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Published  30/11/-0001
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The Afghan Seminars – dOCUMENTA 13

This year, in addition to its home-base in Kassel, dOCUMENTA (13) has satellite venues in Kabul, Ale...

Leckhampton Prairie Garden: a Garden for Today

Leckhampton House is once again the scene of a pioneering venture. Fifty years after it became home ...

Ken Done - Attack: Japanese Midget Submarines In Sydney Harbour

Seventy years ago, on the night of 31 May 1942, three Japanese midget submarines entered Sydney Harb...

Fair is language: São Paulo Art Fair

I received an email from Miguel Benavides, a friend who runs Studio Trust. At the request of Studio ...

Luca Signorelli: ingenuity and pilgrim spirit

Mind your lessons, little Kinsman’, that is the advice the eight-year-old Giorgio Vasari received ...

Anri Sala

This summer, Anri Sala is the focus of the Pompidou’s efforts to celebrate the work of current Fre...

Jenny Holzer: Sophisticated Devices

“When you’ve been someplace for awhile you acquire the ability to be practically invisible. This...

Édouard Vuillard: A Painter and his Muses, 1890–1940

Édouard Vuillard: A Painter and his Muses, 1890–1940. The Jewish Museum, New York 4 May–23 Se...

Reading the Head

The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...

Reading the Head. Celia Scott Head to Head Sculptures

The sculpted bust conveying a real or assumed likeness of a human subject can be said to have fallen...

Jason Martin: Infinitive

Walking into the Lisson Gallery on one of the hottest days of the year, I already feel as if I am me...

Matisse: Pairs and Series

Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...

Giuseppe Cavalli: Master of Light

Giuseppe Cavalli: Master of Light – In 1947, Italian photographer Giuseppe Cavalli (1904–61) co-...

Dissent Popes and Swandown: a taste of Cafe Gallery Projects

Recent accolades likening South London to New York may be slightly exaggerated yet complimentary com...

Morgan O’Hara: Live Transmissions from the English National Ballet

Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...

Celia Scott, In Conversation

at Eleven Spitalfields Gallery, London, Wednesday 16 May 2012...

Migrations: Journeys into British Art. Interview with Sonia Boyce

Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...

Helmut Newton

Grand Palais, Galerie sud-est, Paris until 17 June 2012. This spring, the Grand Palais shows the fir...

Between Embodiment and Identity

Beginning with a large glass display case, diagrams and drawings of body parts alongside plastic rep...

Fashion’s Archeologist Excavates Her Past

A woman who shares her living space with a Mexican Huastec figure dated to 900 CE, Russian icons, In...

Hirst Reconsidered: Damien Hirst, Tate Modern, London, 2012

Reviews of Damien Hirst’s work invariably focus on the artist’s apparently contradictory identit...

Shezad Dawood. Piercing Brightness

In his feature length film, Piercing Brightness, Shezad Dawood uses the genre of science fiction to ...

Elemental Extravagance: The Jewelry and Metalwork of Marie Zimmermann

Widely admired and acquired during her lifetime, Marie Zimmermann...

New Studio Collaboration In Perth, Scotland

Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...

A Fitting Coda to a Culture-Bridging Career. An interview with Joe Earle o...

In September 2007, Joe Earle joined Japan Society in New York as vice-president and director of the ...

Extra Muros: Masterpieces at MAS, Five Centuries of Images from Antwerp

The first temporary exhibition set up in this industrial edifice, adorned by 3,000 legendary little ...

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