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Published  21/01/2013
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Special issue 2004, Volume 203 Number 1026

Studio International Yearbook 2004

Special issue 2004, Volume 203 Number 1026.

Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99

Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides

To order your copy please contact studio@mwrk.co.uk

Full contents list >>


Introduction

For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.

The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.

What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.

Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.

We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment

Michael Spens
Editor

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Contents

  • Karel Nel: Status of Dust
  • Bruce Nauman: Raw Materials
  • Bill Brandt: A Centenary Retrospective
    Bill Brandt: Nudes
  • Frank Gehry: Maggie’s Centre, Dundee
  • The Las Vegas Guggenheim Museum
  • An Abandoned New York City School Enlivens the Contemporary Art World
  • The Architecture of the British Library at St Pancras
  • Art in the Making: Degas
  • Raphael: From Urbino to Rome
  • The Art Olympics: The Eighth Shanghai Art Fair
  • Interview with David Elliott Director of Mori Art Museum, Tokyo
  • The Art of Philip Guston: 1913–1980
  • Donald Judd
  • Awesome Archigram
  • Constantin Brancusi: The Essence of Things
  • Swiss Re: A Lovable Gherkin in Space
  • Jellicoe to Jencks: New Landscapes, New Allegories
  • Lawn Road Flats
  • The Enigma of Édouard Vuillard
  • Mark Rowan-Hull: Seeing Music, Hearing Colour
  • When Words are Worth More than Pictures
  • Edward Hopper
  • Royal Academy Summer Exhibition 2004
  • Russian Landscape in the Age of Tolstoy
  • Yoshitomo Nara: From the Depth of my Drawer
  • Past Things and Present: Jasper Johns since 1983
  • The First Architectural Biennale Beijing 2004
  • The Art of Romare Bearden
  • Christopher Dresser 1834–1904: A Design Revolution
  • The National Museum of the American Indian
  • Childe Hassam (1859–1935)
  • Ken Done: Paintings

Click on the pictures below to enlarge

Evelyn Taocheng Wang – interview

At her new exhibition in Bolzano, the Chinese-born, Netherlands-based artist Evelyn Taocheng Wang di...

RSA 200 Annual Exhibition, Edinburgh

Despite packing in 560 works, the show doesn’t feel crowded and a walk through the galleries felt ...

Venice Biennale 2026 Roundup

The 61st international art exhibition is a vast, volatile project that this year, more than most has...

25th Biennale of Sydney – Rememory

Central to this biennale are First Nations voices and the diverse diasporas that shape contemporary ...

Constable 250

This year is the 250th anniversary of the birth of John Constable and to celebrate, his native Suffo...

Nancy Holt

MoonSunStarEarthSkyWater, the first UK presentation of the late artist Nancy Holt’s work to includ...

Zurbarán

The first UK retrospective of the great Spanish baroque painter Francisco de Zurbarán trades the mo...

Several Eternities in a Day: Form in the Age of Living Materials

Opened within weeks of each other, the Hammer Museum presents a mind-bending show of Brown Art and L...

André Leon Talley – interview with curator Rafael Brauer Gomes

Rafael Brauer Gomes, the director of fashion exhibitions at Savannah College of Art and Design (SCAD...

Angel Otero – interview

To coincide with his first UK exhibition, Agua Salada at Hauser & Wirth Somerset, Angel Otero talked...

Paula Rego: Dance Among Thorns

With more than 140 works on show, this exhibition encompasses the breadth of Rego’s art, from her ...

Handpicked: Painting Flowers from 1900 to Today

A smorgasbord of flower paintings from the last 125 years, exploring meaning, metaphor, accuracy and...

Klima Biennale Wien 2026: Unspeakable Worlds

Vienna’s climate biennale takes place across the city with institutional exhibitions and public pr...

Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists

The amazing story of an artist, who saw herself as a contemporary prophet, and made patchwork artwor...

Bellmer Nauman Pondick: Material Desire

Focusing on the work of Rona Pondick, Hans Bellmer and Bruce Nauman, this exhibition considers how b...

Angela de la Cruz: Upright

Spanish artist Angela de la Cruz’s twisted canvases and collapsed objects are a reflection of the ...

Senga Nengudi: Performance Works 1972-1982

Featuring photographic works, archival materials and films of key performance pieces, this exhibitio...

Cecily Brown: Picture Making

A painter’s painter, whose dynamic landscapes take viewers on a walk, Cecily Brown returns to Lond...

Frank Bowling: Seeking the Sublime

Though containing just 10 works, this exhibition demonstrates the breadth of the British-Guyanese ar...

The Coming of Age

This exhibition explores ageing from the 1500s on, but it was the contemporary works here that reson...

Tide of Returns

This show focuses on honouring ancient relationships between people, land and water, with new work f...

Gainsborough: The Fashion of Portraiture

Despite once saying he was sick of portraits, Gainsborough was one of the most sought-after portrait...

The Dead Don’t Go Until We Do

Histories of erasure, displacement, annihilation and colonisation are told with power, subtlety, cla...

Hurvin Anderson

Hurvin Anderson’s paintings, which here stretch across his career, blend his British and Caribbean...

Chiharu Shiota: Threads of Life

Chiharu Shiota’s immersive web-like installations, fashioned from coloured thread and found object...

Paul Eastwood: Unreadings

Paul Eastwood, who is dyslexic, attempts to explore neurodiversity and the complexities of language,...

Morgan Quaintance – interview

The artist and writer Morgan Quaintance, winner of the 2025 Film London Jarman Award among other acc...

Maggie’s: Architecture That Cares

Celebrating 30 years of the distinctive Maggie’s Centres for cancer care, this exhibition highligh...

Euan Uglow: An Arc from the Eye

His almost scientific methods of observation led Euan Uglow to take months, even years to finish a p...

A look behind the scenes of the travelling exhibition on Berthe Weill

The show celebrating the pioneering Parisian avant-garde gallerist opened in New York before travell...

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