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Published  21/01/2013
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Special issue 2004, Volume 203 Number 1026

Studio International Yearbook 2004

Special issue 2004, Volume 203 Number 1026.

Publisher: The Studio Trust
Content: 174 pages, full colour
Language: English
ISBN: 0962514144 (Hardcover).
Dimensions: 11.0 x 8.7 x 0.75 inches
Price: Hardcover: US $29.99, UK £24.99

Editor: Michael Spens
Deputy Editor: Dr Janet McKenzie
Creative Director: Martin Kennedy
Vice-President: Miguel Benavides

To order your copy please contact studio@mwrk.co.uk

Full contents list >>


Introduction

For this Special Issue, the selection I have chosen from our website www.studiointernational.com demonstrates our intention to commission articles from a growing team of art critics and art historians. In this Yearbook, the subject matter of reviews was focused predominantly on painting as a medium, whether contemporary or historic exhibitions were reviewed. Nonetheless, one-quarter of the articles in this volume cover architecture and industrial design, and there are others on sculpture and photography. Particularly interesting here is Dr Clive Ashwin’s review of the Victoria and Albert Museum’s unforgettable 19th-century designer Christopher Dresser. Ashwin has had a long-standing connection with Studio International, from as far back as the 1970s.

The burgeoning activity in the arts in Asia has led to much increased coverage in our e-journal. I have been very pleased with our coverage of this exciting and ground-breaking movement in contemporary art. China and Japan have led the way, but India is now making inroads. We have a dedicated Asian team, which will be further expanded in the near future.

What is most obvious, during the last few years, has been the continuing legacy of 20th-century American art in painting, and we have printed articles here on the great African American painter Romare Bearden, as well as Childe Hassam, Jasper Johns, Edward Hopper and Philip Guston. We also include the works of Bruce Nauman and Don Judd, and the permanently fascinating and enthralling Constantin Brancusi. Our selection of art historical exhibitions includes the successful presentations of the work of Raphael, of Degas and of Vuillard, all currently subject to reappraisal in terms of their importance and influence. The Raphael exhibition at the National Gallery in London in 2004, however, missed any reference to Raphael’s outstanding contribution to late Renaissance architecture, which was unfortunate. The public remains largely uninformed about this additional talent of a great painter.

Architecture itself has become the stalking ground of a new, acquisitive generation of well-informed and well-budgeted clients and curators, and this dynamic has led to some truly innovative new buildings the world over. We chose for this Yearbook our review of new work by Frank Gehry, and the technologically highly innovative ‘Gherkin’ tower by Norman Foster in the City of London. Looking back at the troubled decade of the 1930s in England, we include coverage of the timely restoration of the Wells Coates’s Lawn Road Flats in Hampstead, London. One is reminded again of the continuing ability of British artists and architects to innovate and to surprise their clientele.

We wish our readers of the Yearbook and the website an inspiring and fulfilling New Year. The future promises a rapid and scintillating sequence of new exhibitions worldwide, and on the website we are now able to provide rapid coverage and reviews of those international exhibitions we consider merit full coverage, as well as re-evaluation and comment

Michael Spens
Editor

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Contents

  • Karel Nel: Status of Dust
  • Bruce Nauman: Raw Materials
  • Bill Brandt: A Centenary Retrospective
    Bill Brandt: Nudes
  • Frank Gehry: Maggie’s Centre, Dundee
  • The Las Vegas Guggenheim Museum
  • An Abandoned New York City School Enlivens the Contemporary Art World
  • The Architecture of the British Library at St Pancras
  • Art in the Making: Degas
  • Raphael: From Urbino to Rome
  • The Art Olympics: The Eighth Shanghai Art Fair
  • Interview with David Elliott Director of Mori Art Museum, Tokyo
  • The Art of Philip Guston: 1913–1980
  • Donald Judd
  • Awesome Archigram
  • Constantin Brancusi: The Essence of Things
  • Swiss Re: A Lovable Gherkin in Space
  • Jellicoe to Jencks: New Landscapes, New Allegories
  • Lawn Road Flats
  • The Enigma of Édouard Vuillard
  • Mark Rowan-Hull: Seeing Music, Hearing Colour
  • When Words are Worth More than Pictures
  • Edward Hopper
  • Royal Academy Summer Exhibition 2004
  • Russian Landscape in the Age of Tolstoy
  • Yoshitomo Nara: From the Depth of my Drawer
  • Past Things and Present: Jasper Johns since 1983
  • The First Architectural Biennale Beijing 2004
  • The Art of Romare Bearden
  • Christopher Dresser 1834–1904: A Design Revolution
  • The National Museum of the American Indian
  • Childe Hassam (1859–1935)
  • Ken Done: Paintings

Click on the pictures below to enlarge

Andrew Kinghorn interview

Sculptor Andrew Kinghorn talks about architecture, colonialism, how his extensive travels through As...

