TATE MODERN
Louise Bourgeois's 'spider' is more than 20 feet high, is called 'Maman', and hovers protectively over what appear to be white eggs. Close by, the massive work entitled "I Do, I Undo, I Redo", consists of three steel towers. These towers convey the essence of the three activities with remorseless logic. Most of us spend large parts of our lives in one or other such mode. As Bourgeois says, "The Redo means that a solution is found to the problem. It may not be the final answer, but there is an attempt to go forward...". Louise Bourgeois was born in France, but her career developed mostly in New York. The commission could be seen as a typical arrangement of curatorial diplomacy -American, yet European: but the installations by Bourgeois, whatever the reasons of choice, do seem to fulfil the promise of this enlightened decision. In future years, it may be a hard act to follow, given these massive spaces, and the manner in which the ageing genius has filled them, and with what child-like wonderment. Which reminds one of some other, British options. In the future, how will Kapoor fill it, or Gormley, or perhaps most interestingly now, Philip King: save us from Caro, or Moore. Such installations are also plagued by exposure, or over-exposure. That cannot be said of Bourgeois. She has christened the space, and magnificently for today.
Click on the pictures below to enlarge
Rose Wylie: The Picture Comes First
Don’t be fooled by the cartoonish depictions, Rose Wylie is constantly finding new ways of thought...
This utterly compelling two-channel video installation visually and aurally reflects the fractured h...
The late Colombian artist Beatriz González’s garish colours and shiny surface belie the violence ...
This scholarly exhibition lets the pointillist pioneer Georges Seurat’s lesser-known marine painti...
Lucian Freud: Drawing into Painting
The 170 drawings, etchings and paintings on show here not only lend insight into Lucian Freud’s wo...
Aki Sasamoto: Grilled Diagrams
In her first institutional solo show in the UK, Aki Sasamoto creates a freewheeling, haphazard narra...
-John-Cook-2025--300.jpg)
Loved by the public for her colourful and humorous paintings of people enjoying themselves, she was ...
Encompassing four solo shows this exhibition challenges our views on climate change, disability, ide...
Takesada Matsutani: Shifting Boundaries, and Tetsumi Kudo: Microcosmos
A pair of exhibitions by two Japanese innovators show contrasting approaches to the plastic revoluti...
Cosmos: The Art of Observing Space
Hard science meets soaring imaginations in a show brimming with cosmologically inspired artworks...
Paper Tiger Television: It’s 8:30. Do you know where your brains are?
A poignant exhibition takes us to a lost age of anti-corporate, earnestly intellectual media – wit...
This exhibition spans 50 years, from the now 90-year-old photographer Don McCullin’s gruelling 196...
Bringing together the best of two brilliant collections, this exhibition celebrates modern British p...
Hito Steyerl: Humanity Had the Bullet Go in Through One Ear and Out Throug...
The much-garlanded German artist-essayist Hito Steyerl turns her penetrating gaze to AI, automata an...
Laura Lima’s installation The Drawing Drawing at the ICA is delightfully disorienting, with the mo...
Christina Mackie: Material Reality
Through a series of installations, which can be read and reread on multiple levels, Christina Mackie...
Bringing together artists from the 19th century to the present, this engaging exhibition kicks off t...
Taking its title from an Oscar Wilde short story, this group show whose setting echoes the salons an...
-300.jpg)
Something Else Entirely: The Illustration Art of Edward Gorey
As the Society of Illustrators celebrates the centenary of Edward Gorey’s birth, we look back at t...
London Mithraeum is the perfect space for Manders’ three new yet timeless works. Before the openin...
At the opening of his first public exhibition, Nat Faulkner, winner of the Camden Art Centre Emergin...
Richard Hawkins: Potentialities
Bringing together early religious imagery, ritual performance, painting and AI, Hawkins taps into th...
Reflections. Picasso x Barceló
Ceramics by Picasso are juxtaposed with works by Miquel Barcelo, one of Spain’s leading contempora...
Award winners Roman Manfredi and Sayuri Ichida bring lost and overlooked communities into view, with...
Dom Sylvester Houédard: dsh* and EE Vonna-Michell – Henri Chopin: To Ra...
This exhibition draws together the concrete typestracts of Houédard with a stunning film by Henri C...
-Installed-in-Proximities-at-SeMA-Seoul-Photo-courtesy-of-ADMAF-300.jpg)
Organised in conjunction with the Abu Dhabi Music & Arts Foundation, this extensive exhibition at Se...
What characterises a monument? Mass? Authority? Glory? And what should be its destiny? If inspiring,...
Including works by Bert Hardy and Oscar Marzaroli to Alan Dimmick and Iseult Timmermans, this exhibi...
Kira Freije: Unspeak the Chorus
Kira Freije has created 26 new works for this show, life-size figures imbued with a rich and often ...
The Frick Collection: The Historic Interiors of One East Seventieth Street...
Celebrating the newly renovated Frick Museum, this treasure of a book takes the reader on a room-by-...
Copyright © 1893–2026 Studio International Foundation.
The title Studio International is the property of the Studio International Foundation and, together with the content, are bound by copyright. All rights reserved.
 |
 |
 |
|---|
Cy Twombly: Cycles and Seasons
American Sublime: Landscape Painting in the United States 1820-1880
Max Beckmann