Reflections from Frieze Los Angeles 2022
From Betye Saar’s recreation of her famous 1983 Los Angeles public mural to work shown by young, e...
Ray Harryhausen: Titan of Cinema
From the skeleton army in Jason and the Argonauts to the Kraken in Clash of the Titans, the monsters...
Reflections: The Light and Life of John Henry Lorimer (1856-1936)
John Henry Lorimer’s quiet craftsmanship and extraordinary handling of light shine through in this...
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Petrit Halilaj: Very Volcanic Over This Green Feather
Petrit Halilaj is now a renowned artist who has shown around the world, but this poignant exhibition...
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Rhythm and Geometry: Constructivist Art in Britain since 1951
There is some compelling work here, but this could have been a chance to see a century of revolution...
Phyllis Christopher – interview: ‘We had come out, people were dying, ...
The photographer talks about her coming of age in 1990s San Francisco, where, despite the Aids crisi...
Restitution: The Return of Cultural Artefacts – book review
As western nations increasingly give consideration to the repatriation of stolen artefacts, cultural...
Peter Freeth: 40 Years of Aquatints
Peter Freeth’s atmospheric etchings speak of mortality and human frailty with a poignant nod to th...
Pope.L: Notations, Holes and Humour
Pope.L, the pioneering American performance artist, makes his London gallery debut with an explosive...
Peter St John – interview: ‘You can see how this building has develope...
The co-founder of Caruso St John Architects, behind such projects as Tate Britain’s refurbishment ...
Rebecca Salter – interview: ‘I believe that art thrives in a crisis an...
The first female president of the Royal Academy talks about the impact the pandemic has had on the i...
As the city holds the 2020 Olympics, architects and artists including Kazuyo Sejima, Terunobu Fujimo...
Rachel Kneebone – interview: ‘My work is concerned with our visceral l...
Sculptor Rachel Kneebone talks about her forthcoming exhibition at Yorkshire Sculpture Park and the ...
An ear-shredding, eye-rending survey of the audiovisual artist Ryoji Ikeda transforms data into engu...
Richard Hamilton: Respective – Key works and a wealth of fascinating archive material make this sm...
Rafael Pérez Evans – interview: ‘Food contains a lot of emotion’
Rafael Pérez Evans talks about growing up in a farming community in rural Spain, queer and rural sh...
Rubens to Sickert: The Study of Drawing
With a wide range of drawings, including works by Rubens, Charles Keene, Sickert and Whistler, this ...
Rachel Whiteread – interview: ‘I’ve always picked things up. I’m a...
Rachel Whiteread, whose new show is at the Gagosian in London, talks about the pandemic, dump-diggin...
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Private art museums – ‘I like to collect by myself and make decisions ...
It takes more than wealth and success to run a museum, so why do so many collectors decide to go it ...
Philip Hughes – interview: ‘Drawing captures the memory of a place lik...
Philip Hughes talks about his practice and what informed his new book, Painting the Ancient Land of ...
Peter Kennard – interview: ‘Montage is about allowing people to think ...
Peter Kennard, the celebrated political artist, talks of photomontage, protest, art schools and imag...
Prabhakar Pachpute – interview: ‘I juxtapose memories and what is happ...
Artist Prabhakar Pachpute talks about growing up in a coal-mining region in India, and how its assoc...
Robert Smithson: Hypothetical Islands
With works largely drawn from the collection of his wife, Nancy Holt, Smithson’s hypothetical isla...
Is the message of Rashid Johnson’s new show helped or hindered by the repetitive motifs and elabor...
Royal Academy of Arts Summer Exhibition 2020
For the first time ever, the Summer Exhibition falls in autumn and winter, but the RA’s galleries ...
Pamela Phatsimo Sunstrum – interview: ‘I needed to put my own body on ...
Through multilayered works that merge vibrant female figures with fantastical landscapes, the South ...
Pat Steir – interview: ‘I want the paint to make the painting, to make...
She discusses a new, candid documentary of her life, and talks about her art practice and the influe...
Revamped Kyoto City Kyocera Museum of Art is soon to reopen
The original 1933 building, a mix of traditional Japanese design and 1920s western architectural sty...
Robert Fitzmaurice – interview: ‘I started to truncate the figure a lo...
The artist talks about the work in his latest show, now postponed, his interests and influences – ...
From rejecting cultivated gardens in favour of wild spaces to using traditional craft rather than mo...
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