Hayal Pozanti interview: ‘Materials and processes are pushing the bounda...
New York-based painter Hayal Pozanti talks about her invented alphabet, working with digital media, ...
Fabrizio Poltronieri: Iconic Theogonies – The presentation of Computatio...
The 20 prints in this show are a product of pure chance, says Fabrizio Poltronieri, who as both arti...
Christian Thompson interview: ‘My work does not need to be read through ...
Christian Andrew William Bumbarra Thompson (born 1978) belongs to the Bidjara Indigenous people of c...
The 12th edition of Frieze London brought many changes. Yet while curators and exhibitors took creat...
This exhibition of contemporary art from South Asia displays an impressive range of materials and st...
Piotr Uklański interview: ‘I think of death all the time’
The New York-based Polish artist Piotr Uklański talks about the influence of the second world war o...
One of the highlights of this year’s Dutch Design Week was Age of Wonderland, in which young artis...
Anselm Kiefer, who was born in Germany in 1945, studied law before beginning his art education in Ka...
One hundred years after Marcel Duchamp produced his first readymade, more than 50 artists, including...
Egon Schiele: The Radical Nude
Egon Schiele’s controversial drawings, which peel back Vienna’s bourgeois façade to reveal a wo...
With works from the 1980s to the present that appropriate, and sometimes manipulate, images and soun...
VS Gaitonde: Painting as Process, Painting as Life
The works of the modernist Indian painter VS Gaitonde bring us to the world of abstraction, demonstr...
Nathaniel Prottas interview: ‘Often museum didactics get in the way of p...
Nathaniel Prottas, director of education at the Museum of Biblical Art in New York, talks about publ...
With his film Ashes, and an accompanying pair of sculptures, Steve McQueen highlights an uncomfortab...
This winter’s blockbuster exhibition at the National Gallery examines Rembrandt’s expressive and...
Memling. A Flemish Renaissance
For the first time, a Flemish Primitive shines in the capital of the Italian peninsula, as the Scude...
Michelle Grabner interview: ‘My family is an important part of my life a...
American conceptual artist Michelle Grabner talks about how she combines her roles as artist, curato...
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Washington DC is hosting its second 5 x 5, a public arts festival that sees an extraordinary diversi...
Trajectories: 19th-21st Century Printmaking from India and Pakistan
Trajectories looks at printmaking from India and Pakistan and establishes a context for its developm...
Egon Schiele’s iconic drawings are a starting point for this extensive group show at Drawing Room,...
Carsten Höller’s show Leben allows visitors to do more than just view the exhibits. From staying ...
John Keane interview: ‘Art shouldn’t be sensationalist, but at the sam...
John Keane, artist in residence at the University of St Andrews, talks about the political influence...
Cubism: The Leonard A Lauder Collection
This superbly sensitive installation of the four greats of Cubism – Pablo Picasso, Georges Braque,...
Natalia Kolodzei interview: ‘My dream is that every American museum has ...
Natalia Kolodzei, executive director of the Kolodzei Art Foundation, talks about her family collecti...
Peter Sacks interview: ‘Every painting has its own secret story’
Peter Sacks, a South African expatriate, has a biography that is as rich and varied as the art he pr...
Robert Gober: The Heart Is Not a Metaphor
Robert Gober is perhaps best-known for his deceptively simple sculptures – in particular his sinks...
In this retrospective of postwar artist and inventor Panamarenko, alias Henri van Herwegen, the Muse...
UOVO, a $70m state-of-the-art storage facility for high-end artwork, is to open in New York City nex...
Ed Fornieles interview: ‘If you want access to the site, it’s a trade ...
For his show at the Chisenhale Gallery,Ed Fornieles has created a suburban Los Angeles television se...
American artist Aleah Chapin has had huge success early in her career. On graduating from the New Yo...
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