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Dineo Seshee Bopape: slow -co- ruption

For the artist’s first UK solo exhibition, she combines experimental video works and sculptural in...

Jackson Pollock’s Mural: Energy Made Visible

Mural, Pollock’s largest-ever largest painting, has been credited with breaking the ice for abstra...

Judy Chicago: ‘I’ll leave it to others to change the world’

The artists talks about her career trajectory, the continuing need for feminist art, and the way in ...

Jonas Mekas: ‘I have a need to film small, almost invisible daily moment...

The legendary independent film-maker talks about avant garde, utopia, his latest projects, the impor...

Jennifer Campbell and Chloë Manasseh: ‘We’re both interested in the t...

The artists talk about how they explore the conflicting psychological and physical states of being ...

Wilmer Wilson IV: ‘Moving between mediums is my way of remaining nimble...

The artist explains some of his performances, his interest in intervening in monuments in public spa...

Hank Willis Thomas: ‘Ideas crop up out of thin air, like bubbles, and I...

The artist talks about grabbing people’s attention to make them think about things they normally w...

Roman Signer: Installations

From kayaks filled with scotch to empty boots on a ladder, Signer has a lightness of touch and misch...

Tadeusz Kantor: Inbetween Structures

As two exhibitions celebrate the centenary of the birth of Polish artist and theatre director Tadeus...

Anna Dumitriu: ‘Bacteria are living organisms that you can work with –...

Not many artists would want to work with bacteria, smelly faecal transplants or anthrax, but Dumitri...

Construction Industry: Contemporary Assemblage, Construction and Relief

This group exhibition makes a strong case that assemblage – as an art form – is still influentia...

Derek Michael Besant: ‘A stitching together of each person’s voice all...

The artist talks about his project, which involved 50 strangers from Scotland’s capital city sendi...

My Dear BB … The Letters of Bernard Berenson and Kenneth Clark, 1925-1959

The 34-year correspondence between two legends of the Anglo-American art world evokes the life and t...

Thomas Ruff: Nature Morte

The German photographer known for his forward thinking and experimentation has gone back in time for...

Vincent Meessen: ‘In the western world, we still think that we created e...

Eleven artists come together to reflect on colonialism and its aftermath in a complex, multimedia, c...

‘Oswaldo Vigas said he found the root of his work in ancient culture’

At an exhibition of Oswaldo Vigas’s work in Bogotá, his son Lorenzo talked about his father’s l...

Facing History: Contemporary Portraiture

This show looks at how contemporary artists are influenced by the past as they seek to represent the...

Larry Bell: ‘You have to trust what you’re doing, to trust the work’

The artist discusses his latest solo exhibition, at the White Cube gallery, the spontaneity that occ...

Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...

With his sailing background, Charles Lim explains, he sees the sea as ‘just an office’. His 10-y...

Nathan Coley: ‘I’m the travelling storyteller who’s come to town for...

Nathan Coley tells the stories behind his two text-light sculptures in the Bruges Triennial, peeling...

Memu Meadows

Research into dwellings of the future is under way in Hokkaido, the most northerly island in Japan, ...

HeHe: ‘Pylons are quite beautiful structures in themselves. They’re li...

Helen Evans, half of the artistic duo known as HeHe, speaks about their current work for the Bruges ...

Richard Long: Time and Space

Fifteen years after Richard Long’s last exhibition of any scale in his native Bristol, he is the A...

Echigo Tsumari Art Triennale 2015

Japan’s contemporary art festival, the Echigo-Tsumari Art Triennale, despite being held in a regio...

Charles Gaines: ‘I am dealing in the area of how meaning is formed’

The US conceptual artist and educator talks about why he believes art should be interested in knowle...

Lee Ufan

This solo exhibition is made up of two bodies of work first conceived near the start of Lee’s care...

The boys the girls and the political

The Lisson Gallery’s summer show takes a linguistic turn while tapping into the trends of the netw...

Yoshihito Mizuuchi: ‘Eating noodle soup makes a sound, but it’s also l...

The process of making a sculpture is a performance art in itself, says the Japanese artist, who expl...

Art in Dialogue: Duccio | Caro

Bringing together a medieval Sienese altarpiece fragment and a late-20th-century abstract sculpture,...

Toni Scott: ‘People don’t understand that what’s in the past is stil...

The California-based multimedia artist Toni Scott talks about how, in DNA – Bloodlines and the Fam...

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