search
Published  30/11/-0001
Share:  

Crisis and Catharsis in Clay: an interview with Sana Musasama

Those who encounter Sana Musasama’s lovingly crafted wall sculptures in Body & Soul: New Internati...

Eileen Gray: Architect Designer Painter

One of the great strengths of Gray’s art, design and architecture was also her weakness; she defie...

Painting Now: Five Contemporary Artists

Including the works of both a Turner prize winner and a nominee, Painting Now brings together five c...

The Queens Museum, New York reopens

The Queens Museum has a new name and a new life. Formerly the Queens Museum of Art, it reopened its ...

Interview with John Mellencamp

The celebrated rock musician John Mellencamp is also a painter of note, his work the subject of a su...

Klara Lidén: The Myth of Progress

Within the myriad forms of political art, it is possible to discern two primary strands. The first i...

Permission Granted Tania Bruguera’s Immigrant Movement International

In January 2008, the Cuban artist Tania Bruguera puzzled visitors to the Turbine Hall at Tate Modern...

Our voice as protagonist – a meeting with Tania Bruguera

The chatter of a roomful of museum workers turned to silence the minute Tania Bruguera walked into t...

Patricia Johanson: The World as a Work of Art

The landscape artist and architect Patricia Johanson (b1940) occupies a unique position in her chose...

Art Turning Left: How Values Changed Making, 1789 - 2013

On a single floor of Tate Liverpool, 200 years of art influenced by the Left is exhibited: a big ide...

Daumier (1808-1879): Visions of Paris

In the opinion of the writer Charles Baudelaire, the nineteenth-century French caricaturist and pain...

Paul Klee: Making Visible

Paul Klee: Making Visible at Tate Modern is an outstanding exhibition of 130 works by one of the mas...

Masterpieces of Chinese Painting: 700-1900

The trouble with the Victoria and Albert Museum’s exhibition Chinese Masterpieces: 700-1900 is tha...

Kentridge: Where Are We and How Did We Get Here?

William Kentridge’s new installation, The Refusal of Time, bewilders this unprepared viewer: I fin...

Mark Bradford: Through Darkest America by Truck and Tank

Very rarely does a show of new work by a contemporary artist deliver on its promise more fully than ...

Frieze Art Fair London 2013: Reaching new audiences

Frieze Art Fair is the UK’s leading commercial art fair and has drawn an international audience of...

Jonathan Gabb: interview

Using a carefully balanced combination of PVA glue and acrylic paints – the precise measures of wh...

Wang Keping

Ben Brown Fine Arts presents us with the first solo exhibition of Wang Keping in the UK. Considering...

An American in London: Whistler and the Thames

“Oh Fantin, I know so little – things do not go quickly!”, wrote James Abbott McNeill Whistler...

The Mike Kelley Retrospective

Mike Kelley’s retrospective at PS1 is not for the fainthearted. Nor is it for the lighthearted, fo...

Beyond El Dorado: Power and Gold in Ancient Colombia

Beyond El Dorado seeks to cut through the myth of the golden city, but the reality is no less captiv...

Nick Relph: Tomorrow There Is No Recording

This solo exhibition marks a departure from Nick Relph’s 10-year collaboration with Oliver Payne....

Léger: Modern Art and the Metropolis

Two grey figures walk down a set of stairs surrounded by a mass of buildings, fragments of advertise...

A Traveller in Time, from Standing Stones to the Distant Stars: an intervi...

In the 1990s, Japanese multimedia artist Mariko Mori became known for her performance-based photogra...

Sarah Lucas: Situation – Absolute Beach Man Rubble

Rotting hams, kippers and kebabs; cucumbers, bananas, zeppelins; melons, lemons and fried eggs. Sara...

Home Truths: Photography, Motherhood and Identity

In a new show entitled Home Truths: Photography, Motherhood and Identity, the concept of “motherho...

The Heritage of Rogier van der Weyden

This autumn, leafy Brussels invites the visitor to a spectacle of detail in oil. An exhibition devot...

Anita Glesta: interview

After I had seen Brooklyn-based artist Anita Glesta’s travelling multimedia installation Gernika/G...

Art Under Attack: Histories of British Iconoclasm

These days we take for granted the irony of using destruction as part of art, employed by movements ...

Andy Warhol: Pop, Power and Politics

Warhol was one of the first artists to recognise the truly spectacular side of politics in the democ...

studio international logo

Copyright © 1893–2024 Studio International Foundation.

The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.

twitter facebook instagram

Studio International is published by:
the Studio International Foundation, PO Box 1545,
New York, NY 10021-0043, USA