Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99
Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides
To order your copy please contact studio@mwrk.co.uk
Introduction
For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.
The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.
What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.
Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.
We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment
Michael Spens
Editor
Contents
The Parisian scenes that Edward Burra is known for are joyful and sardonic, but his work depicting t...
The 36th Ljubljana Biennale of Graphic Arts: The Oracle
Surprising, thrilling, enchanting – under the artistic direction of Chus Martínez, the works in t...
It’s Terrible the Things I Have to Do to Be Me: On Femininity and Fame ...
In a series of essays about pairs of famous women, the cultural critic Philippa Snow explores the co...
Paul Thek: Seized by Joy. Paintings 1965-1988
A rare London show of elusive queer pioneer Paul Thek captures a quieter side of his unpredictable p...
This elegantly composed exhibition celebrates 25 years’ of awards to female artists by Anonymous W...
The first of its kind, this vast show is a stunning tour of the realism movement of the 1920s and 30...
Maggi Hambling: ‘The sea is sort of inside me now … [and] it’s as if...
Maggi Hambling’s new and highly personal installation, Time, in memory of her longtime partner, To...
Caspar Heinemann takes us on a deep, dark emotional dive with his nihilistic installation that refer...
Complex, multilayered paintings and sculptures reek of the dark histories of slavery and colonialism...
Shown in the context of the historic paintings of Dulwich Picture Gallery, Rachel Jones’s new pain...
William Mackrell – interview: ‘I have an interest in dissecting the my...
William Mackrell's work has included lighting 1,000 candles and getting two horses to pull a car. No...
Marina Tabassum – interview: ‘Architecture is my life and my lifestyle...
The award-winning Bangladeshi architect behind this year’s Serpentine Pavilion on why she has shun...
A cabinet of curiosities – inside the new V&A East Storehouse
Diller Scofidio + Renfro has turned the 2012 Olympics broadcasting centre into a sparkling repositor...
Plásmata 3: We’ve met before, haven’t we?
This nocturnal exhibition organised by the Onassis Foundation’s cultural platform transforms a pub...
Ruth Asawa: Retrospective / Wayne Thiebaud: Art Comes from Art / Walt Disn...
Three well-attended museum exhibitions in San Francisco flag a subtle shift from the current drumbea...
This dazzling exhibition on the centenary of John Singer Sargent’s death celebrates his versatile ...
Through film, sound and dance, Emma Critchley’s continuing investigative project takes audiences o...
Rijksakademie Open Studios: Nora Aurrekoetxea, AYO and Eniwaye Oluwaseyi
At the Rijksakademie’s annual Open Studios event during Amsterdam Art Week, we spoke to three arti...
AYO – interview: Rijksakademie Open Studios
AYO reflects on her upbringing and ancestry in Uganda from her current position as a resident of the...
Eniwaye Oluwaseyi – interview: Rijksakademie Open Studios
Eniwaye Oluwaseyi paints figures, including himself, friends and members of his family, within compo...
Nora Aurrekoetxea – interview: Rijksakademie Open Studios
Nora Aurrekoetxea focuses on her home in Amsterdam, disorienting domestic architecture to ask us to ...
Kiki Smith – interview: ‘Artists are always trying to reveal themselve...
Known for her tapestries, body parts and folkloric motifs, Kiki Smith talks about meaning, process, ...
Frank Auerbach, Britain’s greatest postwar painter, has a belated German homecoming, which capture...
How Painting Happens (and why it matters) – book review
Martin Gayford’s engrossing book is a goldmine of quotes, anecdotes and insights, from why Van Gog...
Jonathan Baldock – interview: ‘Weird is a word that’s often used to...
As a Noah’s ark of his non-binary stuffed toys goes on show at Jupiter Artland, Jonathan Baldock t...
Helen Chadwick: Life Pleasures
Helen Chadwick’s unwillingness to accept any binary division of the world allowed her to radically...
Catharsis: A Grief Drawn Out – book review
To what extent can the visual language of grief be translated? Janet McKenzie looks back over 20 yea...
Radical Software: Women, Art & Computing 1960-1991
With more than 100 works by 50 artists, this show examines the pioneering role of women in computer ...
Dame Jillian Sackler, the art lover and philanthropist, has died aged 84...
Giuseppe Penone: Thoughts in the Roots
With numerous works created with the twigs, leaves, roots, branches and majestic forms of trees, thi...
Special issue 2005, Volume 204 Number 1027
Special issue 2005, Volume 204 Number 1027
Special issue 2006, Volume 205 Number 1028
Special issue 2006, Volume 205 Number 1028
Special issue 2007, Volume 206 Number 1029
Special issue 2007, Volume 206 Number 1029
Special issue 2008, Volume 207 Number 1030
Special issue 2008, Volume 207 Number 1030
Special issue 2009, Volume 208 Number 1031
Special issue 2009, Volume 208 Number 1031