Published  07/08/2018

E.V. Day, interview

E.V. Day, interview

In a riveting, large-scale work called Moss Ball: A Meditation on the Overview Effect (2018), E.V. Day makes some unlikely, and therefore all the more intriguing, connections

Intersection: International Art and Culture
Arthur M Sackler Museum of Art and Archaeology at Peking University, Beijing
27 May – 27 August 2018

She imaginatively links together disparate structures in an associative, appropriative weave, likening a moss ball, a decorative item in a formal baroque garden, to the view of the Earth from the point of view of an astonished astronaut seeing it from space for the first time as well as to the explosive sensuality that is Bernini’s Ecstasy of Saint Teresa and to his gilded architectural fantasias with their cascades of slender golden rods that represent rays of heavenly light. A gorgeous three-dimensional starburst (she calls it a “sputnik”) is affixed to the flat surface of her moss ball cum globe like a constellated brooch, tethered to a slender wire that traverses the gallery to the opposite wall, suggesting a divine shaft of light.

Interview by LILLY WEI

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