Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99
Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides
To order your copy please contact studio@mwrk.co.uk
Introduction
For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.
The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.
What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.
Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.
We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment
Michael Spens
Editor
Contents
Dom Sylvester Houédard: dsh* and EE Vonna-Michell – Henri Chopin: To Ra...
This exhibition draws together the concrete typestracts of Houédard with a stunning film by Henri C...
Organised in conjunction with the Abu Dhabi Music & Arts Foundation, this extensive exhibition at Se...
What characterises a monument? Mass? Authority? Glory? And what should be its destiny? If inspiring,...
Including works by Bert Hardy and Oscar Marzaroli to Alan Dimmick and Iseult Timmermans, this exhibi...
Kira Freije: Unspeak the Chorus
Kira Freije has created 26 new works for this show, life-size figures imbued with a rich and often ...
The Frick Collection: The Historic Interiors of One East Seventieth Street...
Celebrating the newly renovated Frick Museum, this treasure of a book takes the reader on a room-by-...
The artist explains feeling that she belonged neither to the Vietnamese community of her heritage or...
A thought-provoking exhibition of archival material and related artworks celebrating the centenary o...
From river pollution to radioactive waste, through aquatic atmospheres and mythic journeys, Emilija ...
This magnificent exhibition includes bold posters, woodcuts, portraits and still lifes, but it is Wi...
Through painting, sculpture and film, three international artists ask us to reflect on ecological de...
Dana Awartani: Standing by the Ruins
Using traditional craft techniques, Dana Awartani traces the destruction of cultural heritage sites ...
The loss of an icon is ever of great note but that the iconoclast architect Frank Gehry’s passing ...
Luigi Ghirri: Polaroid ’79-’83
Luigi Ghirri’s spell using Polaroid cameras takes us on an imaginary adventure, with leading clues...
A groundbreaking exhibition turns the way we think about sculpture on its head. Every object has its...
Photographer Merlin Daleman talks about how his new photo book, Mutiny, captures the backstory of th...
Three seductive, spellbinding films demonstrate the Uzbek artist and film-maker Saodat Ismailova’s...
German painter Gerhard Richter enchants, astonishes and unnerves in this compendious retrospective, ...
Karimah Ashadu’s three films may aim to give a voice to marginalised men in the former British col...
Playing with Fire: Edmund de Waal and Axel Salto
The artist and author Edmund de Waal has curated the first major exhibition of the Danish ceramicist...
Women of Influence: The Pattle Sisters
Seven sisters made their mark on Victorian art and culture and deserve to be far more than just dist...
Anindita Dutta: The Shadows of Duality
Shifting from her usual clay to recycled shoes, animal hides, fur, fabrics and more, Anindita Dutta ...
Berthe Weill: Art Dealer of the Parisian Avant-garde
This milestone exhibition celebrates the pioneering art dealer Berthe Weill, who launched the career...
Artes Visuales: The Latin American Avant-Garde in Print
Focusing on the influential Artes Visuales magazine and the extraordinary experimental artists it fe...
Rae-Yen Song 宋瑞渊, •~TUA~• 大眼 •~MAK~•
This is a theatrical space like no other in which, using sculpture, sound, textiles and performance,...
Celebrating the photographic work of Lee Miller in grand style, this retrospective showcases her man...
Now in her 70s, and with a show at the Irish Museum of Modern Art in Dublin, Cecilia Vicuña’s act...
Jaune Quick-to-See Smith: Wilding
This posthumous exhibition of Jaune Quick-to-See Smith’s art includes work made right up to her de...
Ayoung Kim: Delivery Dancer Codex
A trilogy of video works featuring two queer, female delivery drivers in Seoul, Ayoung Kim’s Deliv...
The Tate’s landmark exhibition presents a fascinating story, but could have done more to capture t...
Special issue 2005, Volume 204 Number 1027
Special issue 2005, Volume 204 Number 1027
Special issue 2006, Volume 205 Number 1028
Special issue 2006, Volume 205 Number 1028
Special issue 2007, Volume 206 Number 1029
Special issue 2007, Volume 206 Number 1029
Special issue 2008, Volume 207 Number 1030
Special issue 2008, Volume 207 Number 1030
Special issue 2009, Volume 208 Number 1031
Special issue 2009, Volume 208 Number 1031