This is the second edition of the Berlin Art Prize, which was launched last year. The prize, which i...
Save Yourself! is an exhibition of small-scale drawings by seven artists from different generations,...
Ben Quilty’s first solo London show opened at the Saatchi Gallery on 4 July, celebrating his winni...
Joe Winkelman is one of the UK’s leading printmakers, specialising in intaglio since 1975. From 19...
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Light3 at the Fridman Gallery in New York, curated by Lilly Wei, is a must-see for anyone interested...
Kelly Richardson’s quietly stunning Haunted at the Void Gallery, Derry. Here we have humanity’s ...
Wim Delvoye, a bad boy of the art world, is showing in Moscow this summer. He is at the Gary Tatints...
Bruegel to Freud: Prints from the Courtauld Gallery
I met Dr Rachel Sloan, curator of Bruegel to Freud, to discuss the Courtauld’s print collection an...
Jimmy Pike: A Desert Cowboy in London – Retrospective
It is extraordinary in the early 21st century to be in the city of London looking at the work of an ...
MAYA, a major exhibition by Anindita Dutta, is the second exhibition of the Dame Jillian Sackler Int...
![Moses Harris. The Natural System of Colours Wherein is displayed the regular and beautiful Order and Arrangement, Arising from the Three Premitives [sic], Red, Blue and Yellow, The manner in which each colour is formed, and its Composition, 1769/1776. Royal Academy of Arts, London.](/images/articles/m/making-colour-2014/smallpix/X8384-300.jpg)
Now, the National Gallery is hosting an exhibition dedicated to the history of making colour in west...
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It has happened! It is here! The Whitney Museum has opened its doors to the Temple of Koons. The bui...
The Human Factor: The Figure in Contemporary Sculpture. Curator of the exhibition, Hayward Gallery...
Kenneth Clark: Looking for Civilisation
If connoisseurship was already thought to have an “antique ring” as early as 1950, this tendency...
It is thrilling, with this superb exhibition at Tate Liverpool, to see the work of Nasreen Mohamedi ...
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The exhibition of “paper sculpture” taking place in the Marble Palace of the Russian Museum feat...
It is all too easy to forget about folk art in the UK, to dismiss it as purely decorative, twee, or ...
Carl Andre: Sculpture as Place, 1958-2010
It has been more than 30 years since the last show devoted to Carl Andre was staged in America. As h...
Pierre-Nicolas Bounakoff, Jean-Marie Gallais, Ida Tursic and Wilfried Mill...
Halftone: Through the Grid is a group show, curated by Pierre-Nicolas Bounakoff and Jean-Marie Galla...
Art made in the trenches of life
With funding from the Henry Luce Foundation as part of its 75th-anniversary initiative,1 the America...
Marc Desgrandchamps: interview
In this exhibition of vivid beach scenes, Desgrandchamps has turned up the opacity on his figurative...
Richard Jackson: New Paintings
Richard Jackson (born 1939) has been a pre-eminent figure on the American art scene since the 70s an...
Isabel Nolan’s exhibition at the Irish Museum of Modern Art, The Weakened Eye of Day, marks the la...
As observers, we might be tempted to approach the work of Piet Mondrian as we would the scene of a c...
We spoke to her ahead of the opening of 512 hours about why, for her, presence is so important, what...
Doug Cocker’s workspace – a converted studio in Lundie – sits in the farming landscape of Coup...
Joyce W Cairns RSA was born and brought up in Edinburgh. She studied painting at Gray’s School of ...
Royal Academy Summer Exhibition 2014
Studio International visited this year’s Royal Academy Summer Exhibition before the party began, a...
Ancient Lives, New Discoveries
Ancient Lives explores the mortal remains and daily routines of eight of the British Museum’s mumm...
This exhibition of works by Richard Long from 1995 to 2014 documents the artist’s journeys through...
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