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Hélio Oiticica returns to London

The Brazilian artist H...

How We Are

Right on time to contribute to the national discussion on what it means to be British, comes Tate Br...

Sharon Booma's Odes and Intimations of Immortality

The seductive allure of Sharon Booma's paintings defies description. Viewing one of the artist's oil...

Richard Long: Walking and Marking

The National Gallery of Modern Art (NGMA) in Edinburgh, in time for the Edinburgh Festival 2007, is ...

The Naked Portrait

Opening this month at the Scottish National Portrait Gallery, 'The Naked Portrait' explores the genr...

Vienna summer

Vienna is a wonderful city at almost any time, but at present it is particularly inviting. In additi...

Panic Attack! Art in the Punk Years

In Britain, punk rock coincided with serious economic recession, mass unemployment, the tail end of ...

Haute Couture's Grand Showman

French fashion designer Paul Poiret made his mark on fashion history in, typically for him, dramatic...

Documenta 12: 'Documenta as it never was'

'Documenta', the quinquennial international exhibition of contemporary art, is less strong this year...

The Egg in a Box

London's refurbished Royal Festival Hall (RFH) is this month reopened to the public with a star-stud...

Georg Baselitz

Georg Baselitz is a powerful and rebellious painter who admits to being a painter of ...

Leon Kossoff: Drawing from Painting

Leon Kossoff is one of Britain's most significant artists. The National Gallery, London is showing a...

Tintoretto

The Prado Museum in Madrid has stolen a march on all other competitors in achieving a major new retr...

RSA 181st Annual Exhibition

The Royal Scottish Academy (RSA) in Edinburgh has got in before the Royal Academy in London with its...

Antony Gormley: Blind Light

An important retrospective is at the Hayward Gallery, London, until 19 August. The work covers a wid...

Allora and Calzadilla: Clamor

In England, during the early 1940s, there had been a real belief that a German attack was imminent, ...

Living, Looking, Making: Richard Serra and Others

The Gagosian Gallery in London is currently showing (until 19 May) a key exhibition of contemporary ...

Awakenings: Zen Figure Painting in Medieval Japan

Awakenings: Zen Figure Painting in Medieval Japan, edited by Gregory Levine and Yukio Lippit, accomp...

The Real World of Abstractionism: Arshile Gorky and the Supremacy of the F...

France annually celebrates a country with which it feels an affinity, and 2007 is the year of 'Arm...

The Unknown Monet: Pastels and Drawings

'The Unknown Monet' is the first exhibition devoted to the pastels and drawings of Claude Monet. Eig...

James 'Athenian' Stuart

James 'Athenian' Stuart, who was born in 1731 and died in 1788, is a far less well-known figure in t...

MAD's Chief Curator Makes An Art of Making Connections

David Revere McFadden's career could function as a case study. With more than 35 years of experience...

Non-refusals in Rubbish: Return of the Rubbish Aesthetic

Refuse has become a key artist's material, as if it ever ceased to be. Today, Colombian artist Doris...

Poets in the Landscape: The Romantic Spirit in British Art

The first works in this excellent exhibition revolve around William Hayley (1745-1820), a poet who t...

Italian Paintings and Drawings: The Royal Collection

The Queen's Gallery, Buckingham Palace has opened on 30 March an exhibition of Italian old master pa...

Sol LeWitt: the Mystic Conceptualist

Dutch video artist Aernout Mik is drawn to images of conflict and war. In his exhibition at Camden A...

Camouflage

Camouflage is not a much-visited field in contemporary art. Yet it is described comprehensively and ...

Jean Baudrillard: Vraisemblablement Mort?

Jean Baudrillard, the renowned French philosopher, passed away in March 2007. Baudrillard was someth...

Andy Goldsworthy: Four Indoor Galleries and Open Air

Leading British land artist Andy Goldsworthy is helping the Yorkshire Sculpture Park mark its 30th a...

Shifting Identities

Dutch video artist Aernout Mik is drawn to images of conflict and war. In his exhibition at Camden A...

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