Climate in Crisis: Environmental Change in the Indigenous Americas

This exhibition documents the hardships faced by Indigenous people from across the Americas as a res...

Carmen Neely – interview: ‘I'm interested in the process of what is lo...

The artist talks about the role of collecting, (re)creating characters and identities, translation, ...

Caravaggio-Bernini: The Baroque in Rome

This is the first major exhibition to pair the greatest painter of the baroque period with its great...

Art Deco by the Sea

This takes us to an interwar Britain where hope and modernism blossomed, changing the face of everyt...

An-My Lê – interview: ‘All the striations of important events are ret...

Photographer An-My Lê talks about her project Silent General and the personal and political tension...

British Baroque: Power and Illusion

The Tate’s first survey of Britain’s late-17th-century art is a misshapen pearl, often glimmerin...

Christine Rebet– interview: ‘Animation is perfect for critique: it is ...

Studio International spoke to Rebet at the opening of Time Levitation, her first solo show in the UK...

Albert Reuss

The Jewish painter escaped Nazi persecution in his native Austria and moved to Cornwall, but his hau...

Beyond the Brotherhood: The Pre-Raphaelite Legacy

This is an ambitious exhibition that examines the legacy of the Pre-Raphaelite Brotherhood in Britai...

Ann Dumas – interview: ‘Every exhibition is fraught with problems and ...

One of the UK’s leading curators, Dumas talks about women in the art world, the trials and triumph...

Bloomberg New Contemporaries 2019

From Ryan Orme’s inventive form of urban landscape painting to Eleonora Agostini’s weird depicti...

Alison Carlier – interview: ‘Drawn marks can describe and convey human...

Alison Carlier, the first to win the Jerwood Drawing Prize for an audio piece, talks about the overl...

Alfredo Jaar – interview: ‘You can talk about violence without humilia...

As his seminal Rwanda Project is revived at London’s Goodman Gallery, the Chilean artist and archi...

Art Basel Miami Beach 2019

Hit the refresh button! Just as the fair that 17 years ago rebranded Miami as an art hub began sitti...

Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot

Kiefer’s vast new works bring together scientific theory, mythology, astrology, mathematics and sp...

AnoZero’19 – Coimbra Biennial of Contemporary Art: A Terceira Margem/T...

The medieval setting of Coimbra in Portugal provides a worthy backdrop for the third iteration of th...

Cerith Wyn Evans: “… the Illuminating Gas”

Enter Wyn Evans’s dazzling universe with this show of mesmerising light and sound sculptures and i...

Ann Christopher: If You Stop Asking Questions - - -

This exhibition of new sculpture and works on paper by Ann Christopher is as welcome as it is refres...

Berenice Carrington: ‘I think of the naturalistic style of my drawing as...

The artist, who describes her work as ethnographic drawing, explains how her practice began when she...

Anthony Eyton – interview: ‘I’m still dealing with my mother’s ear...

Now 96, remarkably the Royal Academician’s latest show is full of recent paintings, which Frank Au...

Alan Davie and David Hockney: Early Works

An exhibition of work by Alan Davie in Wakefield in 1958 was formative for the young David Hockney a...

Alberta Whittle: How Flexible Can We Make the Mouth

The Barbadian-Scottish artist explores her heritage and the legacy of Scottish involvement in the Br...

Barry Flanagan

The hare dominated his practice to such an extent that it is often all he is remembered for, but thi...

Antony Gormley

There is metal everywhere in this engaging exhibition, which contrasts the gigantic with the minuscu...