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Garmenting: Costume as Contemporary Art

As well as putting artist-made clothing firmly into the category of art, this show also looks at its...

Hassan Khan Infusing Objects with Texts – an Essay

Using sculpture, text and film, Hassan Khan explores power and corruption, forcing us to confront ho...

Ingrid Pollard – interview: ‘I like to concentrate on that vast histor...

Ingrid Pollard first came to prominence as a key figure of the black British art movement of the 198...

Gillian Wearing: Wearing Masks

This thoughtful and comprehensive retrospective spans more than 30 years of Gillian Wearing’s work...

Gainsborough’s Blue Boy

Gainsborough’s Blue Boy, an icon of British art, returns to London exactly a century after its muc...

Galleries in the Groove: Three Visionary Dealers, 1960s-80s

Through archival ephemera, photographs, posters and letters, this show documents the history of thre...

Henri Chopin: The (Almost) Complete Books, Zines and Multiples (1957-2007)

Next year marks the centenary of the poet Henri Chopin’s birth and this show, which includes more ...

Howardena Pindell: A New Language

Howardena Pindell is unafraid to tackle police violence or slave massacres in her videos and paintin...

Hervé Télémaque: A Hopscotch of the Mind

Colonialism, racism and politics dominate the works in Hervé Télémaque’s intriguing, though oft...

Gerhard Richter: Drawings 1999-2021

In Gerhard Richter's first major London show in a decade, including more than 60 recent works, he de...

Helsinki Biennial and Helsinki Design Week

For 2021, the inaugural Helsinki Biennial and Helsinki Design Week wore their hearts on their sleeve...

Gijs Van Vaerenbergh – interview: ‘We are always experimenting with th...

The architecturally trained duo Arnout Van Vaerenbergh and Pieterjan Gijs talk about their collabora...

Ibrahim Mahama: Lazarus

Through sculptures, installations and film, Ghanaian artist Ibrahim Mahama repurposes objects from c...

Hans Op de Beeck – interview: ‘It’s about suspension of disbelief an...

The artist talks about art-making as catharsis and why, for him, it is all about the creation of vis...

Graham Little – interview: ‘Smallness feels natural to me’

Ahead of his new exhibition at Alison Jacques Gallery, Scottish painter Graham Little talks about th...

Hilda Kortei: Waitless Beyond Blue

Kortei subverts traditional practices, using alternative materials and approaches to the constructio...

Gustave Moreau: The Fables

A treasure trove of an exhibition unveils Moreau’s wondrous watercolours, not seen in public since...

genuinefake – interview: ‘I use my creative practice to try to start c...

Along Folkestone’s seafront, the artist genuinefake (AKA Rachel Stella Jenkins) has conjured a tem...

Her Dark Materials

As the inaugural exhibition on the new art collectors’ digital platform, Eye of the Huntress, Her ...

Hormazd Narielwalla – interview: ‘True, he’s physically not here, bu...

The artist talks about capturing the essence of David Bowie, through the creation of his trademark p...

Ilana Halperin: There Is a Volcano Behind My House

For one of her largest solo presentations to date, Ilana Halperin brings her multifaceted practice t...

Heather Phillipson: Rupture No 1: Blowtorching the Bitten Peach

This show is a fully sensate experience, a meditation of sorts on the state of the world that turns ...

Idris Khan – interview: ‘There was a struggle making these works’

Idris Khan talks about his new works at Victoria Miro, freaking out in lockdown and encapsulating a ...

Hurvin Anderson – interview: ‘I am looking at where things collide, ho...

The unsettling depictions of nature in Hurvin Anderson’s new paintings, based on photos from a 201...

Grief and Grievance: Art and Mourning in America

Full of the pain of black experience, the works here make the galleries thrum and shimmer with energ...

Harold Offeh – interview: ‘I am always asking: who is not part of the ...

Harold Offeh discusses boredom, curiosity and 1980s pop culture, the influence of punk and hip-hop, ...

Grief and Grievance: Art and Mourning in America – book review

Preceding an exhibition at New York’s New Museum, this book, based on a vision of the late Okwui E...

Genesis, a floating church, by Denizen Works

Elements of care and craftsmanship link Genesis, a floating faith space on a traditional narrowboat,...

Haegue Yang: Strange Attractors

Connections both cosmic and corporeal are woven throughout Haegue Yang’s sculptures, collages and ...

Huma Bhabha – interview: ‘The more complicated and layered the work is...

The artist explains how working for a taxidermist helped her with sculpture, why she is fond of mate...

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