Leonor Antunes: a seam, a surface, a hinge or a knot – Venice Biennale 2...

Leonor Antunes combines her sculpture and craft to open up conversations within architectural spaces...

Keith Tyson – interview: ‘I’m quite happy for the world to seep thro...

The artist talks about the joys of scaling back, relearning the craft of painting, and why the flowe...

Jock McFadyen – interview: ‘The Royal Academy Summer Exhibition doesn...

McFadyen, known for his urban landscapes and putting the marginal centre stage in his paintings, is ...

Lawrence Lek – interview: ‘AI could become the ultimate content creati...

Lek talks about artificial intelligence taking over from human creativity, and AIDOL, his feature-le...

Jack Whitten: Jack’s Jacks

Embellished with sparkling gemstones and richly coloured tiles, Whitten’s memorial paintings on sh...

Jonathan Baldock: Facecrime

Baldock looks as if he is having fun, pulling faces in mud and decorating them in glaze, and the moo...

Jonathan Monk: Exhibit Model Four – plus invited guests

This exhibition comprises a wallpaper of Monk’s photographs from the past 20 years, along with art...

Laura Buckley – interview: ‘I enjoy watching the people in the work as...

Buckley talks about her sculpture and video Fata Morgana, currently on show at the Saatchi Gallery, ...

Jos Tilson – interview: ‘Motherhood is a form of creativity, and one w...

Tilson has combined the ancient craft of hand-weaving with the language of modern art alongside an o...

Leon Kossoff: A London Life

A career-spanning exhibition of the London artist confirms his status as the quintessential painter ...

John Ruskin: The Power of Seeing

Marking the bicentenary of Ruskin’s birth, this exhibition, the first of many across the UK this y...

John Bellany and Alan Davie: Cradle of Magic

From his collection, Damien Hirst has produced a tribute to the passionate and visionary work of two...

Julie Mehretu: Drawings and Monotypes

In these new works, Mehretu plunges the viewer into her phenomenological, immersive methodology and ...

Kip Gresham: The Art of Collaboration

This exhibition shows 40 years of work made by master printmaker Kip Gresham in collaboration with s...

Joy Gerrard – interview: ‘I’m interested in how we witness and inter...

In her depictions of mass protests, Gerrard aims to make visible those who attend. For Protest and R...

Jan Tschichold and the New Typography

Drawing on materials Tschichold collected, this exhibition traces his influence on graphic design be...

Kader Attia: The Museum of Emotion

Attia offers an impassioned critique of the enduring effects of colonialism. Central to the French-A...

Jeff Koons

From a balloon bunny to a vast, glossy pink Venus of Willendorf, there is everything we would expect...

Jean-Jacques Lequeu: Builder of Fantasy

Deer-headed lodges, globe-shaped temples, sunken pleasure pavilions: a long-overdue exhibition at th...

Joseph Hillier – video interview: ‘Figurative sculpture in a public sp...

Sculptor Joseph Hillier talks about his most ambitious project to date, its design, and what it take...

Klimt/Schiele: Drawings from the Albertina Museum, Vienna

Commemorating the centenary of the deaths of two of Austria’s great modernist artists, this exhibi...

Jorge Pardo: ‘There’s a lot of No in conceptual art. I’m interested ...

Pardo and his team have transformed a tired French hotel in Arles into a work of art, designing and ...

Lorenzo Lotto: Portraits

Lorenzo Lotto was a painter of emotions as well as likenesses. With every portrait, he reached beyon...

Janet Biggs: Like Walking on Mars

In her three new films, Biggs mixes footage of the Mars Desert Research Station in Utah with scenes ...