Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...
The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...
Lynn Hershman Leeson: Civic Radar
A dedicated feminist who came of age in the tumult of the 1960s, Lynn Hershman Leeson was born in 19...
Jessica Stockholder: ‘Art changes, taking account of the present moment...
Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...
Jim Campbell: Indirect Imaging
American artist Jim Campbell uses LED technology for his light installations in this stunning explor...
Kennedy Browne: ‘With the internet there is no final cut’
Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...
Janenne Eaton: ‘My work is deeply political’
Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...
Jockum Nordström: ‘There’s a self-portrait in every single thing I do...
Having travelled from the island of Gotland where his latest solo exhibition was composed, Swedish a...
John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...
John Keane, artist in residence at the University of St Andrews, talks about the political influence...
Jasper Johns’ new works at the Courtauld Gallery, Regrets, take inspiration from Francis Bacon, Lu...
Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...
Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Katie Paterson: Earth-Moon-Earth (Moonlight Sonata Reflected from the Surf...
Katie Paterson’s lunar meditation on music, technology and imperfection reassesses our place in th...
Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...
Louise Bourgeois: A Woman Without Secrets
Louise Bourgeois is best known for her spider sculptures, including Maman for Tate Modern. This exhi...
The Worshipper of the Image is the first solo show in London held by the Venezuelan artist Lucía Pi...
Joe Winkelman is one of the UK’s leading printmakers, specialising in intaglio since 1975. From 19...
-300.jpg)
Light3 at the Fridman Gallery in New York, curated by Lilly Wei, is a must-see for anyone interested...
Kelly Richardson’s quietly stunning Haunted at the Void Gallery, Derry. Here we have humanity’s ...
Jimmy Pike: A Desert Cowboy in London – Retrospective
It is extraordinary in the early 21st century to be in the city of London looking at the work of an ...
-300.jpg)
It has happened! It is here! The Whitney Museum has opened its doors to the Temple of Koons. The bui...
Kenneth Clark: Looking for Civilisation
If connoisseurship was already thought to have an “antique ring” as early as 1950, this tendency...
Joyce W Cairns RSA was born and brought up in Edinburgh. She studied painting at Gray’s School of ...
In conjunction with Jeanine Oleson’s exhibition Hear, Here, guest music curator Cori Ellison (dram...
Entering Kate MacGarry’s exhibition of paintings by Luke Gottelier and furniture by Max Lamb is li...
Lower East Side: The Real Estate Show Redux
Real Estate was the name of the show. It opened on New Year’s Eve 1980 at an abandoned city-owned ...
To mark its 20th anniversary this year, Bard Graduate Center Gallery (BGC) has opened an exhibition ...
The painter Kaoruko is a slight, softly spoken Japanese woman who walks with inaudible steps and has...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Landscape architecture: Bernard Lassus
Landscape design has advanced dramatically in the past generation and Europe’s doyen, Professor Be...
-300.jpg)
Kazuyo Sejima + Ryue Nishizawa, SANAA
Buildings for museums and cultural institutions, including the recently completed Louvre Lens museum...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|