_b-300.jpg)
Robin Rhode. Who Saw Who and Through the Gate
Robin Rhode is charting new ground as a talented, mixed-race South African artist, who pushes the bo...
Phyllis Lambert and the Canadian Centre for Architecture
Phyllis Lambert is now in her 81st year and her long life is particularly associated with two buildi...
Richard Demarco, Edinburgh International Festival, 2008
It may be a product of age or lack of funding and proper premises but, whatever the reason, Richard ...
Richard Hamilton: 'Protest pictures'
Inverleith House is located at the centre of the Royal Botanic Gardens in Edinburgh. At one time it ...
One of the important architectural icons of the 1970s is, by popular consent, now due to be demolish...
Psycho Buildings at the Hayward Gallery
The Hayward Gallery, London, under director Ralph Rugoff, has organised another trailblazing exhibit...
Photographing Nepal from the Inside Out
On 14 March 2008, the Rubin Museum of Art, a venue dedicated to Himalayan arts and culture, opened t...
A mid-career retrospective at Tate Britain is enough to cement the reputation of any artist, or else...
Papunya painting: out of the desert
Art is a central force in Aboriginal culture and a critical political tool. Through an understanding...
Poussin and Nature: Arcadian Visions
Landscape painting remains, in the 21st-century, a continuing subject of fascination for art enthusi...
Richard England: Architect as Artist
Dennis Sharp has produced this well-prepared monograph to coincide (approximately) with England's 70...
Revisiting Juan Soriano in Philadelphia
Mexican artist Juan Soriano is an intriguing figure among the personalities animating the history of...
The recent death of Ron Kitaj has not been the subject of the attention that an artist of such talen...
Two exhibitions in Edinburgh this summer enable the public to view different aspects of work by Pabl...
Richard Long: Walking and Marking
The National Gallery of Modern Art (NGMA) in Edinburgh, in time for the Edinburgh Festival 2007, is ...
Panic Attack! Art in the Punk Years
In Britain, punk rock coincided with serious economic recession, mass unemployment, the tail end of ...
The Royal Scottish Academy (RSA) in Edinburgh has got in before the Royal Academy in London with its...
Poets in the Landscape: The Romantic Spirit in British Art
The first works in this excellent exhibition revolve around William Hayley (1745-1820), a poet who t...
The curators James Lindon and Erin Manns have taken the idea of the 'absentee performer' as a starti...
It was only a matter of time before the work of Robert Rauschenberg would again receive a star billi...
In August, this website featured an assessment of the high quality of the collections at Pallant Hou...
The Royal Academy is currently thronged with jostling human bodies and body parts. These are not, ho...
Pallant House Gallery, Chichester
Pallant House Gallery, which opened on 1 July 2006 in the centre of Chichester, is a dramatic conjun...
Pallant House Gallery, Chichester
Pallant House Gallery, which opened on 1 July 2006 in the centre of Chichester, is a dramatic conjun...
Ron Mueck: Sculptures at the National Galleries of Scotland
The National Gallery of Scotland in Edinburgh, in the Royal Scottish Academy (RSA), has mounted a su...
Pierre Huyghe: Celebration Park
This exhibition is the artist's first solo show in the UK, and takes place under the aegis of 'Paris...
The Royal Academy lecture, 'Peter Zumthor: Summerworks', was given by the Swiss architect Peter Zumt...
Purely Elemental: Wood Craft as Fine Art
The history of turned wood objects is long and varied, changing from functional craft to art to hobb...
Peter Spens: Floating London, Paintings and Works on Paper
The exhibition running at the Guildhall Art Gallery in the City of London from 30 March-5 June 2006 ...
Rediscovering the Silver Age of Russian Art
While the recent, ambitious 'RUSSIA!' show at the Guggenheim Museum in New York was a bit thin on th...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|