![Eduardo Chillida with Lo profundo es el aire, Estela IX [How Pround is the Air; Stele IX], 1989. Granite. Photo: Jordi Belver. © Zabalaga Leku. San Sebastián, VEGAP (2021). Courtesy of the Estate of Eduardo Chillida and Hauser & Wirth.](/images/articles/c/026-chillida-eduardo-2021/smallpix/10-300.jpg)
The Basque sculptor’s geometry-defying, spatially expansive works fit snugly into the barns and gr...
Ellen Gallagher: Ecstatic Draught of Fishes
Gallagher takes the viewer down into her watery world, where mythology, history and nature collide, ...
Exhibition Cuttings, curated by Mathieu Copeland
Copeland challenges the usual perceptions of what an exhibition should be. Here he explores the idea...
Enough Is Definitely Enough – book review
As this captivating book shows, when Andrew Bracey asked 62 contemporary artists for their interpret...
A packed retrospective of the surrealist fellow-traveller spirals off in all sort of directions, off...
El Anatsui: Art and Life – book review
Susan Mullin is both an expert on and a friend to the Ghanaian sculptor El Anatsui. This second edit...
Epilogue: Michael West’s Monochrome Climax
West’s willingness to take risks and reject stylistic uniformity shines through in this exhibition...
Frick Madison provides temporary home for the Frick Collection
The superstars have been realigned as the old Whitney Breuer hosts the Frick Collection with surpris...
Indulge in some armchair escapism and travel to deserts forests and ghost towns, as art historian Am...
Eleanor May Watson – interview: ‘Home is a sanctuary, but also a reall...
Eleanor May Watson talks about the weight of history, the evolving nature of her work and the comple...
Emma Nicolson of Inverleith House: ‘Art institutions can highlight the d...
Emma Nicolson, the head of creative programmes at Inverleith House at the Royal Botanic Garden Edinb...
Exercising Freedom: Encounters with Art, Artists and Communities
Drawing on archival material, this fascinating exhibition looks at the Whitechapel Gallery’s pione...
Emily Jacir – interview: ‘I wanted the locals to show me what was impo...
The artist talks about her stone sculpture, Pietrapertosa, created as part of the Gardentopia projec...
It is known as a showcase for critical, speculative and multidisciplinary design projects that make ...
Eleanor Bartlett – interview: ‘When you see a great lump of tar, it’...
Eleanor Bartlett talks about why she favours working with bitumen, metal paint and wax and why colou...
Sound and vision collide in Verdier’s work, with this latest show exploring the physical, emotiona...
An outdoor exhibition of art on London’s Southbank celebrates the heroes of lockdown with an eclec...
Dana Schutz: Shadow of a Cloud Moving Slowly
The American painter’s first London show unleashes a gallery of grotesques that are equal parts ho...
-300.jpg)
Despite reminding us of our catastrophic past, our difficult present and our fragile future, this ex...
In her latest exhibition, Roissetter creates a distorted dreamworld that playfully, but subtly revea...
Emma Critchley – interview: ‘Being underwater where everything complet...
She has worked with dancers in the world’s deepest swimming pool, with scientists investigating gl...
En plein air: art in the time of pandemic
With museums and galleries shut due to the pandemic, art had to be rethought. Online shows have thei...
Dress Code: Are You Playing Fashion?
How did you choose the clothes you are wearing today, and what do they say about you? This show pick...
Esther Teichmann: ‘My work explores our relationship to the maternal, th...
The artist talks about the inspiration of watery places, lockdown at her parents’ home and how mot...
David Blandy – interview: ‘The online world can be a space for transfo...
Blandy talks about his new films, produced during lockdown and made to be viewed at home, his use of...
David Downes – interview: ‘Through the adversity, I thought this is so...
David Downes talks about his project of documenting the Covid-19 pandemic and how his autism feeds i...
Digital and networked art in lockdown: how can we be creative in new ways?
Unable to open to the public, museums and galleries have been quick to offer virtual tours and exhib...
This exhibition of works from Glasgow Museums’ collection explores the concept of domestic bliss, ...
From the archive: A New Illustrator – Aubrey Beardsley
This article was first published in The Studio, Vol 1, No 1, April 1893, pages 14–19...
From the archive: Aubrey Beardsley. In Memoriam.
Death has given Aubrey Beardsley the immortality of youth; and in future histories of illustration, ...
Copyright © 1893–2025 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|