Elizabeth Price: Felt Tip

Prehistoric ferns, corporate ties and hairy-legged stiletto wearers are among the things Elizabeth P...

Equilibrium: An Idea for Italian Sculpture

A striking exhibition presents works that examine and play with the notion and execution of equilibr...

Devan Shimoyama – interview: ‘I use my body to explore magic, mytholog...

His portraits consider the black, queer, male body from a personal perspective that is as informed b...

Erwin Wurm – interview: ‘I’m horrified about our environment, about ...

The Austrian sculptor, famed for sheathing social commentary in comic forms, talks about absurdity, ...

Elevation 1049: Frequencies

Set in the spectacular alpine resort of Gstaad, the Elevation 1049 festival explores contemporary ar...

Don McCullin

McCullin is widely known as a war photographer, but this comprehensive and unflinching exhibition, c...

Daria Martin – interview: ‘Most people can relate to the feeling of be...

The 2018 Jarman Award-winner talks about Franz Kafka, mirror-touch synaesthesia and her film Tonight...

Fluorescent Chrysanthemum Remembered

Fluorescent Chrysanthemum Remembered, a retrospective exhibition, curated by Jasia Reichardt, celeb...

Fernand Léger – New Times, New Pleasures

Léger is regarded as the father of pop art and, despite his harrowing experiences during the first ...

Emma Hart: Banger

In a playful, rebellious show that explores the sinister and surreal of the everyday, the London-bas...

Funda Gül Özcan: ‘I was like a sponge to soak up their tears’

Özcan talks about her recent installation at a bar in Graz, extraterrestrials, the Kosovo war, artw...

Edward Burne-Jones

Burne-Jones may not appeal to the contemporary art world, but Tate Britain’s survey proves there...

Damien Coulthard: Songlines XXX, Adnyamathanha Yarta – ‘It’s excitin...

To mark its 30th anniversary, Rebecca Hossack Gallery is showing the Australian artist Damien Coulth...

Franz West retrospective – playfulness is in the air

From his diminutive drawings to his large Pepto-Bismol pink sculptures, Franz West's world will leav...

Doris Salcedo

The White Cube presents two of Doris Salcedo’s works, each exploring loss and the fragility of lif...

Dan Graham on Rock’n’Roll

Dan Graham talks about his early days as a New York gallerist, his love of music and why he doesn’...

Frida Kahlo: Making Herself Up

This exhibition offers a lesson in why you shouldn’t feed popular morbid curiosity at the expense ...

Frida Escobedo’s Serpentine Pavilion

With walls made of stacked concrete roof tiles and a welcoming sequence of interior spaces, Mexico...

E.V. Day, interview

In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. D...

Frieder Nake, interview

Frieder Nake’s work is from 1965, a pioneering example of computer art in which the image is wholl...

David Chipperfield: ‘Architecture shouldn’t exist on its own. There is...

Fresh from his transformation of the Royal Academy of Arts, David Chipperfield talks about architect...

Etel Adnan

In a bold juxtaposition with works by Paul Klee, the oil paintings, poems, carpets and tapestries of...

Dorothea Lange: Politics of Seeing

A photographer of fierce resolve and compassion, Dorothea Lange knew how to capture the very essence...

Eve Fowler: ‘Stein’s work really affected me’

The artist talks about her latest exhibition, What a slight, what a sound, what a universal shudder,...