TATE MODERN
Louise Bourgeois's 'spider' is more than 20 feet high, is called 'Maman', and hovers protectively over what appear to be white eggs. Close by, the massive work entitled "I Do, I Undo, I Redo", consists of three steel towers. These towers convey the essence of the three activities with remorseless logic. Most of us spend large parts of our lives in one or other such mode. As Bourgeois says, "The Redo means that a solution is found to the problem. It may not be the final answer, but there is an attempt to go forward...". Louise Bourgeois was born in France, but her career developed mostly in New York. The commission could be seen as a typical arrangement of curatorial diplomacy -American, yet European: but the installations by Bourgeois, whatever the reasons of choice, do seem to fulfil the promise of this enlightened decision. In future years, it may be a hard act to follow, given these massive spaces, and the manner in which the ageing genius has filled them, and with what child-like wonderment. Which reminds one of some other, British options. In the future, how will Kapoor fill it, or Gormley, or perhaps most interestingly now, Philip King: save us from Caro, or Moore. Such installations are also plagued by exposure, or over-exposure. That cannot be said of Bourgeois. She has christened the space, and magnificently for today.
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Chris Ofili: The Caged Bird’s Song
Weavers translated a triptych watercolour painting by Ofili into a tapestry, and this exhibition giv...
Bringing together works from the 1940s to the 2000s, this is the first institutional exhibition in E...
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Now You See Us. Women Artists in Britain 1520-1920
Monumental and momentous, this exhibition does away with any lingering notion that there have been ...
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Hetain Patel – interview: ‘Getting to that essence of creation, which ...
Alongside the artist’s own work, which includes a carpet-covered Ford Escort, is a cornucopia of s...
Lonnie Holley: All Rendered Truth
Lonnie Holley, American artist and musician redeems humanity’s junk and reveals the dark histories...
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Dion Kitson: Rue Britannia* and Silver Lining**
From pool cues resembling mops to a re-creation of a landfill pile, Kitson’s witty sculptures at t...
In the Eye of the Storm: Modernism in Ukraine, 1900-1930s
A touring exhibition of art from Ukraine’s national museums captures the country’s distinctive c...
Collidoscope: De la Torre Brothers Retro-Perspective
A feast for maximalists, the Mexican American brothers’ sparkling blown-glass sculptures and gaudy...
Belgian artist Francis Alÿs’s thoughtful new exhibition transforms the Barbican into a bustling g...
Fruit of Friendship: Portraits by Mary Beale
A prolific portrait painter from the 17th century, Mary Beale left a far-reaching legacy and espouse...
Garth Evans – interview: ‘There has to be the sense that the physicali...
In the lead up to his 90th birthday, sculptor Garth Evans talks to Sam Cornish, curator of A Place i...
Augustus John and the First Crisis of Brilliance
Augustus John was a star around whom many significant artists were in orbit. This enlightening exhib...
Not so much a festival as a cultural programme that runs over two years, Thinking Like a Mountain ai...
Vanessa Bell: A Pioneer of Modern Art
This exhibition focuses on the 1910s, the most radical and experimental period of an artist who indi...
Watch! Watch! Watch! Henri Cartier-Bresson
This comprehensive retrospective of the French master of street photography Henri Cartier-Bresson fo...
Ronald Moody’s sculptures fizz with life in this beautifully paced show, in which the Jamaican art...
This show, about the imprints of the human body, and which includes three new commissions – two ta...
Brilliant Exiles: American Women in Paris 1900-1939 – book review
Robyn Asleson’s beautifully illustrated book follows women such as Zelda Fitzgerald and Peggy Gugg...
Roger Mayne’s genuine curiosity about people shines through in his photographs of kids playing on ...
This exhibition, Paris-based Huong Dodinh’s first solo show in New York, is a revelation in elegan...
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Mella Shaw – interview: ‘All art is a form of activism. I use my pract...
Bella Shaw talks about her award-winning work Sounding Line, which focuses on the overuse of marine ...
Take one exceptional work and tease out various strands to create a small but exemplary exhibition ...
Gavin Jantjes – interview: ‘I want to be free from expectation’
Gavin Jantjes, the South African painter, printmaker and former curator talks about the pitfalls of ...
Sandra George’s social-documentary photography is the standout exhibition of this year’s Glasgow...
Biennale Gherdëina 9: The Parliament of Marmots
Against the breathtaking landscape of the Val Gardena in Italy’s Dolomites, under the curation of ...
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Anger, hurt, vulnerability, love, togetherness, celebration, passion … South African visual activi...
All That Glitters: A Story of Friendship, Fraud and Fine Art – book revi...
Orlando Whitfield recounts the behind-the-scenes story of his friend and one-time business partner I...
To Italy! With Liebermann in Venice, Florence and Rome
This exhibition explores uncharted territory not only by tracing Max Liebermann’s visits to Italy ...
Finally, 256 years after Angelica Kauffman became one of its founding members, the Royal Academy is ...
Dominique White – interview: ‘I do everything the wrong way’
Ahead of her Whitechapel Gallery commission, Dominique White, the winner of the Max Mara Art Prize f...
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Cy Twombly: Cycles and Seasons
American Sublime: Landscape Painting in the United States 1820-1880
Max Beckmann