Megan Rooney – interview: ‘My mother taught me how to be a maker’
The artist talks about working with clay, birdseed, lipstick and papier-mache and about excess, drau...
Noble Prospects: Capability Brown and the Yorkshire Landscape
To mark the 300th anniversary of the birth of the great 18th-century landscape gardener, this exhibi...
Michael Joo: ‘I was taken by the fact that there was a space that was in...
The New York-based conceptual artist Michael Joo talks about growing up among scientists, what drew ...
Niki de Saint Phalle: Je Suis Une Vache Suisse
Despite traumatic experiences early on in life, Niki de Saint Phalle’s produced vivacious, playful...
Mariko Mori: ‘The ring is a symbol of oneness, completeness and eternity...
The artist talks about her mission to place site-specific artworks honouring nature on the six habit...
Marie Yates: ‘In my view, everything is textual, and a text is visual’
A woman artist working conceptually with the landscape since the 1970s, Yates’s work has often bee...
A major retrospective showcases the work of multimedia Hungarian artist László Moholy-Nagy, who pi...
Manolo Valdés: ‘I only like apples if they look like Cezanne’s apples...
Like a magpie, taking fragments from works of art that he loves and reinterpreting them in new paint...
Concerned with the fundamental problem of the location of the body, both on canvas and in the world,...
Martine Syms: ‘I am interested in the idea of the gulf between your live...
The Los Angeles-based artist talks about semiotics, funkadelic Afrofuturism, and how to create a 90-...
Michael Benson: ‘Science is about trying to increase that zone of what w...
Benson fuses art and science to conjure spectacular images from raw data collected by Nasa and ESA. ...
Mark Fell: interview, Art Sheffield 2016
Mark Fell’s Structural Solutions to the Question of Being is being exhibited at The Link pub on th...
Martin Clark: interview, Art Sheffield 2016
Martin Clark, the director of Bergen Kunsthall, Norway, has created Art Sheffield 2016: Up, Down, To...
Despite the urban construction materials, the steel bars and concrete slabs, there is a strong sense...
Nico Vascellari: ‘I’m not interested in the rules or breaking them. I ...
The artist talks about how touring in a band influenced his work, despising morality in art, how we ...
Mark Wallinger: ‘Even the ugliest mark, with symmetry, gains some kind o...
After months of psychoanalysis, the Turner Prize-winning artist reveals something of his inner self ...
Michelle Stuart: Theatre of Memory – Photographic Works
For Stuart, each photograph matters in such a way that when we look at one or many of them, we sense...
Nikolai Astrup: Painting Norway
Astrup described himself as a naive naturalist painter, and his richly colourful landscapes are pote...
Maha Malluh: ‘I don’t see the point in creating new objects while we h...
The Saudi Arabian artist talks about the allure of working with found objects, why she considers gen...
The Scottish-Ghanaian artist placed black women at the centre of the frame, metaphorically and liter...
Odili Donald Odita: ‘I want to use colour to have an effect on the mind ...
Known for his vibrant, large-scale, abstract paintings, the artist talks about his influences, from ...
Margaret Harrison: ‘You have to have a strategy to draw people into the ...
Pioneering artist Margaret Harrison shares memories of her early career as an activist for equal rig...
This thorough exhibition explores parallels in the lives and works of Vincent Van Gogh and Edvard Mu...
Niamh McCann: ‘I consider making a form of thinking’
The internationally acclaimed Irish artist talks about her latest show, Just Left of Copernicus, how...
Making Africa: a continent of contemporary design
This exhibition explores the impact new technology has had on the work of African artists, designers...
Matthew Barney: River of Fundament
Film, opera, sculpture, ancient Egypt, contemporary industrial America, Normal Mailer – this exhib...
Noah Davis: Imitation of Wealth
The opening of this exhibition, which should have been a day of celebration, sadly became a day of m...
Naufus Ramírez-Figueroa: ‘I just create works that give a sensation of ...
The artist talks about his current exhibition, God’s Reptilian Finger, and the inspiration he drew...
Mat Collishaw: ‘I think human beings are always drawn to the slightly il...
With two concurrent exhibitions in the north of England, Mat Collishaw talks about the human race’...
Mark Leckey: Dream English Kid 1964-1999AD
The Turner Prize-winner returns with a short film that sees him dig deeper in his exploration of Bri...