Made in LA 2025 Biennial

The first edition of this now historic event opened the world to the City of Angels in 2012, tailing...

Sophie Barber: Mackerel sky, mackerel sky, never long wet, never long dry

A new exhibition of Sophie Barber’s work, the first in her hometown of Hastings, has her distincti...

The Costume House: The Inside Story of Cosprop from A Room with a View to ...

Film historian Keith Lodwick’s beautifully illustrated and educational book charts the success of ...

Sandra Mujinga: Skin to Skin

Norwegian artist Sandra Mujinga creates an eerie, gallery-spanning installation with green light for...

Marie Antoinette Style

This show looks at the lasting influence of Marie Antoinette, the young queen whose love of fashion ...

David Weiss: The Dream of Casa Aprile – Carona 1968-1978

This show is a fascinating insight into how the idyllic village of Carona, nestled in the Swiss moun...

Amalia Pica interview

Argentinian-born artist Amalia Pica explains how chairs, daisy chains and bunting feed into her expl...

Isabel Rock: Things Fall Apart, The Centre Cannot Hold

Mutant crocodiles, slugs, rats and pigs populate a post-apocalyptic world, but despite the humour, R...

Renee So interview

As her new show, Commodities – Sculpture and Ceramics, opens at Compton Verney, Renee So takes us ...

Material Resistance: Anna Barlik, Marlena Kudlicka, Magdalena Abakanowicz ...

Two sculptures, a video and a non-fungible token, by four female Polish artists, have much to say ab...

Theatre Picasso

A playful exhibition of Picasso’s work at Tate Modern highlights the performative nature of the ar...

Susan Roth – interview ‘Art can be made by anybody at anytime, anywher...

The American painter Susan Roth talks about working in the ‘trenches of our time, where time bends...

Ghosts: Visualizing the Supernatural

From ectoplasmic photography to the psychedelic drawings of mediums, this exhibition looks at the pa...

Asif Khan-designed Tselinny Center of Contemporary Culture opens

British architect Asif Khan has reinvented a Soviet-era cinema as a space for experimentation and co...

Reflections – Sangat and the Self: Jasmir Creed and Roo Dhissou

A conduit for 500 years of Sikh knowledge, this two-artist exhibition, with significant input from W...

Kerry James Marshall: The Histories

Prepare to be awed by the sheer talent of this great American painter, whose works revive the histor...

Paula Rego and Adriana Varejão: Between Your Teeth

This is powerful encounter between two major female artists whose work confronts gender, oppression,...

Leaving Were the Ones Who Could Not Stay

From Scottish herring girls to the Gaza genocide, this exhibition is about belonging and identity...

John Walker – interview: ‘I wept uncontrollably in front of Goya’s B...

Following the publication earlier this year of a Thames & Hudson monograph on his art, John Walker t...

Cezanne at Jas de Bouffan

Tracking the artist’s development from local student to ‘father of modern art’, 135 works made...

Irma Stern. A Modern Artist between Berlin and Cape Town

This retrospective brings German South African artist Irma Stern back into view, while tracing her p...

Elaine Shemilt – interview

An artist and researcher, Elaine Shemilt is known for her pioneering work in feminist video in the 1...

London’s Statues of Women – book review

This exhaustive yet compact guide to London’s statues of women presents a motley crew, not just of...

Berlinde de Bruyckere – interview: ‘My themes are not easy. You can’...

Belgian artist Berlinde de Bruyckere talks about the issues, artists and musicians that inspire her,...

The Honest Eye: Camille Pissarro’s Impressionism

This grand tribute to Pissarro evokes the bliss of a walk in nature and is an illuminating look at t...

William Kentridge: The Pull of Gravity

The first UK institutional show dedicated to William Kentridge’s sculpture is joyfully approachabl...

Edinburgh Art Festival 2025

Guy Oliver’s laugh-out-loud film about being a teenager, Aqsa Arifa’s exploration of life as a r...

Making Waves – Breaking Ground

With 11 artists and more than 100 works, the wonders of the natural world are stunningly brought to ...

Lifeblood – Edvard Munch

A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man ...

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