In his first exhibition in Japan, French artist Christian Bonnefoi (b1948) shows his continuous sear...
Ink Art: Past as Present in Contemporary China
In the mid-1980s and 90s, as China distanced itself from the policies of Mao Zedong, and his success...
Tomás Saraceno’s work encompasses utopian architectural proposals exploring his ideas for a susta...
Darren Almond: To Leave a Light Impression
White Cube Bermondsey, South Galleries, London. Outside, it is grey and cold and, at 4.30pm, the sun...
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Sidesteps is Turkish artist Canan Tolon’s first major exhibition in London, bringing together thre...
A New York don’t-miss event, this show is revolutionary. Though not exactly groundbreaking – the...
Choosing, cropping, conjoining and composing are the intangible creative tools with which German art...
To mark the start of its 20th year, the Arts Catalyst, an organisation that puts a cultural spin on ...
The multimedia artist Mark Fox has a selection of his recent work on display at the Robert Miller Ga...
Project Space: Inverted House – Tina Gverović and Siniša Ilić
Given that we are psychologically programmed to see patterns in randomness, it is little surprise th...
Siobhan Davies Dance: Table of Contents - video review
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
England’s lost architect: Cecil Ross Pinsent
This publication comes not a moment too soon. Cecil Pinsent, like other 20th- century innovators, su...
Ancient Wisdom And Modern Knowhow: Learning to Live With Uncertainty
This is a magisterial volume by no less than the current leading transatlantic architectural histori...
Mikhailov’s Russia: From Eden to Hell
Boris Mikhailov is perhaps the most prominent photographer to emerge from the former Soviet Union in...
William Kentridge: Fortuna is the most comprehensive monograph on the South African artist to date. ...
Table of Contents, a live installation
Siobhan Davies is an award-winning British dancer and choreographer with a particular interest in th...
Cartier: Le Style et l’Histoire
At Christmastime, every street in Paris sparkles and glimmers. Shop windows are lit up with extravag...
Looking for Legends, Gambling on Faith
Now at the pinnacle of his 30-year career, Chinese artist Wang Guangyi, a resident of Beijing, has a...
Matisse: The Essence of Line, Selected Prints: 1900-1950
The draughtsmanship of Henri Matisse is celebrated by Marlborough Fine Art’s Matisse: The Essence ...
Painting for Stimulation: Guan Jingjing
In his catalogue essay, Painting to Stimulate the Mind: The Painted Art of Guan Jingjing, curator Xi...
Rembrandt - Auerbach: Raw Truth
Titled Raw Truth, the display shows six Auerbachs opposite five Rembrandts. Both artists are central...
Philippe Parreno: Anywhere, Anywhere Out of the World
It is an opportunity most artists would dream of – a carte blanche invitation to transform the mag...
The Scottish Colourists Series: JD Fergusson
The Scottish Colourists, a group of painters who left their homes and families in the early-20th cen...
Julio Le Parc: Light and Movement
When talking about the Argentinean Julio Le Parc, it is impossible not to mention the remarkable epi...
Uproar! The First 50 Years of the London Group 1913-1963
When Mark Gertler exhibited The Creation of Eve (1914) at the London Group’s third show in 1915, h...
Just as all utopias contain potential dystopia within them, the grandest pageantries are their own p...
The fifth edition of the Bi-City Biennale of Urbanism/Architecture (UABB), Urban Borders, opened on ...
Sarah Sze’s current multi-room installation at the Fabric Workshop and Museum in Philadelphia is t...
Art Basel Miami Beach – 2013: the lowdown
For those of you who couldn’t make it, Jill Spalding has the inside information. Who was there –...
The Finnish artist, filmmaker and photographer Salla Tykkä is an exemplary explorer of the hidden c...
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