From the Forest to the Sea: Emily Carr in British Columbia
Canadian artist Emily Carr, born near the end of the 19th century, recorded the relics and landscape...
E.V. Day interview: ‘I stiffened 200 thongs to look like jet fighters an...
Best-known for her 3D installations, artist EV Day talks about using Barbie dolls, ripped clothing, ...
Fabrizio Poltronieri: Iconic Theogonies – The presentation of Computatio...
The 20 prints in this show are a product of pure chance, says Fabrizio Poltronieri, who as both arti...
The 12th edition of Frieze London brought many changes. Yet while curators and exhibitors took creat...
This exhibition of contemporary art from South Asia displays an impressive range of materials and st...
Egon Schiele: The Radical Nude
Egon Schiele’s controversial drawings, which peel back Vienna’s bourgeois façade to reveal a wo...
Ed Fornieles interview: ‘If you want access to the site, it’s a trade ...
For his show at the Chisenhale Gallery,Ed Fornieles has created a suburban Los Angeles television se...
Fritz Wotruba – Homage to Michelangelo
In a posthumous retrospective of the drawings and sculptures of Fritz Wotruba, the souls of the inan...
Encountering the Astronomical Sublime: Vintage Nasa Photographs 1961-1980
With distance comes sublime beauty, and with space travel our world is something magnificent to beho...
Working with layers of mixed media on paper and canvas, Fu Site, whose exhibition Politicians is at ...
DALeast interview: ‘I’m constantly thinking about creating something m...
The figures in Chinese artist DALeast’s paintings don’t look as if they are either coming or goi...
Deb Covell interview: ‘I want to show how far painting can be pushed’
Deb Covell (b1966) is a painter who seeks to celebrate the material qualities of paint. Rejecting pi...
David Hockney: The Arrival of Spring
David Hockney’s drawings and prints of English wooded lawns and leafy alleys now on show at the Pa...
Daniel Buren: Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ
Daniel Buren’s transformation of Strasbourg’s Musée d’Art Moderne et Comtemporain demonstrate...
Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executiv...
Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...
Dashiell Manley interview: ‘I approach most projects as if making a film...
Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Drawn Together: Artist as Selector
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
This new body of work at PEER is a collaboration between the artist Fiona Banner and the Magnum phot...
Dreams or reality? Contemporary art in Moscow, summer 2014
Russians, like the rest of the world, are split in their attitude toward contemporary art: some like...
Most know Dennis Hopper as a Hollywood hellraiser, the quintessential enfant terrible, both on scree...
Doug Cocker’s workspace – a converted studio in Lundie – sits in the farming landscape of Coup...
The paintings of German artist David Ostrowski (b1981) look like works that may or may not be quite ...
The American painter Elizabeth Neel makes paintings and sculptures that converse with each other. Bo...
Light rain, heavy traffic and impossibly long queues to access transport marked the Frieze Art Fair...
Fondation Beyeler presents Daros Latinamerica Collection
The Fondation Beyeler, the most visited art museum in Switzerland, with in excess of 330,000 people ...
Deutsche Börse Photography Prize 2014
The showcase of the four photographers shortlisted for this year’s Deutsche Börse photography pri...
Diverse Maniere: Piranesi, Fantasy and Excess
Sir John Soane’s Museum was conceived as a place of inspiration, learning and provocation for “a...
From Gucci to Gaultier: London hosts two major fashion exhibitions
This month sees the opening in London of two major fashion exhibitions: The Glamour of Italian Fashi...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|