Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99
Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides
To order your copy please contact studio@mwrk.co.uk
Introduction
For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.
The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.
What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.
Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.
We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment
Michael Spens
Editor
Contents
Chitra Ganesh: Journey to the Great Below
The scenography of this immersive show is spectacular, as the artist draws us into a mythical tale, ...
The Pattern of Life: Enid Marx and Modern British Design
The most famous British designer you have never heard of: Enid Marx is brought back into the well-de...
Once again, this two-week festival has something for everyone. From a celebration of the centenary o...
The last of the great trilogy of female artists to have a retrospective at Tate Modern this summer ...
The most promising student of his year at the Royal Academy Schools returns to his alma mater and, f...
Emily Kraus talks about the purpose-built painting scaffold she uses and the challenges of working w...
Exploring the sculptor’s commitment to colour, this exhibition covers an aspect of her work that h...
Between Dreams and Reality: Stories from the Tangen Collection
This show at Norway’s new grain silo turned modern art museum explores the influence of expression...
Audrey Amiss: The Surviving Exhibitions
Prevented by a mental health crisis from finishing her studies at the Royal Academy, she continued t...
Refik Anadol: Machine Dreams – Rainforest
It’s all go in Los Angeles. On the heels of LACMA’s stunning new Geffen wing comes Dataland, the...
Barbican’s latest exhibition is a treasure trove of work by African-descended artists, hamstrung b...
The shadows of Brexit, the Scottish independence debate and many current border conflicts loom large...
Glenn Brown in Bath: Arrows of Desire and Grottoesque
Enjoying a double bill in Bath, Brown has playfully inserted a selection of his fantastical grotesqu...
Giving voice to the shame of those with long-term illnesses and disabilities, this mixed exhibition ...
The Invisible Chord: Hans Hartung and Music
With about 80 paintings along with archival documents, this elegant presentation makes clear how Har...
This archival exhibition, curated by the graphic designer Fraser Muggeridge, charts appearances of t...
Anni Albers: A Life – book review
This intimate biography draws on the author’s friendship with Anni and her husband, Josef Albers, ...
Julio Le Parc: Light. Colour. Action.
Timed to perfection, marking Le Parc’s death in May, this exhibition spills beyond gallery limits ...
Hulda Guzmán: Please Awake – Asked Nature Kindly
In the Dominican painter’s first European institutional solo exhibition, friends, family and the a...
Ian Stephenson: Planes of Heaven
Focusing on his large works from the 1960s to early 1970s, this exhibition is proof that his techniq...
The delicate, meticulously observed landscapes of this Biedermeier master form a crucial bridge in t...
Don’t be distracted by the unnecessary fillers and ‘Fridamania’ paraphernalia – the 30-plus ...
Including drawings and sketchbooks, models and maquettes, this retrospective is the largest solo exh...
This impressive new facility for temporary exhibitions sits in the heart of Bruges’ historic museu...
Sendak, Mozart and The Magic Flute
Though best known as the author and illustrator of children’s books, in particular Where the Wild ...
Biennale Gherdëina 10: (Future) Paradise Gardens
The 10th edition of this unique biennale in the spectacular landscape of the Dolomites explores ecol...
This mammoth show is huge, exhausting and dazzling and will dwarf any future exhibitions of the Ital...
This major exhibition is a once-in-a-generation opportunity to see the full extent of Whistler’s p...
Chico da Silva: And the Soul Is for the Birds
ottingham Contemporary offers a rare chance to discover a wonder of indigenous Brazilian art — as ...
Glasgow International Festival of Contemporary Art
Warmth, generosity and creative spirit shine through in this, the 11th iteration of Scotland’s bie...
Special issue 2005, Volume 204 Number 1027
Special issue 2005, Volume 204 Number 1027
Special issue 2006, Volume 205 Number 1028
Special issue 2006, Volume 205 Number 1028
Special issue 2007, Volume 206 Number 1029
Special issue 2007, Volume 206 Number 1029
Special issue 2008, Volume 207 Number 1030
Special issue 2008, Volume 207 Number 1030
Special issue 2009, Volume 208 Number 1031
Special issue 2009, Volume 208 Number 1031