Bao Pei uses ink and paper in the tradition of Chinese ink painting, but makes her work abstract, an...
Alex Prager: Silver Lake Drive
Prager revels in cliche and it is clear from the large Technicolor photographs and the handful of fi...
Cui Xiuwen, one of the most important avant-garde artists from China, passed away yesterday, leaving...
Ardan Özmenoğlu: ‘For me, repetition is the only way that you can reac...
The Turkish artist known for her distinctive works with Post-it notes talks about how she turns them...
Chance and Control: Art in the Age of Computers
This beautifully curated display includes work from the pioneers of digital art of the 1950s and 60s...
Alicia Kopf: ‘My idea is to appropriate polar history to a present-day s...
Catalan artist Alicia Kopf has won acclaim for her novel Brother in Ice, which sits at the pinnacle ...
Bodys Isek Kingelez: City Dreams
From individual buildings to large cityscapes, all the sculptures in this first US retrospective of ...
Bruges Triennial 2018: Liquid City
For the duration of the summer, visitors to the liquid city of Bruges are invited to ponder a more m...
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With its focus on the aerial image, At Altitude puts our terrestrial world into perspective with a b...
Beyond Ophelia: A Celebration of Lizzie Siddal, Artist and Poet
Best known as Millais’ Ophelia, Lizzie Siddal was a Pre-Raphaelite artist and poet in her own righ...
Alex Mirutziu: ‘I’m interested in error, misunderstanding, correction...
The Romanian artist talks about his latest exhibition, examining the life and work of Iris Murdoch, ...
Baldwin and Guggisberg: ‘If you’re not in a white cube it forces you t...
Having just installed 10, mostly blown-glass pieces around Canterbury Cathedral for their exhibition...
Saville’s fields of colour shimmer, each massive painting drawing you in and, once you are up clos...
Catherine Parsonage: ‘I wanted to break things apart, let everything be ...
The artist talks about how living in Rome has changed her work, why she is so interested in bodily f...
August Sander: Men Without Masks
Taken together, the portraits shown here, captured by the German photographer between 1910 and 1931,...
Callum Innes: Byzantine Blue, Delft Blue, Paris Blue
Five of Innes’ paintings form the inaugural exhibition for the Ingleby gallery’s new space, an a...
Contemporary Chinese Works on Paper – A Review
A microcosm of Chinese art and social change at Ipswich Art Gallery – this group show of works on ...
Celia Pym – interview: ‘I didn’t ever see the point of invisible men...
Describing herself as ‘an artist who works in textiles’ Pym talks about her recent surgery for m...
Adapt to Survive: Notes from the Future
The Hayward Gallery’s group show suggests future survival will demand that humans adjust to changi...
Chila Kumari Burman: ‘I scribble and make a mess in my studio. My whole ...
Burman talks about the inspirations for her intricate, multilayered works, including her latest comm...
Painting is back, and Berlin’s Gallery Weekend proved a great opportunity to survey its return...
The annual art fair, which this year celebrated it’s 50th anniversary, impressed with its congenia...
Cedric Morris – portraits, places and flowers: three exhibitions
Three exhibitions capture a slice of 20th-century bohemia with portraits of people, places and, most...
Creativity and Collaboration: Revisiting Cybernetic Serendipity
The two-day colloquium Creativity and Collaboration: Revisiting Cybernetic Serendipity, which explor...
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America’s Cool Modernism: O’Keeffe to Hopper
As the US charged headlong into the 20th century, as its cities grew skywards and consumerism began ...
Clementine Keith-Roach: ‘I think of domestic objects and furniture as ph...
The artist and set designer discusses casting her mother’s breasts for one of her nipple urns, bre...
Cécile B Evans: Amos’ World: Episode One
Cecile B Evans’s video transports us into the surreal world of an architect who believes he can bu...
The spectre of conflict haunts the powerfully enigmatic oeuvre of one of Poland’s pre-eminent post...
Iteration 2018 of MoMA’s biennial sampling of what’s trending in photography rethinks both the m...
Using 2,000 balls of thread, Chiharu Shiota’s installation of white woollen webbing in the chapel ...
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