TATE MODERN
Louise Bourgeois's 'spider' is more than 20 feet high, is called 'Maman', and hovers protectively over what appear to be white eggs. Close by, the massive work entitled "I Do, I Undo, I Redo", consists of three steel towers. These towers convey the essence of the three activities with remorseless logic. Most of us spend large parts of our lives in one or other such mode. As Bourgeois says, "The Redo means that a solution is found to the problem. It may not be the final answer, but there is an attempt to go forward...". Louise Bourgeois was born in France, but her career developed mostly in New York. The commission could be seen as a typical arrangement of curatorial diplomacy -American, yet European: but the installations by Bourgeois, whatever the reasons of choice, do seem to fulfil the promise of this enlightened decision. In future years, it may be a hard act to follow, given these massive spaces, and the manner in which the ageing genius has filled them, and with what child-like wonderment. Which reminds one of some other, British options. In the future, how will Kapoor fill it, or Gormley, or perhaps most interestingly now, Philip King: save us from Caro, or Moore. Such installations are also plagued by exposure, or over-exposure. That cannot be said of Bourgeois. She has christened the space, and magnificently for today.
Leaving Were the Ones Who Could Not Stay
From Scottish herring girls to the Gaza genocide, this exhibition is about belonging and identity...
John Walker – interview: ‘I wept uncontrollably in front of Goya’s B...
Following the publication earlier this year of a Thames & Hudson monograph on his art, John Walker t...
Tracking the artist’s development from local student to ‘father of modern art’, 135 works made...
Irma Stern. A Modern Artist between Berlin and Cape Town
This retrospective brings German South African artist Irma Stern back into view, while tracing her p...
Elaine Shemilt – interview: ‘I am certain that physiological processes...
An artist and researcher, Elaine Shemilt is known for her pioneering work in feminist video in the 1...
London’s Statues of Women – book review
This exhaustive yet compact guide to London’s statues of women presents a motley crew, not just of...
Berlinde de Bruyckere – interview: ‘My themes are not easy. You can’...
Belgian artist Berlinde de Bruyckere talks about the issues, artists and musicians that inspire her,...
The Honest Eye: Camille Pissarro’s Impressionism
This grand tribute to Pissarro evokes the bliss of a walk in nature and is an illuminating look at t...
William Kentridge: The Pull of Gravity
The first UK institutional show dedicated to William Kentridge’s sculpture is joyfully approachabl...
Guy Oliver’s laugh-out-loud film about being a teenager, Aqsa Arifa’s exploration of life as a r...
Making Waves – Breaking Ground
With 11 artists and more than 100 works, the wonders of the natural world are stunningly brought to ...
A thoughtfully curated exploration of the convergence of art and health in the work of Munch, a man ...
Pablo Picasso: The Code of Painting
This show draws international attention to a vibrant new art space in the Norwegian city of Trondhei...
Ro Robertson – interview: ‘The female shipbuilders of Sunderland have ...
At Sunderland’s Northern Gallery for Contemporary Art, which stands beside the River Wear, is a ne...
Border Crossings: Ten Scottish Masters of Modern Art
This show pays homage to the remarkable legacy of 10 artists who left their Scottish homeland to ach...
Niki de Saint Phalle & Jean Tinguely: Myths and Machines
She was an aristocrat sculpting voluptuous female figures, he a working-class maker of scrap metal k...
Natalia Millman – interview: ‘I want to talk about grief in an approac...
Inviting others to write a letter about their grief, and responding to each with a drawing, was the ...
A fine-tuned pocket survey celebrates the influential French realist painter, who imbued scenes of r...
Ernest Edmonds – interview: ‘The technology didn’t make it easy at t...
On the occasion of Networked, his show at Gazelli Art House, London, the pioneering computer artist ...
For Children: Art Stories since 1968
A skating ramp, an invitation to paint the floor, a glowing tent-like structure – this ambitious j...
Ten Sculptures by Tim Scott 1961-71– book review
A thorough introduction to and overview of a fascinating artist who has been far too overlooked. The...
Folkestone Triennial 2025: How Lies the Land?
Sorcha Carey’s first outing as curator of the Folkestone Triennial turns its sixth iteration into ...
New paintings by American artist, Pat Steir, now 87, make their debut in this exhibition in Zurich...
Lubaina Himid with Magda Stawarska: Another Chance Encounter
Drawing on correspondence between the writer Sophie Brzeska and the artist Nina Hamnett as well as H...
Collaborating with craftspeople from around the world, Seulgi Lee incorporates traditional technique...
Mika Rottenberg – interview: ‘I’m not an angel or a political activi...
The multidisciplinary artist Mika Rottenberg talks about her first solo exhibition in Spain, at Haus...
Berlin. Cosmopolitan: The Vanished World of Felicie and Carl Bernstein
This small but insightful show puts the spotlight on a microcosm within Berlin’s art world at the ...
Emma Talbot – interview: ‘I imagine the experience of life as an epic...
Large installations, paintings on silk, fabric sculptures and drawings convey the connection between...
To mark its 40th birthday, Ditchling Museum of Art + Craft is hosting an exhibition all about reachi...
Mike Nelson: Humpty Dumpty, a transient history of Mardin earthworks low r...
From the architecture of an old hilltop city in Turkey to the demolished Heygate Estate in south Lon...