Where the word “lust” in the title implies sinful, furtive enjoyment of the destroyed, Ruin Lust...
Suggestive, affective, nauseating. How to respond but with a wince, looking quickly away, perhaps a ...
Liliane Lijn (b1939) gives Studio International a tour of some of her key works in her north London ...
Gustave Doré – Master of Imagination
Gustave Doré (1832-83) was immensely successful in his day. He was the highest paid illustrator in ...
Vikings: Life and Legend opened at the British Museum to mixed reviews. In the newly finished Sainsb...
The Armory Show 2014 – The “Secondary” Market
First things first. The art came out from the gate running. Overflow was the word for this year’s ...
In 2013, exhibitions by London- and Berlin-based Artists Anonymous were held across Europe, in Essen...
Xu Bing, the internationally acclaimed Chinese conceptual artist who works in a variety of disciplin...
Ana Mendieta in Rome: interview with Raquel Cecilia
Studio International talks to film-maker Raquel Cecilia about documenting Ana Mendieta’s last crea...
Raw Vision – 25 Years of Art Brut
We all have private mythologies extracted from our experiences and interests. The extent to which th...
Agnes Denes (b1931) is a Budapest-born artist based in New York, whose career spans 46 years. A pion...
Landscape architecture: Bernard Lassus
Landscape design has advanced dramatically in the past generation and Europe’s doyen, Professor Be...
Italian Futurism 1909-1944: Reconstructing the Universe
It begins with a car crash. Racing through the night, the vehicle swerves, overturning in a crash of...
An intriguing fusion of coffee table and textbook, Exhibiting Fashion: Before and After 1971 apprais...
The Drawn Word is the product of a research project funded by an Arts and Humanities Research Counci...
Studio International Yearbook 2011
Studio International Yearbook 2011 Special issue 2011, Volume 210 Number 1033. Publisher: The ...
The Alison Jacques Gallery presents the third solo exhibition of Ryan Mosley’s paintings. Through ...
The retrospective of one of the founding artists of Pop Art, Richard Hamilton (1922-2011), inhabits ...
Published in Artforum in 1967, Robert Smithson’s A Tour of the Monuments of Passaic, New Jersey is...
Sculptor Richard Deacon has selected works by more than 30 artists spanning the last 105 years to re...
Strange Beauty: Masters of the Renaissance
Strange Beauty at the National Gallery presents some interesting ideas about British attitudes towar...
Kazuyo Sejima + Ryue Nishizawa, SANAA
Buildings for museums and cultural institutions, including the recently completed Louvre Lens museum...
Danie Mellor: Exotic Lies, Sacred Ties
Danie Mellor explores the paradoxes inherent in the shared experience of Indigenous people and white...
The portrait Rebecca and Matthew (1998), of the art historian Matthew Sturgis and gallery owner Rebe...
Germany divided: Baselitz and his generation
In what forms part of a series of exhibitions and a public programme examining Germany, the British ...
Anyone who hasn’t yet heard of Chiharu Shiota soon will have. Taught by Marina Abramović and infl...
Capturing more than 500 of Cartier-Bresson’s “decisive moments”, the exhibition is almost over...
When Liliane Lijn (b1939) invites us to her studio in north London, on one of the wettest and windie...
The Pérez Art Museum of Miami, Miami
Whereas everyone raves about the building, asking about the content is akin to inquiring after a ter...
This art exhibition in the Niigata prefecture, with installations by five Japanese artists, aims to ...