude II, 1948. The Fitzwilliam Museum, Cambridge © Bowness, Hepworth Estate. Image courtesy of The
Fitzwilliam Museum, Cambridge.

Barbara Hepworth: The Hospital Drawings

Pallant House Gallery in Chichester, West Sussex, is showing Barbara Hepworth: The Hospital Drawings...

Xu Bing. 54-1, Apricot tree, southern Hebei, 1980–81. Pen and ink on paper, with children’s water paint, 15.5 x 20.5 cm. © Courtesy of Xu Bing Studio.

An Exhibition to See: Landscape/Landscript: Nature as Language in the Art ...

The Chinese artist, Xu Bing (b. 1955), is internationally acclaimed for his ability to challenge peo...

Antoni Tàpies

An exhibition of 11 paintings made between 1992 and 2009 by the late Catalan artist, Antoni Tàpies ...

Ai Wei Wei. Grapes, 2008. Ten Qing Dynasty (1644-1911) stools, 92 x 172 x 153 cm. Courtesy of the artist; Friedman Benda, New York. Photograph: Bill Orcutt.

A Post-Modern Renaissance Rooted in Tradition

Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York C...

Charles Harrison: Looking Back. Published by Ridinghouse, London, 2011.

Charles Harrison in Retrospect

Charles Harrison – art historian, Art & Language collaborator, and sometime critic and curator –...

Edgar Degas. The Millinery Shop, ca. 1882–86. Oil on canvas, 100 x 110.7 cm. The Art Institute of Chicago. Mr. and Mrs. Lewis Larned Coburn Memorial Collection.

A Highly Calculated Affair: Impressionism, Fashion & Modernity

Impressionism and Fashion debuted in fall 2012 at the Musée d’Orsay and has just opened at its se...

Torso of a Young Man II, 1923. Walnut, 42.7 x 28.4 x 14.6 cm. Musée National d’Art Moderne, Paris © ADAGP, Paris and DACS London 2004

Constantin Brancusi: the essence of things

Two outstanding exhibitions of modern sculpture are on show together at Tate Modern in London, 'Cons...

Alvar Aalto. Topographical reference for Viipuri Library: Aalto’s sketch of a fantastic mountain which was the inspiration for the stepped section of the Viipuri Library reading room.

Aalto and America

According to Sarah Williams Goldhagen (‘Aalto’s Embodied Rationalism’), who is one of the cont...

Alex Israel, Miami, 2012. 2012 Art Public Opening Night. Photograph courtesy of Art Basel.

Art Basel Miami Beach 2012

The paint, the plaster and the woodchips have settled on Art Basel week in Miami and the tally is mi...

Cecil Beaton. Blitz: A workman with a wheelbarrow clears up fallen debris from the roof of St Mary-le-Bow after its first bombing, London, 1942. Part of Imperial War Museum’s ‘Ministry of Information Second World War Official Collection’.

Cecil Beaton: Theatre of War

Propaganda may seem like a slightly cruel way to describe the war photography of Cecil Beaton, but i...

Freya Douglas Morris. They Visited Twice, 2012. Paint and collage on paper, 70 x 100 cm. © the artist. Image courtesy of ICA. Photograph: Stephen White.

Bloomberg New Contemporaries 2012

New Contemporaries has supported emerging artists from British art schools since 1949. Democratic an...

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