Louise Cattrell: ‘I think you can use your memory to create that 360-deg...
Landscape artist Louise Cattrell shares her secrets for bringing the viewer into the landscape and e...
Life of Cats: Selections from the Hiraki Ukiyo-e Collection
Cats came to Japan from China in the sixth century, aboard ships carrying Buddhist texts. An enchant...
Channelling the principles of Japan’s Mono-ha Group, Lee Ufan’s latest collection of reductive p...
Jonn Herschend: ‘We can use humour seriously in art to push agendas forw...
Film-maker and experimental publisher Jonn Herschend explains why Don Quixote has been such a major ...
Lydia Gifford: ‘I’m learning how to let go. At times it feels like som...
The British artist says her work is a continually generating material mass that is more about trying...
From smoke machines to salmon roe, Jason Rhoades’s art of the bizarre and the ‘gleefully vulgar...
In the Hill of Dreams, which includes encaustic paintings, monotypes, lithographs, etchings, woodcut...
Kehinde Wiley: ‘I think ideas are just as important as the material prac...
African-American artist Kehinde Wiley talks about the practice of painting as a conceptual tool to e...
Luc Tuymans’s latest exhibition at the David Zwirner Gallery in London is the result of a diverse ...
Lynda Benglis: ‘I think artists create their own rules’
Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by ...
Janet Biggs: ‘This project traces my very specific memories of my family...
The video and installation artist talks about her latest exhibition, in which she worked with neuros...
Lynn Hershman Leeson: ‘I’ve always been interested in the exchange bet...
The US artist Lynn Hershman Leeson, known for her performance art and film-making, talks about her l...
Lynn Hershman Leeson: Civic Radar
A dedicated feminist who came of age in the tumult of the 1960s, Lynn Hershman Leeson was born in 19...
Jessica Stockholder: ‘Art changes, taking account of the present moment...
Jessica Stockholder talks about her work, which combines painting, sculpture, installation and langu...
Jim Campbell: Indirect Imaging
American artist Jim Campbell uses LED technology for his light installations in this stunning explor...
Kennedy Browne: ‘With the internet there is no final cut’
Irish artist duo Kennedy Browne talk about how their work has been shaped by free-market triumphalis...
Janenne Eaton: ‘My work is deeply political’
Melbourne-based artist Janenne Eaton talks about the inspiration behind her recent installation, Roa...
Jockum Nordström: ‘There’s a self-portrait in every single thing I do...
Having travelled from the island of Gotland where his latest solo exhibition was composed, Swedish a...
John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...
John Keane, artist in residence at the University of St Andrews, talks about the political influence...
Jasper Johns’ new works at the Courtauld Gallery, Regrets, take inspiration from Francis Bacon, Lu...
Jyll Bradley, a native of Folkestone, has returned to the town to create a wonderful homage to the K...
Lewis Biggs is this year’s curator of the Folkestone Triennial, invited to join after 11 years as ...
Katie Paterson: Earth-Moon-Earth (Moonlight Sonata Reflected from the Surf...
Katie Paterson’s lunar meditation on music, technology and imperfection reassesses our place in th...
Lisa Corinne Davis talks to Lilly Wei about her multilayered, map-like paintings, the complex relati...
Louise Bourgeois: A Woman Without Secrets
Louise Bourgeois is best known for her spider sculptures, including Maman for Tate Modern. This exhi...
The Worshipper of the Image is the first solo show in London held by the Venezuelan artist Lucía Pi...
Joe Winkelman is one of the UK’s leading printmakers, specialising in intaglio since 1975. From 19...
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Light3 at the Fridman Gallery in New York, curated by Lilly Wei, is a must-see for anyone interested...
Kelly Richardson’s quietly stunning Haunted at the Void Gallery, Derry. Here we have humanity’s ...
Jimmy Pike: A Desert Cowboy in London – Retrospective
It is extraordinary in the early 21st century to be in the city of London looking at the work of an ...
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