Maggi Hambling: ‘The sea is sort of inside me now … [and] it’s as if...

Maggi Hambling’s new and highly personal installation, Time, in memory of her longtime partner, To...

Marina Tabassum – interview: ‘Architecture is my life and my lifestyle...

The award-winning Bangladeshi architect behind this year’s Serpentine Pavilion on why she has shun...

Nora Aurrekoetxea – interview: Rijksakademie Open Studios

Nora Aurrekoetxea focuses on her home in Amsterdam, disorienting domestic architecture to ask us to ...

Nora Turato: pool7

This new work is very much about indeterminate selfhood as Nora Turato immerses the visitor in a swi...

Mahtab Hussain: What Did You Want to See?

With portraits of mosques and people at prayer, British Asian photographer Mahtab Hussain documents ...

Olivia Bax – interview: ‘With art, there are so many unwritten rules a...

Sculptor Olivia Bax talks about curating These Mad Hybrids: John Hoyland and Contemporary Sculpture,...

Mary Cassatt between Paris & New York: The Making of a Transatlantic Legac...

This beautifully illustrated book considers the importance of the American painter and printmaker Ma...

Mohammed Z Rahman: Remember to Live

Mohammed Z Rahman’s comfort zone is in the miniature, but with a vision that is hopeful not hellis...

Mickalene Thomas: All About Love

Glittering, shimmering, dazzling: Mickalene Thomas’s eye-catching works have more to them than mee...

Noah Davis

A survey of the late American painter Noah Davis honours his singular, otherworldly vision...

New Contemporaries

In the 75th New Contemporaries exhibition – perhaps not surprisingly at a time of economic, politi...

Maryam Tafakory – interview: ‘We weren’t just learning to draw – w...

Film-maker Maryam Tafakory collages found footage with the cinema of post-revolutionary Iran to expl...

Margherita Manzelli interview – ‘I developed a way of denying being a ...

As a major survey opens at Centro Pecci, Italian artist Margherita Manzelli discusses her lifelong s...

Maggi Hambling: Nightingale Night

In response to hearing the increasingly rare sound of a nightingale singing, Maggi Hambling has prod...

Maud Sulter: You Are My Kindred Spirit

This show focuses on Maud Sulter’s moving-image and spoken-word archives, in which warmth, familia...

María Berrío: The End of Ritual

Through her colourful and theatrical characters, Maria Berrío draws on folklore and mythology as sh...

Michelangelo, Leonardo, Raphael: Florence, c1504

Set in Florence at the turn of the 16th century, this exhibition is a portrait of drawing, every bit...

Material Poetry

The works here riff on the interplay between text and images, between the tangible and the conceptua...

Mike Kelley: Ghost and Spirit

A long overdue London retrospective of the pioneering, prescient American artist is not for the fain...

Magdalene Odundo

This stripped-back exhibition, with just three drawings and six hand-built vessels, allows the stark...

Maurice de Vlaminck: Modern Art Rebel

This retrospective of Maurice de Vlaminck is the first in nearly 100 years and gives an overview of ...

Monet and London: Views of the Thames

Industrial pollution is imbued with celestial light in Monet’s extraordinarily atmospheric paintin...

Mali Morris – interview: ‘A phrase that I use as a mantra is “What i...

In the run up to her exhibition at Hatton Gallery, Mali Morris talks about her processes of applying...

Marlene Dumas: Mourning Marsyas

Marlene Dumas’s tortured, grief-stricken images will haunt you long after you have left this exhib...