Fernanda Chieco: ‘I go searching for stories’
The Brazilian artist talks about art residency programmes, and how one led her to look at haunted ho...
David Birkin, Mouths at the Invisible Event
David Birkin makes socially and politically motivated art that is thought-provoking and challenging....
Frederick Wiseman: ‘National Gallery shows more about the ambivalence, d...
The American film-maker Frederick Wiseman talks about his latest documentary, a portrait of the Nati...
David Altmejd: ‘I believe in the power that art has to generate meaning...
Canadian artist David Altmejd, known for his fantastical sculptures and installations, discusses his...
Dan Coombs: ‘Art is grounded in reaching for the real’
The artist talks about how he hoped his recent exhibition, Suspicion, would answer his 20-year quest...
Franklin Sirmans: ‘You should be able to smell, hear and taste New Orlea...
Franklin Sirmans, artistic director of the New Orleans biennial Prospect.3: Notes for Now, on the bo...
Faig Ahmed: ‘Collision of old and new is one of the concepts in my works...
The Azerbaijani artist Faig Ahmed talks about his exhibition Fluid Forms, how he reinterprets the pr...
From the Forest to the Sea: Emily Carr in British Columbia
Canadian artist Emily Carr, born near the end of the 19th century, recorded the relics and landscape...
E.V. Day interview: ‘I stiffened 200 thongs to look like jet fighters an...
Best-known for her 3D installations, artist EV Day talks about using Barbie dolls, ripped clothing, ...
Fabrizio Poltronieri: Iconic Theogonies – The presentation of Computatio...
The 20 prints in this show are a product of pure chance, says Fabrizio Poltronieri, who as both arti...
The 12th edition of Frieze London brought many changes. Yet while curators and exhibitors took creat...
This exhibition of contemporary art from South Asia displays an impressive range of materials and st...
Egon Schiele: The Radical Nude
Egon Schiele’s controversial drawings, which peel back Vienna’s bourgeois façade to reveal a wo...
Ed Fornieles interview: ‘If you want access to the site, it’s a trade ...
For his show at the Chisenhale Gallery,Ed Fornieles has created a suburban Los Angeles television se...
Fritz Wotruba – Homage to Michelangelo
In a posthumous retrospective of the drawings and sculptures of Fritz Wotruba, the souls of the inan...
Encountering the Astronomical Sublime: Vintage Nasa Photographs 1961-1980
With distance comes sublime beauty, and with space travel our world is something magnificent to beho...
Working with layers of mixed media on paper and canvas, Fu Site, whose exhibition Politicians is at ...
DALeast interview: ‘I’m constantly thinking about creating something m...
The figures in Chinese artist DALeast’s paintings don’t look as if they are either coming or goi...
Deb Covell interview: ‘I want to show how far painting can be pushed’
Deb Covell (b1966) is a painter who seeks to celebrate the material qualities of paint. Rejecting pi...
David Hockney: The Arrival of Spring
David Hockney’s drawings and prints of English wooded lawns and leafy alleys now on show at the Pa...
Daniel Buren: Comme Un Jeu d’Enfant / Like Child’s Play, Work In Situ
Daniel Buren’s transformation of Strasbourg’s Musée d’Art Moderne et Comtemporain demonstrate...
Folkestone Triennial 2014: video interviews with curator Lewis Biggs, Alastair Upton, chief executiv...
Emma Hart’s work is full of anxiety. Located in an empty domestic space on Tontine Street, Folkest...
Dashiell Manley interview: ‘I approach most projects as if making a film...
Los Angeles-based artist Dashiell Manley talks about The Great Train Robbery, explains why he sees h...
Anna McNay spoke to Ed Atkins about his current exhibition at the Serpentine Sackler Gallery, where ...
Drawn Together: Artist as Selector
Anita Taylor, dean of Bath School of Art and Design at Bath Spa University and the founder of the Je...
This new body of work at PEER is a collaboration between the artist Fiona Banner and the Magnum phot...
Dreams or reality? Contemporary art in Moscow, summer 2014
Russians, like the rest of the world, are split in their attitude toward contemporary art: some like...
Most know Dennis Hopper as a Hollywood hellraiser, the quintessential enfant terrible, both on scree...
Doug Cocker’s workspace – a converted studio in Lundie – sits in the farming landscape of Coup...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|