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Gauguin Portraits

The National Gallery’s autumn blockbuster posits the troublesome post-impressionist firebrand as a...

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David Roberts Art Foundation’s Evening of Performances

Haroon Mirza, Jack Jelfs, Gaika and Hannah Perry were among nine international artists performing to...

Alberta Whittle: How Flexible Can We Make the Mouth

The Barbadian-Scottish artist explores her heritage and the legacy of Scottish involvement in the Br...

Stephen Dean: Rope and Anne Deleporte: Les Quatorze Meurtrières

Half-a-dozen works by Dean and two by Deleporte make up this stunning double exhibition by the New Y...

Enoc Perez – interview: ‘I’m trying to create my own little encyclop...

The New York-based painter discusses his new show, The Cinematic Self, at Ben Brown Fine Arts, his p...

Barry Flanagan

The hare dominated his practice to such an extent that it is often all he is remembered for, but thi...

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David Nash – interview: ‘The world of nature, the environment, weather...

David Nash, the Welsh-based land artist, talks of his early years, the evolution of his process, the...

Holly Hendry – interview: ‘I dabble between formalism and representati...

Just three years after leaving art school, Hendry has already had several high-profile shows. She ta...

Lucy Joyce – interview: ‘I’m not interested in the idea of spectacle...

With her six-month inaugural exhibition and a live Aktion ahead of the official opening, Joyce hopes...

Grayson Perry: Super Rich Interior Decoration

From the luxurious carpet depicting a homeless man to the Osprey handbag bearing the words ‘privat...

Power Night: the Launch of E-Werk Luckenwalde

It’s all about power – electricity and power relations – and this dynamic opening night for E-...

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Doug Aitken: Return to the Real

A humming, interconnected series of unsettling yet eerily beautiful works explores our place in a wo...

15th Lyon Biennale 2019

The 15th Lyon Biennale has an ambitious theme and a vast new additional venue. But can it live up to...

Mikhail Karikis – interview: ‘I have never cried during filming until ...

Karikis has filmed children, teenagers, elderly female pearl divers and others on the margins on soc...

Helene Schjerfbeck

A striking study of the process of ageing and mortality, the central room of this three-gallery exhi...

Trevor Paglen — interview: ‘Everything is surveillance software at thi...

As he opens a new project at the Barbican Centre, the artist and critical geographer explains online...

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Antony Gormley

There is metal everywhere in this engaging exhibition, which contrasts the gigantic with the minuscu...

Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and for...

The artist discusses her approach to objects and performance, to writing and performing, and to lang...

Maria Pasenau – interview: ‘I made all these works through the prism o...

The young Norwegian photographer talks about fear, red devils, graveyards and reinvesting photograph...

Julie Cockburn – interview: ‘My work is about telling the truth, but i...

At the opening of her latest show, Telling it Slant at Flowers Gallery, Cockburn talks about happy a...

Mona Hatoum: Remains to be Seen

This engaging exhibition, horrifying and humorous by turn, includes installation, sculptures and wor...

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Garth Evans: But, Hands Have Eyes

You would probably learn more from a foot-high sculpture by Evans than the whole extravaganza that A...

Alexander Tovborg – interview: ‘If you jump, you don’t necessarily c...

The Danish artist mixes his paint with holy water. Here, he talks religion, irony and bringing myste...

Esther Pearl Watson – interview: ‘I really search out moments of awkwa...

The Los Angeles-based painter presents an offbeat world that reflects on a distinctly American kind ...

AlanJames Burns: ‘I’m embedding the cave with an assumed consciousness...

Burns guides us around the cave where his latest installation is taking place and explains that, his...

Dóra Maurer

This is a fascinating insight into the joyous experimental work of this Hungarian-born artist, who s...

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Jo Spence and Oreet Ashery: Misbehaving Bodies

This bold exhibition brings together two challenging female artists insistent on exploring identity ...

Roger Palmer – interview: ‘I have always treated photography as a form...

Following an exhibition based on Robinson Crusoe and a new book of photographs of South Africa’s d...

Rachel Howard – interview: ‘I like to contradict myself, trip myself u...

The artist talks about her interest in madness and the edge of things and the five large-scale paint...

Fiona Tan: Disorient

Tan’s two-screen video installation is an unsettling look at the legacy of colonialism and a stark...



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