Ibrahim Mahama: Lazarus

Through sculptures, installations and film, Ghanaian artist Ibrahim Mahama repurposes objects from c...

Hans Op de Beeck – interview: ‘It’s about suspension of disbelief an...

The artist talks about art-making as catharsis and why, for him, it is all about the creation of vis...

Graham Little – interview: ‘Smallness feels natural to me’

Ahead of his new exhibition at Alison Jacques Gallery, Scottish painter Graham Little talks about th...

Hilda Kortei: Waitless Beyond Blue

Kortei subverts traditional practices, using alternative materials and approaches to the constructio...

genuinefake – interview: ‘I use my creative practice to try to start c...

Along Folkestone’s seafront, the artist genuinefake (AKA Rachel Stella Jenkins) has conjured a tem...

Her Dark Materials

As the inaugural exhibition on the new art collectors’ digital platform, Eye of the Huntress, Her ...

Hormazd Narielwalla – interview: ‘True, he’s physically not here, bu...

The artist talks about capturing the essence of David Bowie, through the creation of his trademark p...

Ilana Halperin: There Is a Volcano Behind My House

For one of her largest solo presentations to date, Ilana Halperin brings her multifaceted practice t...

Idris Khan – interview: ‘There was a struggle making these works’

Idris Khan talks about his new works at Victoria Miro, freaking out in lockdown and encapsulating a ...

Hurvin Anderson – interview: ‘I am looking at where things collide, ho...

The unsettling depictions of nature in Hurvin Anderson’s new paintings, based on photos from a 201...

Grief and Grievance: Art and Mourning in America

Full of the pain of black experience, the works here make the galleries thrum and shimmer with energ...

Harold Offeh – interview: ‘I am always asking: who is not part of the ...

Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...

Genesis, a floating church, by Denizen Works

Elements of care and craftsmanship link Genesis, a floating faith space on a traditional narrowboat,...

Haegue Yang: Strange Attractors

Connections both cosmic and corporeal are woven throughout Haegue Yang’s sculptures, collages and ...

Huma Bhabha – interview: ‘The more complicated and layered the work is...

The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...

Héctor Zamora: Lattice Detour (2020)

With its nod to the US-Mexico border wall, Zamora’s installation at the Met raises provocative que...

Gauguin and the Impressionists

Do we need yet another impressionist exhibition? This Royal Academy showcase of Denmark’s Ordrupga...

Hirose Satoshi: The Earth Is Blue Like a Lemon

The Milan-based Japanese artist’s solo exhibition invites visitors to think about differing cultur...

Gordon Parks: Part One

Parks’s photographs of everyday life for black families in the 1950s and 60s lure the viewer in wi...

Ilona Szalay: Some Are Born to Sweet Delight, Some Are Born to Endless Nig...

Szalay points to the injustices in society, and in her paintings of women bound and petrified as sta...

Hilarie Mais – interview: ‘I draw what I am working on as a way of und...

The artist talks about her abstract constructions, which lie partway between painting and sculpture,...

Glasgow International 2020: Digital Platform

With Scotland’s premier contemporary art biennial postponed to 2021, a digital programme of often ...

Helen Cammock – interview: ‘Creativity requires a space of idleness, o...

Last year’s Turner Prize-winner talks about the inspiration behind her latest film and text instal...

Hans Hofmann – Fury: Painting After the War

A concise exhibition at Bastian captures the German-American painter manoeuvring between modernisms,...