Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99
Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides
To order your copy please contact studio@mwrk.co.uk
Introduction
For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.
The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.
What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.
Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.
We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment
Michael Spens
Editor
Contents
Leaving Were the Ones Who Could Not Stay
From Scottish herring girls to the Gaza genocide, this exhibition is about belonging and identity...
John Walker – interview: ‘I wept uncontrollably in front of Goya’s B...
Following the publication earlier this year of a Thames & Hudson monograph on his art, John Walker t...
Tracking the artist’s development from local student to ‘father of modern art’, 135 works made...
Irma Stern. A Modern Artist between Berlin and Cape Town
This retrospective brings German South African artist Irma Stern back into view, while tracing her p...
Elaine Shemilt – interview: ‘I am certain that physiological processes...
An artist and researcher, Elaine Shemilt is known for her pioneering work in feminist video in the 1...
London’s Statues of Women – book review
This exhaustive yet compact guide to London’s statues of women presents a motley crew, not just of...
Berlinde de Bruyckere – interview: ‘My themes are not easy. You can’...
Belgian artist Berlinde de Bruyckere talks about the issues, artists and musicians that inspire her,...
The Honest Eye: Camille Pissarro’s Impressionism
This grand tribute to Pissarro evokes the bliss of a walk in nature and is an illuminating look at t...
William Kentridge: The Pull of Gravity
The first UK institutional show dedicated to William Kentridge’s sculpture is joyfully approachabl...
Guy Oliver’s laugh-out-loud film about being a teenager, Aqsa Arifa’s exploration of life as a r...
Making Waves – Breaking Ground
With 11 artists and more than 100 works, the wonders of the natural world are stunningly brought to ...
A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man ...
Pablo Picasso: The Code of Painting
This show draws international attention to a vibrant new art space in the Norwegian city of Trondhei...
Ro Robertson – interview: ‘The female shipbuilders of Sunderland have ...
At Sunderland’s Northern Gallery for Contemporary Art, which stands beside the River Wear, is a ne...
Border Crossings: Ten Scottish Masters of Modern Art
This show pays homage to the remarkable legacy of 10 artists who left their Scottish homeland to ach...
Niki de Saint Phalle & Jean Tinguely: Myths and Machines
She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal k...
Natalia Millman – interview: ‘I want to talk about grief in an approac...
Inviting others to write a letter about their grief, and responding to each with a drawing, was the ...
A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of r...
Ernest Edmonds – interview: ‘The technology didn’t make it easy at t...
On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist ...
For Children: Art Stories since 1968
A skating ramp, an invitation to paint the floor, a glowing tent-like structure – this ambitious j...
Ten Sculptures by Tim Scott 1961-71– book review
A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The...
Folkestone Triennial 2025: How Lies the Land?
Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into ...
New paintings by American artist, Pat Steir, now 87, make their debut in this exhibition in Zurich...
Lubaina Himid with Magda Stawarska: Another Chance Encounter
Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as H...
Collaborating with craftspeople from around the world, Seulgi Lee incorporates traditional technique...
Mika Rottenberg – interview: ‘I’m not an angel or a political activi...
The multidisciplinary artist Mika Rottenberg talks about her first solo exhibition in Spain, at Haus...
Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein
This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the ...
Emma Talbot – interview: ‘I imagine the experience of life as an epic...
Large installations, paintings on silk, fabric sculptures and drawings convey the connection between...
To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reachi...
Mike Nelson: Humpty Dumpty, a transient history of Mardin earthworks low r...
From the architecture of an old hilltop city in Turkey to the demolished Heygate Estate in south Lon...
Special issue 2005, Volume 204 Number 1027
Special issue 2005, Volume 204 Number 1027
Special issue 2006, Volume 205 Number 1028
Special issue 2006, Volume 205 Number 1028
Special issue 2007, Volume 206 Number 1029
Special issue 2007, Volume 206 Number 1029
Special issue 2008, Volume 207 Number 1030
Special issue 2008, Volume 207 Number 1030
Special issue 2009, Volume 208 Number 1031
Special issue 2009, Volume 208 Number 1031