Michelangelo Pistoletto: The Mirror of Judgment
Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...
On Top of Two Empires – Xu Longsen
Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...
There is a lot more to Mary Kelly’s work than just dirty nappies. Nevertheless, no retrospective w...
Misericord: Cathie Pilkington and Jay Cloth
Based in south-east London, the artist-run Space Station Sixty-Five (SS65) has been co-directed by a...
The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...
Marina Abramovic: The Artist Is Present
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
MAVEN Commission: Jenny Holzer Collaboration
Jenny Holzer’s conceptual works Blue Purple Tilt (2007), Protect, Protect, Shape the Battlefield (...
The sculptor Raymond Mason has died, aged 87, on 13 February in Paris, where he had worked for 64 ye...
A global recession and faltering art market did not make 2009 a great year to wriggle free of the ar...
Making Art in Paradise. Serizawa: Master of Japanese Textile Design
Designated in 1956 as a 'Living National Treasure' by the Japanese government, textile artist Seriza...
One Collector's Delightful Passion
Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...
Materiality and Memory. An interview with Cildo Meireles
Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...
Mark Rothko: The Retrospective
Although 2008 does not mark a centennial birth date or major anniversary in the career of one of the...
Mark Rothko: the 'end of philosophy, the beginning of art'
The current exhibition at the Tate Modern enables Studio International to focus on the critical and ...
Nine Green Bottles: 'Giorgio Morandi, 1890-1964'
The exhibition now opened at the Metropolitan Museum of Art displays over 100 works by Giorgio Moran...
Medium or rare: the art-market grill
It has been a curious coincidence that the extraordinary Damien Hirst sale took place just before gl...
The Louisiana Museum in Denmark offers a quiet, liminal space for contemplation, isolated from every...
New Tent Architecture – book review
Tented architecture has been around since prehistory. But only recently has it been recognised as te...
Mars Collects! The Martian Museum of Terrestrial Art: Barbican Art Gallery...
'The Mayan civilisation was ruled by a caste of peace-loving astronomer priests' ...
Modern Painters: The Camden Town Group
To most people who live in London the name Camden Town means a busy interchange on the Northern Line...
The NeoCraft Conference held in the Nova Scotia College of Art and Design University in Halifax, Nov...
The autumn grand exhibition at Tate Britain is on the work of John Everett Millais (1829-1896), prom...
Matthew Barney: Drawing Restraint
When we speak of executing something - an article, a work of art, a musical composition - we speak o...
Migrant architects from Britain: the RIBA Stirling Prize 2007
As we digest the results of the annual celebration of the Royal Institute of British Architects (RIB...
Antony Gormley (b.1950) is best known for his massive sculpture Angel of the North (1998) and Field ...
MAD's Chief Curator Makes An Art of Making Connections
David Revere McFadden's career could function as a case study. With more than 35 years of experience...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
