Turner’s enduring appeal and perennial appearance in major exhibitions in the UK is testament to h...
Mira Schendel: “You shall see the difference now that I am back again”
Schendel (1919-88) settled in Brazil in 1949, a Jewish refugee from fascist Italy, becoming known as...
The Life and Death of Marina Abramović
Marina Abramović, a master of performance art, in collaboration with theatre director Robert Wilson...
At first glance, Christopher Wool’s paintings are objects, complete and unequivocal. They stand in...
Damage Control: Art and Destruction Since 1950
In his novel The World Set Free (1913), the science fiction writer HG Wells described a post-atomic ...
Bill Woodrow talks to Studio International about his exhibition at The Royal Academy of Arts, London...
Jake and Dinos Chapman: Come and See
Since the early 1990s, the brothers Chapman have used their art to unearth our deepest fears and pre...
The exhibition of the Italian artist Fausto Melotti (1901-86) at Waddington Custot Galleries in Lond...
Isa Genzken’s Objects: Life into Art
As we enter a large hall on the sixth floor of the Museum of Modern Art leading to Isa Genzken’s f...
Peter Howson grew up in Glasgow in the 1960s and attended Glasgow School of Art from 1975 to 1979. I...
Mad, Bad and Sad: Women and the Mind Doctors
Mad Bad and Sad: A History of Women and the Mind Doctors From 1800 to the Present, the Freud Museum ...
Wael Shawky at the Serpentine presents the premier of the artist’s latest film Al Araba Al Madfuna...
Leonora Carrington: The Celtic Surrealist
This superb exhibition by the Irish Museum of Modern Art demonstrates how Carrington, with reference...
Bloomberg New Contemporaries 2013
Bloomberg New Contemporaries 2013 opened at the Institute of Contemporary Arts with the customary fa...
Laure Prouvost wins Turner Prize 2013
The French-born film and installation artist Laure Prouvost (born Croix-Lille, 1978) has won the 29t...
Jules de Balincourt: Itinerant Ones
Balincourt’s exhibition is titled - after one of the paintings in this show - Itinerant Ones....
Taylor Wessing Photographic Portrait Prize 2013
The Taylor Wessing Photographic Portrait Prize is now in its 11th year, and is as popular as it has ...
Aquatopia: The Imaginary of the Ocean Deep
Aquatopia: The Imaginary of the Ocean Deep occupies all of the spectacular spaces at Tate St Ives, a...
Dennis Oppenheim: Thought Collision Factories
The first thing that struck me as I walked into the main gallery area of the Henry Moore Institute i...
There are some loud voices vying for attention in this colourful celebration of the human figure. Br...
We are at the Lisson Gallery, London, to see the group exhibition Nostalgic for the Future, shown ea...
There are few things I find more disturbing than René Magritte’s paintings. Somber, eerie and mel...
‘Küssen Im Park’: The Serpentine Gallery Expands
On 28 September 2013, a new and separate space opened nearby the existing Serpentine Gallery in Kens...
Heaven and Earth: Art of Byzantium from Greek Collections
Go to see it and experience what it feels like to be inside a halo: radiance untrammelled. I would n...
Crisis and Catharsis in Clay: an interview with Sana Musasama
Those who encounter Sana Musasama’s lovingly crafted wall sculptures in Body & Soul: New Internati...
Eileen Gray: Architect Designer Painter
One of the great strengths of Gray’s art, design and architecture was also her weakness; she defie...
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Painting Now: Five Contemporary Artists
Including the works of both a Turner prize winner and a nominee, Painting Now brings together five c...
The Queens Museum, New York reopens
The Queens Museum has a new name and a new life. Formerly the Queens Museum of Art, it reopened its ...
Interview with John Mellencamp
The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...
Klara Lidén: The Myth of Progress
Within the myriad forms of political art, it is possible to discern two primary strands. The first i...
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