Crossing the Line 3: Global Drawing
Florence was the venue for the third of the Crossing the Line conferences, which explore the role of...
Courtney J Martin: ‘Robert Ryman makes a lot of difficult things look in...
The curator of Dia: Chelsea’s Robert Rymanexhibition, discusses the seminal American artist’s si...
Artist Rooms: Roy Lichtenstein
As part of the Artist Rooms series, the Scottish National Gallery of Modern Art in Edinburgh is show...
Marking the 15th anniversary of the death of one of the 20th century’s most enigmatic painters, th...
Alice Cunningham: ‘The quarries were my biggest inspiration’
The artist talks about her experience of learning to work with marble from Michelangelo’s preferre...
Clifford Ross: ‘I indulge in extreme photography’
He is always looking for the fullest expression of his conception and will follow it past any sane p...
Ben Johnson: the making of Patio de los Arrayanes
We visited Ben Johnson in his west London studio over a 12-month period to film him working on a lar...
Cayce Zavaglia: ‘I have always wanted my work to be about the portrait a...
The artist talks about painting, embroidery, close relationships and how her studio practice develop...
Chelsea Knight: ‘We are all outsiders and insiders’
The artist talks about working at the threshold between video and performance, her interest in langu...
Bill Viola: ‘I was always interested in the inner life of the world arou...
Dealing with themes of life and death, human consciousness and emotional expression, the artist’s ...
Bob and Roberta Smith: ‘Put all those rotten politicians under pressure ...
By bringing politics into art, the artist Patrick Brill, better known as Bob and Roberta Smith, hope...
Ayakamay: ‘I’m a street performer’
American-born Japanese artist Ayakamay came to London this month to perform at Hoxton’s Red Galler...
Alberto Burri: The Trauma of Painting
This major retrospective showcases the pioneering work of Italian artist Alberto Burri, who took up ...
Ciara Phillips: British Art Show 8
Ciara Phillips – one of last year’s Turner Prize nominees – is a Glasgow-based Canadian artist...
Now in its eighth year, the British Art Show is the largest and most ambitious touring exhibition of...
Antony Donaldson: ‘Painting is a singular thing’
The artist talks about home visits from his tutors when he was at the Slade in the 1950s, being infl...
Eli and Edythe’s brilliantly realised dream of a palace for their art joins a developer’s brief ...
The identity of the Celts might be as evasive as a will-o'-the-wisp, but as this wonderful exhibitio...
Carl Plackman: Obscure Territories
Carl Plackman rarely discussed his work, which, spanning sculpture, drawing and installation, refuse...
Anj Smith: ‘The figure is a device on which to hang my concerns’
The artist talks about the collapsing of genres, her desire to portray identity post gender and pain...
Anita Glesta: ‘I would like this work to be a vehicle of communication ...
The artist talks about the motivation behind her brightly coloured projection of frenzied fish on to...
Bridget Riley: Learning From Seurat
Through the works of Georges Seurat, Bridget Riley learned about colour. His The Bridge at Courbevoi...
Chudamani Clowes: ‘I wanted to show immigration and migration in a posit...
Chudamani Clowes talks about immigration, her personal connection to west London and the human trage...
Anna Dumitriu: ‘Bacteria are living organisms that you can work with –...
Not many artists would want to work with bacteria, smelly faecal transplants or anthrax, but Dumitri...
Construction Industry: Contemporary Assemblage, Construction and Relief
This group exhibition makes a strong case that assemblage – as an art form – is still influentia...
Charles Lim: ‘It’s very easy to see the sea as a sublime space where y...
With his sailing background, Charles Lim explains, he sees the sea as ‘just an office’. His 10-y...
Charles Gaines: ‘I am dealing in the area of how meaning is formed’
The US conceptual artist and educator talks about why he believes art should be interested in knowle...
Art in Dialogue: Duccio | Caro
Bringing together a medieval Sienese altarpiece fragment and a late-20th-century abstract sculpture,...
This unmissable two-venue retrospective of Anthony Caro’s work encompasses everything from his vas...
Alinka Echeverria: ‘As soon as you lift up the camera, you make the othe...
The photographer talks about her work looking at political and religious beliefs, including a visit ...
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