Human history, and by extension the history of art, is a history of transfiguration, of translation,...
This timely showing of 60 various graphics in all, some six of which are from the Gallery's own coll...
Matisse takes the spotlight this spring at the Pompidou, and the swathes of attendees are this time ...
Morgan O’Hara: Live Transmissions from the English National Ballet
Clearly if you draw or are interested in the state of contemporary drawing then C4RD is an important...
Migrations: Journeys into British Art. Interview with Sonia Boyce
Sonia Boyce is included in this space; her work From Tarzan to Rambo: English Born “Native” Cons...
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Michael Dean: Government and Phyllida Barlow: Bad Copies
Michael Dean’s current exhibition, Government, at the Henry Moore Institute is the artist’s firs...
New Studio Collaboration In Perth, Scotland
Arthur Watson is a well-established artist of international repute and Secretary of the Royal Scotti...
Mary Heilmann: Visions, Waves, and Roads
Aside from a spate of regurgitated press releases, art critical attention to The Indiscipline of Pai...
Masters of Venice: Renaissance Painters of Passion and Power from the Kuns...
Aside from the sheer magnificence and technical bravura of the paintings themselves, one of the most...
Studio International spoke to Bercea about the medium of painting and its relationship to history, t...
Michelangelo Pistoletto: The Mirror of Judgment
Michelangelo Pistoletto was a key figure in the development of conceptual art and a founder of the i...
On Top of Two Empires – Xu Longsen
Xu Longsen: On Top of Two Empires, opened at the Museum of Roman Civilization in Rome on the summer ...
There is a lot more to Mary Kelly’s work than just dirty nappies. Nevertheless, no retrospective w...
Misericord: Cathie Pilkington and Jay Cloth
Based in south-east London, the artist-run Space Station Sixty-Five (SS65) has been co-directed by a...
The word “Baroque” springs to mind when trying to find an apt word to describe Modern British Sc...
Marina Abramovic: The Artist Is Present
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
MAVEN Commission: Jenny Holzer Collaboration
Jenny Holzer’s conceptual works Blue Purple Tilt (2007), Protect, Protect, Shape the Battlefield (...
The sculptor Raymond Mason has died, aged 87, on 13 February in Paris, where he had worked for 64 ye...
A global recession and faltering art market did not make 2009 a great year to wriggle free of the ar...
Making Art in Paradise. Serizawa: Master of Japanese Textile Design
Designated in 1956 as a 'Living National Treasure' by the Japanese government, textile artist Seriza...
One Collector's Delightful Passion
Buriki: Japanese Tin Toys from the Golden Age of the American Automobile An Exhibition of the Yoku ...
Materiality and Memory. An interview with Cildo Meireles
Born in Rio de Janeiro, Brazil in 1948, Cildo Meireles spent most of his adolescence in Brasilia, th...
Mark Rothko: The Retrospective
Although 2008 does not mark a centennial birth date or major anniversary in the career of one of the...
Mark Rothko: the 'end of philosophy, the beginning of art'
The current exhibition at the Tate Modern enables Studio International to focus on the critical and ...
Nine Green Bottles: 'Giorgio Morandi, 1890-1964'
The exhibition now opened at the Metropolitan Museum of Art displays over 100 works by Giorgio Moran...
Medium or rare: the art-market grill
It has been a curious coincidence that the extraordinary Damien Hirst sale took place just before gl...
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