George Shaw: The Sly and Unseen Day
George Shaw has been working away since 1996 at least, and this new show brings his paintings in par...
In his preface to the catalogue for Poussin Gallery’s current exhibition, High Abstract, Mel Goodi...
Since the 1980s Mexican artist, Gabriel Orozco has been making “work” – and it can only be des...
Grayson Perry: Visual Dialogues
Perfectly turned out in a pink and green satin dress, with matching hair ribbons and boldly rouged c...
The work of Chinese artist Guan Wei is an important comment on contemporary global culture. Born in ...
Paul Gauguin shaped a mythology that lasted; a persona deliberately crafted yet wildly varied. The f...
Helen Frankenthaler: Paper is Painting
Helen Frankenthaler: Paper is Painting, at Bernard Jacobson Gallery, London is one of three exhibiti...
Impressionist Gardens. National Gallery Complex, Edinburgh, 2010
We review this outstanding exhibition, which moves on to Madrid imminently, able to report that visi...
How the Master Became the Master
Matisse: Radical Invention, 1913–1917 is the kind of show the Museum of Modern Art (MoMA) does bes...
Hipsters, Hustlers, and Handball Players: Leon Levinstein's New York Photo...
Leon Levinstein (1910–1988) is renowned for the casual, black and white shots of his adopted city,...
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George Gittoes: Descendence stories, from Night Vision, The Diaries
Artist and film-maker, George Gittoes has shown new paintings the Descendence series (2009...
Graphic Heroes, Magic Monsters: Japanese Prints by Utagawa Kuniyoshi from ...
The proliferation of Japanese-style comics (manga), rapidly expanding international audiences for th...
The late, much lamented Paris-based English sculptor Raymond Mason (see obituary, 28 February, 2010)...
Inscription: drawing, making, thinking
Inscription: drawing, making, thinking is the fourth of Jerwood...
Hitting a Wall, Finding a Shape: An interview with Gary Hill
Using a curious Internet nickname that plays with a literary reference used in his work, pioneering ...
Gary Hill: Poetics Beyond the Third Dimension
If a word is worth 0.001 pictures, as stated at the entrance of American artist Gary Hill...
GSK Contemporary, Earth: Art of a changing world
The Royal Academy in London, joining with sponsors GlaxoSmithKline, opened this new exhibition on 3 ...
Grayson Perry: The Walthamstow Tapestry
After more than 20 years making pots Grayson Perry admits to no longer being the na...
Isabel Toledo: Fashion from the Inside Out – book review
In many ways, the course of history was changed when Barack Obama was sworn in as the 44th President...
Gormley's Plinth: One and Other
One and Other. Trafalgar Square, London, 6 July – 14 October 2009. Every hour, 24 hours a day for ...
Garden & Cosmos: The Royal Paintings of Jodphur
This exhibition examines comprehensively two particular styles of Indian painting, which developed b...
This is a substantial selection of work, a broadly chronological arrangement from throughout his car...
Interview: Independent curator and author Kohle Yohannan on 'the legend of...
From artfully obscured beginnings in Russia, to her full-blown commercial success by the end of the ...
Gerhard Richter: Paintings from private collections – book review
Reviewing the catalogue is to appreciate a valuable tool to understanding the more salient tendencie...
The paintings of Gerhard Richter were first exhibited in Britain as part of the official 1970 Edinbu...
Gustav Klimt: Painting, Design and Modern Life in Vienna 1900
To celebrate 2008 as European Capital of Culture, Tate Liverpool is presenting the first, 'comprehen...
Gathering into gospel order: the Shaker approach to design
A consideration of Shaker-made architecture, furniture and commercial wares - items of remarkable be...
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