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Published  30/11/-0001
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Koen Vanmechelen – interview: ‘Now everyone is talking about diversity...

In a joint venture with the Belgian city of Genk, the artist Koen Vanmechelen has built a €22m eco...

John Akomfrah: Ballasts of Memory

Akomfrah’s skill as a film-maker and visual storyteller shines through in this compelling show...

Kevork Mourad: the making of Seeing Through Babel

We visited Mourad at the Ismaili Centre in London to witness the creation of his latest work, a six-...

Liz Johnson Artur: If You Know the Beginning, the End Is No Trouble

The photographer celebrates 28 years living among south London’s black British community with this...

Lucio Fontana: On the Threshold

A miraculous retrospective revivifies the Argentine-Italian painter and sculptor, laying bare the br...

Lubaina Himid – interview: ‘It is my intention to create artworks that...

Lubaina Himid’s first solo exhibition in the US opens this week, debuting works that continue her ...

Julie Cunningham – interview: ‘I had the experience for many years of ...

Seeking to erase embedded patriarchal structures and fixed gender identities through dance, Julie Cu...

Lee Krasner: Living Colour

This joyful exhibition, a testament to Krasner’s astonishing energy, creativity and capacity for r...

Lothar Götz – interview: ‘In Britain, people think abstraction is jus...

Artist Lothar Götz talks about designing a monumental mural for Towner Art Gallery, the politics of...

Luchita Hurtado: I Live I Die I Will Be Reborn

The 98-year old painter’s debut institutional exhibition showcases a lifetime of work that fuses t...

Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...

Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...

Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...

The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...

Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...

McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...

Lawrence Lek – interview: ‘AI could become the ultimate content creati...

Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...

Joanna Piotrowska: All Our False Devices

In this installation at Tate Britain, Piotrowska’s black-and-white photos and 16mm films of intima...

Jack Whitten: Jack’s Jacks

Embellished with sparkling gemstones and richly coloured tiles, Whitten’s memorial paintings on sh...

Jonathan Baldock: Facecrime

Baldock looks as if he is having fun, pulling faces in mud and decorating them in glaze, and the moo...

Jonathan Monk: Exhibit Model Four – plus invited guests

This exhibition comprises a wallpaper of Monk’s photographs from the past 20 years, along with art...

Laura Buckley – interview: ‘I enjoy watching the people in the work as...

Buckley talks about her sculpture and video Fata Morgana, currently on show at the Saatchi Gallery, ...

Jenny Holzer: Thing Indescribable

This overarching retrospective covers Holzer’s 40 years as an artist activist, from her printed sl...

Jos Tilson – interview: ‘Motherhood is a form of creativity, and one w...

Tilson has combined the ancient craft of hand-weaving with the language of modern art alongside an o...

Leon Kossoff: A London Life

A career-spanning exhibition of the London artist confirms his status as the quintessential painter ...

John Ruskin: The Power of Seeing

Marking the bicentenary of Ruskin’s birth, this exhibition, the first of many across the UK this y...

John Bellany and Alan Davie: Cradle of Magic

From his collection, Damien Hirst has produced a tribute to the passionate and visionary work of two...

Katie Birkwood – interview: ‘The bodies of society’s disadvantaged, ...

The Royal College of Physicians’ exhibition of anatomical illustrations, from medieval times to th...

Julie Mehretu: Drawings and Monotypes

In these new works, Mehretu plunges the viewer into her phenomenological, immersive methodology and ...

Kip Gresham: The Art of Collaboration

This exhibition shows 40 years of work made by master printmaker Kip Gresham in collaboration with s...

Joy Gerrard – interview: ‘I’m interested in how we witness and inter...

In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...

Jan Tschichold and the New Typography

Drawing on materials Tschichold collected, this exhibition traces his influence on graphic design be...

Julianne Swartz interview – ‘Joy is also talking about sorrow and desp...

Swartz talks about Joy, Still, her site-specific sound installation at Grace Farms, and how the mult...

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