search
Published  10/08/2023
Share:  

David Remfry – interview: ‘It’s unprecedented that there were no arguments whatsoever this year’

David Remfry – interview: ‘It’s unprecedented that there were no arguments whatsoever this year’

At 80 years old, David Remfry was just coming to terms with the opportunity to co-ordinate the Royal Academy Summer Exhibition having passed him by. Then he got a phone call from the President …

When David Remfry was offered a few days to think about whether he wanted to accept the offer to co-ordinate this year’s Royal Academy Summer Exhibition, he told Rebecca Salter (the current President of the Royal Academy) this was unnecessary as he would absolutely love to. And now, as the annual extravaganza is nearing its close, he is no less enthusiastic. He describes his choice of selection committee and curators as “most harmonious”, noting that it was unprecedented for there to be no arguments during the hang – some to-ing and fro-ing, and a bit of “people nick[ing] pictures from other people”, yes, but all in good spirit.



Richard Malone’s installation in the Wohl Central Hall, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy.

Everything about the 254th open-submission fixture is, in fact, “harmonious”, from the process of selection – Remfry emphasises how inclusive and all-embracing he wanted it to be – to the choice of wall colours, which he deliberately kept muted, unlike in recent years.



Sculpture by The Late Amal Gosh, A Bridge Beyond, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy.

With more than 16,500 applications, Remfry calculated that to give every entry a minute’s consideration during the selection process, it would require 37 hours in total, which is simply not possible. Instead, each work receives but a few seconds. He firmly believes there are no barriers to inclusion, however, and his top tips to anyone wishing to try their luck: (1) Do not choose ornate frames; (2) Do not choose excessively wide borders; and (3) Make your photographs really good.



Works by Ken Howard RA (1932–2022), Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy.

While one room, curated by Remfry, is a memorial to Academicians who have died this past year – including Paula Rego, Fred Cuming, Ken Howard and Tom Phillips –, the inclusion of three paintings each by centenarian Academicians Tony Eyton (100) and Diana Armfield (103) suggest, Remfry says with a laugh, that painting is good for you. There are humorous threads running through the selection, as well, including, for example, a number of toilet-related works in Clare Woods’ room of still lifes.



Top centre: James Lloyd, Toilet Rolls, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy.

Remfry takes Studio International on a walk-through of the exhibition, pointing out some of his many favourite works and elucidating the behind-the-scenes process on the way.

Summer Exhibition
Royal Academy of Arts, London
13 June – 20 August 2023

Interview by ANNA McNAY
Filmed and edited by MARTIN KENNEDY



David Remfry, Indoor Cosmology, Royal Academy Summer Exhibition 2023. Photo: Martin Kennedy.

Click on the pictures below to enlarge

Lifeblood – Edvard Munch

A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man ...

Pablo Picasso: The Code of Painting

This show draws international attention to a vibrant new art space in the Norwegian city of Trondhei...

Ro Robertson – interview: ‘The female shipbuilders of Sunderland have ...

At Sunderland’s Northern Gallery for Contemporary Art, which stands beside the River Wear, is a ne...

Border Crossings: Ten Scottish Masters of Modern Art

This show pays homage to the remarkable legacy of 10 artists who left their Scottish homeland to ach...

Niki de Saint Phalle & Jean Tinguely: Myths and Machines

She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal k...

Natalia Millman – interview: ‘I want to talk about grief in an approac...

Inviting others to write a letter about their grief, and responding to each with a drawing, was the ...

Millet: Life on the Land

A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of r...

Ernest Edmonds – interview: ‘The technology didn’t make it easy at t...

On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist ...

For Children: Art Stories since 1968

A skating ramp, an invitation to paint the floor, a glowing tent-like structure – this ambitious j...

Ten Sculptures by Tim Scott 1961-71– book review

A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The...

Folkestone Triennial 2025: How Lies the Land?

Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into ...

Pat Steir: Song

New paintings by American artist, Pat Steir, now 87, make their debut in this exhibition in Zurich...

Lubaina Himid with Magda Stawarska: Another Chance Encounter

Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as H...

Seulgi Lee: Span

Collaborating with craftspeople from around the world, Seulgi Lee incorporates traditional technique...

Mika Rottenberg – interview: ‘I’m not an angel or a political activi...

The multidisciplinary artist Mika Rottenberg talks about her first solo exhibition in Spain, at Haus...

Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein

This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the ...

Emma Talbot – interview: ‘I imagine the experience of life as an epic...

Large installations, paintings on silk, fabric sculptures and drawings convey the connection between...

It Takes a Village

To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reachi...

Mike Nelson: Humpty Dumpty, a transient history of Mardin earthworks low r...

From the architecture of an old hilltop city in Turkey to the demolished Heygate Estate in south Lon...

Jenny Saville: The Anatomy of Painting

Jenny Saville: This astounding show brings together the very best of an incomparable artist: absorbi...

Margaret Salmon: Assembly

From a mother bathing her children to cleaners working at the gallery, Margaret Salmon gives voice t...

Slavs and Tatars: The Contest of the Fruits

Rapping fruit, legendary birds and nail art feature in the UK debut of the Berlin-based collective S...

Liverpool Biennial 2025: Bedrock

From Sheila Hicks’s gemstone-like sculptures to Elizabeth Price’s video essay on modernist Catho...

Mikhail Karikis – interview: ‘What is the soundscape of the forthcomin...

Mikhail Karikis explains the ideas behind his new sound and video installation calling for action ag...

Art & the Book* and Spineless Wonders: The Power of Print Unbound**

Two concurrent exhibitions bring special collections into broader spaces of circulation, highlightin...

May Morris: Art & Advocacy

Focusing on the skills of wallpaper design and embroidery, this exhibition tells the story of the ...

Daphne Wright: Deep-Rooted Things

This show is a celebration of the domestic, and the poignant sculpture of Wright’s two sons, now o...

Anna Boghiguian: The Sunken Boat: A Glimpse into Past Histories

The venerable Egyptian Canadian installation artist Anna Boghiguian brings shipwrecks, shells and th...

Abstract Erotic: Louise Bourgeois, Eva Hesse, Alice Adams

A groundbreaking New York show from 1966 is brought back to life with the work of three women whose ...

Jeremy Deller – interview: ‘I’m not looking for the next thing. I...

How did he go from asking a brass band to play acid house to filming former miners re-enacting a sem...

studio international logo

Copyright © 1893–2025 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA